As a genre, horror is especially adept at taking advantage of film’s voyeuristic nature and creating an uncomfortable vicarious experience. And more than any genre, horror can hack apart an audience member’s conception of fear and flip it on its head. The genre can sow horror and terror where the was none, forcing the audience to see once benign situations in a more sinister light (or shadow).
Steven Soderbergh’s Unsane, a film rooted in a young woman’s experience of being imprisoned in a mental asylum with her stalker, does precisely this. Unsane forces its audience to confront a premise that is scary for anyone, but for women especially. The film uses the negative cultural stereotypes we have of women and mental health to craft a film that recreates in lurid digital detail the discomfort and fear every woman has faced at some point in her life. It is a waking nightmare, less a work of fiction and more a worst case scenario of what happens when a man won’t take no for an answer.