Let’s talk about what it means to be a father. In our culture, a father is supposed to be a protector, a provider, the person responsible for the physical, mental, and existential well-being of his family. While both mothers and fathers face conflicts regarding their individuality and the demands of having a family, their duties are wholly distinct.
In many horror movies, a mother’s fears are tied to her biological function and are restricted to her relationship with her children. The anxiety here is that a mother might lose her autonomy to her children, that she might selfishly betray the sacred bond between mother and child, or that she will fail as a mother and be subject to a multitude of punishments. I delve into a lot of these movies in my post about mothers in horror movies, which you can read here.
When it comes to fathers, horror movies seem divided into two camps. In the first, a father struggles to fulfill his obligations (whether he’s aware of this or not is left to the individual film), thereby putting his family at risk. It’s only through his re-dedication to idealized fatherhood that he can protect his family. In the second, a man rebukes his fatherhood and the responsibilities that come with it because he is the nefarious threat to his family. On the whole, his obligations are to both his children and his wife (heteronormative families rule the roost in horror movies so far), and his duties arise more from social code than biological function.
It’s with these thoughts in mind that I created this list of horror movies that examine fatherhood. In these films, fatherhood is the glue that holds the family together and allows the family unit to become the fundamental building block of communities, societies, and civilizations. Whether these fathers fail or succeed in living up to the standard has profound ramifications for his family, which reflects our deeply held fears about the stability of our society.
*Be Warned – Very Mild Spoilers for A Quiet Place*
I’ve always said that, for any medium, the key to creating a compelling narrative is developed characters. This is especially true in crafting exceptional horror movies, where the disturbing events unfolding on screen pack an intense punch not just because of their scariness but because of the risk they pose to characters the audiences cares about. Yeah, a novel concept, good pacing, and deft camera work contribute, but no one cares about any of that if the characters aren’t watchable.
This is especially true for A Quiet Place, which wisely uses its script and actors as the foundation upon which the whole movie is based. Its inventive concept, heart-pounding scenes, and swelling tension would have fallen flat without the work that went into the script and the acting. In doing so, A Quiet Place stakes a claim as the first exceptional horror movie of 2018. (I know that’s not saying much when compared to films like Winchester or The Strangers: Prey at Night, but the rest of 2018’s horror movie faces stiff competition.)
I. Am. Pumped. April horror is chock full of all sorts of festival horror movies I’ve been waiting for, and they look great!
This April, we’re getting not one, not two, but three horror movies from last month’s SXSW, and they look amazing. I can already confirm that A Quiet Place, starring Emily Blunt and John Krasinski, is very good and highly enjoyable. That leaves Wildling, one of the festival’s unexpected triumphs, and Ghost Stories, a spectacularly moody British ghost tale.
And then, on top of everything, Marrowbone, the latest effort from Spanish filmmaker Sergio G. Sanchez (El Orfanto) drops this month. Swoon.
Also among the April horror releases are a few horror films that look cheesy, contrived, and quite frankly, delightful! Truth or Dare promises the kind of schlocky teenage horror we all secretly enjoy (don’t lie) while Bus Party to Hell demands to be seen on the strength of its title alone. I will oblige.
Seriously, this is a great month for both quality horror and popcorn-flick fun.
Check out the trailers below.
Festival season continues with the SXSW Film Festival in Austin, Texas, which means there are new (and, hopefully, fresh) horror movies for us to peruse!
2018 marks the 25th year of the SXSW film festival. Just think of it–25 years of a fearless and unflinching commitment to emerging voices, diverse viewpoints, and plain crazy schemes that translate into memorable films! SXSW is known for its commitment to pushing the envelope of the film industry, and the horror industry knows this.
After the intense year of horror movies that was 2017, I’m confident that the 2018 horror calendar will be just as full of solid and groundbreaking films.
True, there are lousy horror movies every year, but there is an undeniable upward trend of quality, well-made horror movies. This year, the 2018 horror release calendar has a bevy of goodies for us, like from horror novel adaptions Annihilation and Birdbox, the latest entry in horror franchises such as The Purge: The Island and The Nun, and brand new stories like A Quiet Place and Slaughterhouse Rulez. There’s so much I don’t really know what to be more excited for, but the new Suspiria reimagining (don’t call it a remake!) is probably the 2018 horror movie I’m most anxious for.