release of Midsommar, Ari Aster’s
follow-up feature to last year’s Hereditary,
folk horror is enjoying much deserved time in the spotlight. While the niche
horror subgenre is known to many a horror fan (folk horror is one of my
favorite subgenres), many curious viewers are at a loss when it comes to folk
horror. What is it exactly?
Of course, as many folk horror fans will try to explain, the subgenre is difficult to pin down. Some consider it a subset of religious horror, and while I see and respect that viewpoint, I don’t necessarily agree with that. The two subgenres are related; I see them as distinct. Perhaps folk horror and religious horror are sisters. They both explore man’s fear of his beliefs, of one’s faith being tested, and of watching religion corrupt its practitioners. But folk horror has a particular flavor, a certain aesthetic, which religious horror does not replicate.
Let’s talk about what it means to be a father. In our culture, a father is supposed to be a protector, a provider, the person responsible for the physical, mental, and existential well-being of his family. While both mothers and fathers face conflicts regarding their individuality and the demands of having a family, their duties are wholly distinct.
In many horror movies, a mother’s fears are tied to her biological function and are restricted to her relationship with her children. The anxiety here is that a mother might lose her autonomy to her children, that she might selfishly betray the sacred bond between mother and child, or that she will fail as a mother and be subject to a multitude of punishments. I delve into a lot of these movies in my post about mothers in horror movies, which you can read here.
When it comes to fathers, horror movies seem divided into two camps. In the first, a father struggles to fulfill his obligations (whether he’s aware of this or not is left to the individual film), thereby putting his family at risk. It’s only through his re-dedication to idealized fatherhood that he can protect his family. In the second, a man rebukes his fatherhood and the responsibilities that come with it because he is the nefarious threat to his family. On the whole, his obligations are to both his children and his wife (heteronormative families rule the roost in horror movies so far), and his duties arise more from social code than biological function.
It’s with these thoughts in mind that I created this list of horror movies that examine fatherhood. In these films, fatherhood is the glue that holds the family together and allows the family unit to become the fundamental building block of communities, societies, and civilizations. Whether these fathers fail or succeed in living up to the standard has profound ramifications for his family, which reflects our deeply held fears about the stability of our society.
I think most of us would agree that 2016 was a rough year, full of highs and lows. The horror movie scene was the same, full of some mediocre titles, but peppered throughout with both good and bad films. I, for one, loved a number of films that were very good and some others that were enjoyably bad (The Shallows is my new favorite guilty pleasure).
So, as a way to close the book on 2016, I’ve compiled a list of my five favorite horror movies of 2016. I’m not saying these are the best horror movies of 2016, because I haven’t seen every single horror movie released in 2016. I just really loved these five movies. I tried to represent a bunch of different types of horror films from the year. Some appealed to my own particular horror tastes and preferences. Others challenged my preconceived notions about the limitations of some horror-subgenres. They were all great movies that disturbed me in one way or another, sticking with me for days, even weeks.
The witch is one of the oldest villains in human civilization. Every culture has the concept of a human being, usually a woman, who has violated the laws of nature and society to gain immense power.
Her transgressions vary from culture to culture and religion to religion. In the western world, the witch has usually received her powers by signing over her soul to the Devil himself. Other times she has used some ancient, forbidden ritual to thwart God and order. Either way, the witch in a horror film is a dangerous woman. If you cross her, you will incur her horrific wrath. If you have something she wants, she will take it. Wither her cunning and mastery of black magic, the witch will gain dominion over your body and thoughts. They will force you to do unimaginable things.
That’s the legend, at least.
About ten or fifteen minutes into The Witch, I realized I was holding my breath. My shoulders were tense, shrugged up towards my ears as I sank further into my seat. I told myself to relax and just watch the movie, but I couldn’t. It didn’t help that I ended up curled up in my seat in preparation for the next insane development. And it didn’t help that the story became more and more unnerving and the scares more and more startling. Hours after the film had ended, I was still tense. I couldn’t stop revisiting the film, obsessing over certain scenes and replaying others in my head, desperate for details I’d missed.
It’s been a long time since a film, horror or otherwise, has provoked me like The Witch has. Few horror films have ever left me in a state of lingering physical discomfort. Not many horror movies have scared me like this, where I could not predict what fresh hell would come next. And few movies have left me this awestruck, because The Witch is one of the best horror films I’ve seen. It proves the level of art and craft the horror genre is capable of attaining.
And that’s because The Witch is not just a film. It’s an experience, a study in fear.
February horror serves up the scary movie goods this month, what with several big-name, majorly-hyped horror flicks hitting screens. And this blogger is looking forward to it!
There’s something for everyone—a bloody and “f*ucked up fairy tale”, a remake of a classic body horror flick, a horror anthology that seems truly promising, and a foray into the Australian countryside where no one can hear you scream. And don’t forget the zombies and witches and cults! Oh my!
If you’re not into the regular sappy, cheesy romance movies, consider grabbing your sweetie and a large popcorn for two before settling down to watch anyone of these February horror releases.
After all, Science says that horror movies are a proven way to make your date feel more attracted to you.
I’m just saying. 😉
Without further delay, here are the new February horror releases and their trailers, arranged by date!