You know how sometimes there’s nothing good to watch? So many cable channels, so many streaming services, so many Blu-rays in your house, and yet you can’t find anything remotely interesting to watch? Either you’ve seen all the horror movies you own, or everything airing looks lame. So you end up watching The Office or Parks and Recreation for the five billionth time, or whatever your I’m-bored-and-want-the-TV-on show is.
Well, buckle up buttercup, because it’s time for the 2019 London FrightFest Film Festival! This year marks the 20th anniversary of FrightFest, which is kind of insane when you think about all the amazing horror movies that have graced this horror-focused film festival. The list of groundbreaking and iconic horror FrightFest films is very long—Audition, Ginger Snaps, Pan’s Labyrinth, Martyrs, and The Babadook all count themselves members of this club, just to name a few.
This year, FrightFest will screen over 80 horror films (So. Much. Horror!), which means that BUCKETS of upcoming horror films are about to flood the market looking for distributors. And that means you’ll be seeing those films shortly, either in theaters or on streaming services. Even the most difficult to impress gorehounds and the pickiest psychological horror fans are sure to find something to like.
Guys, what did we do to deserve this many horror movies in a single month?!?! I’m overwhelmed with all these new August horror films! From a ton of VOD films (of varying quality) to some solid theatrical releases, the August horror cup runneth over.
For my part, I’m excited for Ready or Not, Scary Stories
to Tell in the Dark, Tigers Are Not
Afraid, and The Divine Fury.
Watch those trailers and many others after the cut!
release of Midsommar, Ari Aster’s
follow-up feature to last year’s Hereditary,
folk horror is enjoying much deserved time in the spotlight. While the niche
horror subgenre is known to many a horror fan (folk horror is one of my
favorite subgenres), many curious viewers are at a loss when it comes to folk
horror. What is it exactly?
Of course, as many folk horror fans will try to explain, the subgenre is difficult to pin down. Some consider it a subset of religious horror, and while I see and respect that viewpoint, I don’t necessarily agree with that. The two subgenres are related; I see them as distinct. Perhaps folk horror and religious horror are sisters. They both explore man’s fear of his beliefs, of one’s faith being tested, and of watching religion corrupt its practitioners. But folk horror has a particular flavor, a certain aesthetic, which religious horror does not replicate.
With the plethora of fantastic horror available right now, it’s a great time to be a horror fan. Not only are horror movies getting better and better, told from a variety of viewpoints and with tons of cool new stories, but television is also experiencing a horror renaissance. And y’all, there are just too many options to choose from.
It all started with the premiere of What We Do In The Shadows this past week, which got me thinking–what other cool new 2019 horror TV shows have come out or are coming out soon?
*Warning: Some Spoilers for Suspiria*
When I walked out of the theater after watching Luca Guadagnino’s remake of Suspiria, I didn’t know what to think. I didn’t know how to feel. I didn’t know if I liked the movie or if I hated it. Oh sure, there was plenty of horrific elements and beautiful dance scenes and provocative imagery, but did I enjoy it? Was it a good movie?
And then I realized that I felt the same way after watching Dario Argento’s original Suspiria. I had to laugh. Even though the remake of Suspiria is a wholly independent film that stands on its own, it reminded me of the original in more than one way. Beyond the purposefully muted visual palate, the expanded plot, and the exploration of themes, Guadagnino’s Suspiria creates a similarly enigmatic and overwhelming horror film that compliments Argento’s work.
One of my favorite things about the horror genre is how versatile it is. From films, television shows, books, and art, horror can triumph with the right story and the right talent. And this is particularly true for the horror comic.
It’s a very different experience for horror fans—horror comics have the cinematic qualities of movies with the immersive elements of books. The most effective horror comics take the best aspects of comic book storytelling with stunning artwork, creating unique and deeply disturbing aesthetics that suck in readers and stick with them for days afterward.
