Hey Internet! Susie here! Please welcome Chris Shea, the newest Contributing Writer here at Stories for Ghosts! Chris is a Producer, Production Manager, Assistant Director, and Director based in Austin, Texas. He has so much filmmaking expertise, and I’m very excited to have him write for the blog! Enjoy his first piece!
***Note: Mild spoilers for Wounds***
Wounds opens and closes with the same image shown on screen to its audience. It’s dark, reminiscent of an H.P. Lovecraft novel, and it’s the driving force behind the film’s antagonist. The image, which seems more like a place, is a harbinger, a warning of the evils to come and possibly a commentary on our ever-present proximity to evil.
*Warning: Some Spoilers for Suspiria*
When I walked out of the theater after watching Luca Guadagnino’s remake of Suspiria, I didn’t know what to think. I didn’t know how to feel. I didn’t know if I liked the movie or if I hated it. Oh sure, there was plenty of horrific elements and beautiful dance scenes and provocative imagery, but did I enjoy it? Was it a good movie?
And then I realized that I felt the same way after watching Dario Argento’s original Suspiria. I had to laugh. Even though the remake of Suspiria is a wholly independent film that stands on its own, it reminded me of the original in more than one way. Beyond the purposefully muted visual palate, the expanded plot, and the exploration of themes, Guadagnino’s Suspiria creates a similarly enigmatic and overwhelming horror film that compliments Argento’s work.