(To read my past coverage of Cannes, see my 2016, 2017, and 2018 posts.)
One of the more exciting trends in horror over the last few years has been the proliferation of horror movies making splash debuts at renowned film festivals. Horror has been defying expectations and proving the genre haters wrong by showing up and showing out at festivals like Sundance and SXSW. Even genre festivals like Fantastic Fest and Frightfest have increased their profiles to become hotly anticipated in horror and non-horror circles alike.
as a horror fan, I feel like it’s about damn time. Many critics and filmmakers
have turned their noses up to horror, so it’s nice to see the industry not only
embrace horror but start to experiment with how the genre can tell compelling
Cue the Cannes Film Festival, arguably the glitziest and most buzzworthy film festival in the world. In years past, horror films like Evil Dead 2, Pan’s Labyrinth, Train to Busan, and The Neon Demon. have garnered much attention and acclaim at Cannes. Additionally, Cannes serves as an important marketplace and networking nexus for filmmakers looking to secure additional funding or distribution for their horror films. Such attention helps the whole genre do better, which is why I catalog the horror films showing at both the Cannes film festival and the Marché du Film (Cannes’ Film Market) every year.
year’s Cannes festival doesn’t have as much horror as I would like to see
(there’s never enough horror as far as I’m concerned). It’s disappointing that
there aren’t more horror films at Cannes, but rest assured, those that will
screen are ones to watch. This small but strong group of horror films promises
to offer audiences a lot more than the same old tired remakes and half-assed
When it comes to genre and big-name film festivals, the South By Southwest (a.k.a. SXSW) Film Festival has always been eager to showcase horror movies. This acceptance of horror isn’t surprising considering how committed SXSW is to feature “genre standouts” and “celebrate raw innovation and emerging talent from both behind and in front of the camera.” Overall, films shown at SXSW cut across a wide range of genres, tones, and influences, often encapsulating Sci-fi/Horror, fantasy, intimate dramedies, high-profile comedies, and everything in between.
Essentially, SXSW is a really fun film festival, with way more audience favorites and diverse voices than some of the more prestigious festivals. The festival purposefully cultivates a certain rebellious spirit and often screens films that are both smart and crowd-pleasing, accessible yet weird enough to be worthy of the host city (Keep Austin weird!). Notable horror titles from past SXSW festivals include The Return Of The Texas Chainsaw Massacre, Blade 2, the original Cabin Fever, The Cabin in the Woods, Insidious, Penny Dreadful, Creep, The Invitation, Ex Machina, A Quiet Place, and Hereditary.
So yeah, horror fans should definitely pay attention to what comes out of SXSW.
Not only does this year’s slate look as impressive as ever, but Stories For Ghosts will also attend SXSW in person to cover as many horror films and TV pilots as possible! I can’t wait! No longer will I have to admire the festival from afar, as I did in 2017 and 2018. I’ll get to be on the ground, soaking up everything from Jordan Peele’s latest horror movie Us, to AMC’s new horror series NOS4A2 (based on Joe Hill’s novel, to indie films like Them That Follow and Darlin’. I feel like a goth kid in a Hot Topic all by myself with my mom’s American Express.