With the success of The Chilling Adventures of Sabrina on Netflix, I’ve decided that more people need to know about the horror comic, which reboots the bubbly Sabrina The Teenage Witch series with a decidedly darker angle. And while we’re at it, let’s discuss a small portion of the staggeringly good horror comics the medium has to offer.
*Mild spoilers for The Chilling Adventures of Sabrina*
To the delight of many horror fans (myself included) witches are enjoying a moment in the sun right now. This year has seen films like Hereditary and Suspiria make waves with their frightening portrayals of one of civilizations oldest horror archetypes. And now, Netflix has thrown its hat into the ring with The Chilling Adventures of Sabrina, based on the horror comic of the same name, itself a dark reimagining of a beloved Archie icon.
Similar to the light and wacky ’90s show Sabrina the Teenage Witch, this new Sabrina (Kiernan Shipka) is a half-witch, half-human teenage girl, living with her magical aunts Zelda and Hilda. As if navigating the pitfalls of high school and teenager problems weren’t enough, Sabrina must also contend with the added responsibilities of her blossoming magical abilities.
That’s where the similarities end, because like the horror comic, The Chilling Adventures of Sabrina casts Sabrina and the other witches as everything old-timey witch-hunts said witches were: full-on devil-worshipping cannibals who hold black masses in the woods and have a dangerous propensity to interfere with mortal affairs. In this new TV series, Sabrina must decide if she will embrace her human side and forsake her witch heritage, or if she will join her family by signing her name in the Devil’s book and give up the mortal world.
It’s a fun and macabre show, with lots of entertaining twists on old TGIF material. But more importantly, the fascinating thing about The Chilling Adventures of Sabrina is how sharply it examines the power dynamics of being a witch. Power and influence trickle down from Satan, to his high priests (all men), to influential coven members, until those at the very bottom tear at each other for scraps. This dynamic is intentionally juxtaposed against Sabrina’s yearning to harness her fledgling powers and use them as she sees fit. Continue reading
It’s officially November, which means that we’ve got a whole new slate of horror movies to discuss while steadily munching on leftover candy.
The months after October were usually devoid of quality (or even interesting) horror movies because the holiday season is the domain of awards seasons hopefuls. But that’s changed in recent years as more and more studios realize there is a year-round audience for horror.
As such, there’s a not-terrible slate of horror movies to choose from this November. Based on trailers alone, highlights include Luca Guadagnino’s stylish remake of Dario Argento’s classic Suspiria, WWII occult-horror Overlord, and zombie-musical-comedy Anna and the Apocalypse. (I’ve been waiting for that last one since I first learned about it at FantasticFest 2017! I never knew how badly I wanted a Christmas-themed zombie musical until then.) But November also has a large number of stinkers, like The Amityville Murders (can they stop with this franchise already? Lord have mercy), The Farm, and The Possession of Hannah Grace.
Enjoy, and let me know what you think in the comments!
The Venice International Film Festival officially kicks off today, serving as one of the most important stops on the film festival circuit. Venice is one of the three most influential film festivals in the world, up there with Cannes and Berlin. As such, films showcased at Venice are regarded as being the crème de la crème, as prestigious films that aim to elevate the medium of film.
Of course, horror films are often overlooked. But not always.
Do you hear that? It’s the sound of Halloween approaching, which means it’s time to start choosing your horror novels for autumn. You only have 75 days left to pick a scary read!
With so many horror novels out there, it can be hard to choose. Don’t worry though, because I always come prepared with great recommendations. If you’re looking for a horror classic to curl up with, I got you covered with my Classic Spooky Reads or Modern Horror Classics post. If you’re looking for a unique female voice to keep you up at night, my female horror writer litspo post is worth a look. And you can always check out my blog on new horror releases from the first half of 2018.
Even better news—I noticed that tons of intriguing, spooky sounding horror novels were slated for release in the latter half of 2018. Since I hadn’t covered any of these books in my previous post, I thought they merited a whole new post, and just in time for those of us looking to find the perfect scary fall read.