Don’t let this post on consumerism in horror movies fool you into thinking I’ve been productive and industrious today.
On this, Black Friday 2017, I have spent an irresponsible amount of money not on friends and family, but on myself. I have no regrets. I didn’t even have to leave the couch to take part in the great American tradition of buying things I don’t need, the day after eating a ton of food I didn’t need.
But I loved it. I do it every year–I munch on Thanksgiving leftovers and hoard coupon codes, grabbing up books and music and clothes and makeup.
That got me to thinking about horror and the horror movies that tackle consumerism. Everyone knows about films like Dawn of the Dead and They Live, but the meteoric rise of material goods and availability post World War II has embedded itself into the very fabric of American pop culture. And whenever we bake something into our national consciousness, it comes out in our horror movies, sooner or later.
Again, some of those movies that confront our materialism are thoughtful horror movies that elevate the discussion. Others don’t pretend to be anything more than a fab 1980s slasher flick that just so happens to occur in a mall. Either way, consumerism in all its shapes and forms, from zombies to haunted malls to obsessive serial killers reflects this very American way of life.
Here are 9 movies (of varying quality) about consumerism, shopping, and the desire to acquire material goods.
It’s time for the annual Cannes Film Festival! And that means there’s a whole new crop of Cannes horror films!
Cannes is one of the renowned and distinguished film festivals in the world, attracting talent and glitz from all over. The festival has proven itself to be an important predictor of award-winning and groundbreaking films. Among all those storied films, composed of equal parts Oscar-bait and innovative indies, are some of the best horror movies.
As I pointed out in last year’s post, films like It Follows, Green Room, Possession, and Evil Dead were all shown at Cannes. Cannes has always recognized good films, even if they do happen to be horror films.
*Very Mild Spoilers for Get Out*
Every once in a while, a horror movie comes along that checks off all my horror-movie boxes. Such a movie strikes a balance between horror and comedy, between jump scares and mounting dread, between imagination and classic genre fare, between a stand-alone story and an important social message.
Every once in a while, a horror movie comes along that knocks me back. Holds me in my seat. Grabs me by the throat.
Get Out is the most recent example of such excellent filmmaking. By now you’ve surely heard that the film has a 99% rating on Rotten Tomatoes from 167 total reviews and an 83% “Universal Acclaim” rating on Metacritic. You might also have read that Get Out is a certified box office smash, grossing $111 million dollars worldwide against a budget of $4.5 million, which is 24x over its budget.
Get Out deserves every good review and every penny it earns. Movies like this make me proud to be a horror fan because they prove how the genre is positioned as uniquely challenging and entertaining art. From its technical execution, to its writing, to its casting, to its deeply relevant social criticism, Get Out will probably be one of the best movies of the year and will undoubtedly be one of the best horror movies of the decade.
Bad news, horror fans, there are only three theatrical release horror movies in August. Three! And only one of them is a wide release!
I know, right? What happened? This summer started off strong with The Conjuring 2 and The Shallows. I know August is usually kind of “sleeper” month for movies, but this I was expecting more than this!
The good news is that two out of three of these horror movies look promising, in a RedBox or Amazon Prime kind of way. Hell, Don’t Breathe might be worth the price of a ticket just for the Silence-of-the-Lambs-esque night vision scenes.
Check ‘em out.
We’ve still got a long way to go until the spooky, bloody, and glorious horror films that dominate the release schedule in the summer. January and February can be really uneven when it comes to horror movies, giving us movies that run the gamut from inspired and well-crafted to lazy and cliché. But March 2016 serves up some really interesting horror releases.
February horror serves up the scary movie goods this month, what with several big-name, majorly-hyped horror flicks hitting screens. And this blogger is looking forward to it!
There’s something for everyone—a bloody and “f*ucked up fairy tale”, a remake of a classic body horror flick, a horror anthology that seems truly promising, and a foray into the Australian countryside where no one can hear you scream. And don’t forget the zombies and witches and cults! Oh my!
If you’re not into the regular sappy, cheesy romance movies, consider grabbing your sweetie and a large popcorn for two before settling down to watch anyone of these February horror releases.
After all, Science says that horror movies are a proven way to make your date feel more attracted to you.
I’m just saying. 😉
Without further delay, here are the new February horror releases and their trailers, arranged by date!
September gets kind of a rough deal. It’s the first full month back from summer and the only real barrier between summer fun and Halloween fun. Of course, if you’re anything like me, you start planning your Halloween costume at least sixty days out. Around that two-month mark, you might start planning your annual Boo-bash or purchasing your tickets for a haunted house tour. September often seems like thirty days of not-being-October, like time to clear your schedule for costume parties and scary movie marathons and baking ghostly treats.
But let’s give September a little bit of love. Some awesome horror movies will be released later this month. Maybe it’s time we think of September as the warm-up month. These films will get you in the mood for all of October’s creepy glory.
So, without further ado, September 2015 has everything from unnerving, suspicious twins to murderous trick-o’-treaters to Nicolas Cage’s best “scared/confused” face. Check out the September horror below!
June 2015 marks the 50th Anniversary of the UK release of Repulsion, the 1965 psychological horror film. Starring screen goddess Catherine Deneuve and directed by Roman Polanski, Repulsion was an instant classic. It would prove a major influence on the sub genre of psychological horror, taking its place among such greats as Psycho and The Shining.
In honor of the 50th Anniversary of one of the best psychological horror films ever, I re-watched Repulsion the other night. It was as good as I remember, but I had noticed some new things that added to my film-watching experience.
Great news, Internet!
H.R. Giger, Swiss surrealist, artist, and creator of the iconic designs behind such films as Alien, Poltergeist II: The Other Side, and Species, is the subject of an intriguing new documentary. Dark Star: H.R. Giger’s World, directed by Belinda Sallin, offers an intimate view of the artist during an interview conducted in his dark and cluttered home. The man, the legend, invites the viewer to follow him deeper and deeper into the recesses of his home, which is full of stacks of books, his painting and sculptures, and countless items assembled for inspiration.
When I finished watching Maggie, I was left in a state of mild disbelief. I knew going in that this movie wasn’t going to follow the expected path. The whole thing was marketed on that exact point. “Arnold Schwarzenegger in a zombie movie? You think you know what that looks like, but you have no idea!” Yet I wasn’t really prepared for how different the film would be from my expectations.
In case you haven’t heard, Maggie is the most recent entry in the zombie genre. It stars Arnold Schwarzenegger as Wade Vogel, father to Abigail Breslin’s Maggie. It takes place on the edge of the zombie apocalypse, before society has completely disintegrated. The mysterious Necroamblist virus, which slowly turns people into flesh-hungry zombies, threatens to engulf the globe. The zombies are slow and lethargic right up until they attack, in true vintage-zombie style. And there is no cure.