release of Midsommar, Ari Aster’s
follow-up feature to last year’s Hereditary,
folk horror is enjoying much deserved time in the spotlight. While the niche
horror subgenre is known to many a horror fan (folk horror is one of my
favorite subgenres), many curious viewers are at a loss when it comes to folk
horror. What is it exactly?
Of course, as many folk horror fans will try to explain, the subgenre is difficult to pin down. Some consider it a subset of religious horror, and while I see and respect that viewpoint, I don’t necessarily agree with that. The two subgenres are related; I see them as distinct. Perhaps folk horror and religious horror are sisters. They both explore man’s fear of his beliefs, of one’s faith being tested, and of watching religion corrupt its practitioners. But folk horror has a particular flavor, a certain aesthetic, which religious horror does not replicate.
Much like January before it, February has often been a dumping ground for films (especially horror films) that studios know won’t do well. But don’t fret, this February has a lot of hidden gems, the kind I’m not used to seeing this early in the year. I’m stoked to see Natalie Portman’s sci-fi horror film Annihilation as well as a fresh take on a zombie outbreak in The Cured. Then there’s Netflix’s latest acquisition, The Ritual, the promises a scary fun time in the woods.
There’s also a fair bit of movies that are less than exciting, but it’s a good sign that we’re already seeing strong horror films this early in the year.
Enjoy! Continue reading
The Toronto International Film Festival (TIFF) continues the 2017 film festival season in style! And with tons of horror movies!
Thank God! I was getting a little parched with the paltry (though potent) slates of horror movies at Cannes and Venice.
Honestly, it’s not a surprise that TIFF has much more horror than the other festivals. TIFF has always been a little more…risky than some of the more prestigious festivals. Not that TIFF isn’t prestigious–it regularly attracts top-level talent and Oscar contenders. It’s just that TIFF is a little more daring. A little more willing to recognize the worth and artistic accomplishments of genre films.
As Vox put it, “Cannes films often skew toward more rarefied and international films, while at Toronto…you can find bigger crowdpleasers that might also find more money at the box office and wind up bigger awards-season contenders…TIFF sets the pace for the year’s awards chatter.”
And just to underscore the point, TIFF regularly hits homeruns, especially in horror. TIFF has debuted such horror films as Dario Argento’s Opera in 1989, Peter Jackson’s Braindead in 1992, The Grudge in 2002, Hostel in 2005, Inside (À l’intérieur) in 2007, 2008’s The Loved Ones, Black Swan in 2009, The Lords of Salem in 2012, Emilie in 2015, and Raw in 2016, where multiple people passed out during the screening.
Thus, without further adieu, let’s get to TIFF 2017’s horror movies!