September’s arrival means two things. First, that school is
back in season, which means a return to old routines, much-appreciated cooler
weather, and a fresh round of illnesses. (Yay for daycare, ugh!) Secondly, it
means we’re officially less than a month away from 31 days of celebrating Halloween!
The best part about Halloween becoming more and more of an
event is that we get a ton of scary movies around this time of year, and September
really ramps up the horror movie releases. As a fan, I love seeing what movies
are released, especially if the September horror movies are buzzy or promising.
However, it’s not always great seeing the not-so-good offerings.
And while I’m a little late with the post (see the aforementioned daycare illnesses, boooo), September is off to a roaring start. That’s mostly due to It: Chapter Two, which is clearly the star of September horror (read my recap of the first half of It here).
The heat is settling over the country, and so too are the July horror movies creeping onto the big and little screens. This new crop of horror movies is overtaking us all with a cloud of weird VOD releases and an eclectic mix of theatrical releases. To be honest, July horror is a crapshoot every year–for every sumptuously shot arthouse horror film like Midsommer, you have a cheap looking The Strangers rip-off like They’re Inside. For every enigmatic and dread-inducing foreign film like Luz, there’s a survival horror flick about a killer croc during a hurricane (which feels somewhat-opportunistic given all the damn hurricanes recently, Paramount!) But hey, there’s something on this list for everyone!
And I’m going to call July horror a success for no other reason than Critters Attack! is in my life now. I must see it.
their nature, are weird.
about it—they’re (often) miniature representations of people meant to be played
with. They’re inanimate objects. With another person or an animal, there’s an
exchange, an actual relationship of some kind. But with a doll, there’s nothing
inside the doll to interact with. Yet we design them specifically to encourage that
interaction. In fact, we craft dolls specifically to invite children and adults
alike to construct identities for their dolls, to feel like there’s some kind
of relationship there. Because dolls demand that the person invent a
personality for the doll, a narrative for the doll, a ghost of a person to live
within the doll.
That’s weird, right?
Horror fans, I’m back!
Not to dwell, but life has been a little crazy for me
lately, and I had to take some time to take care of family stuff (mostly taking
care of an adorable new human who is utterly dependant on others). I had to put
my love for horror on the back burner, unfortunately. But the flame of horror
love burns eternal, and I kept obsessing over the latest horror trailers even
while changing poopy diapers and helping my new baby learn to grab stuff.
Now that things have settled a little bit, I am so excited to start up again. Let’s start with the June horror releases.
But you know what’s not so exciting? The slate of June horror movies. Of the big releases, only The Dead Don’t Die and MAYBE Child’s Play seem worthwhile. The Dead Don’t Die is fresh from its premiere at Cannes Film Festival, which would be a promising sign if it weren’t for all the less-than-stellar reviews. As for Child’s Play, I wasn’t super impressed by the trailer (though I like the tech updates they’ve made to the premise), but then I learned that Mark Hamill was voicing the Buddi doll, and now I really want to see it.
Annabelle Comes Home (alternate title: Conjuring Sequel 432: Electric Bugaloo) is…also coming out this month. Because somehow these movies keep making money. At least Patrick Wilson’s fine self stays employed.
As for smaller releases and VOD films, I’m disappointed, to say the least. Usually, there are a couple of hidden horror gems dumped into VOD land during June, but June’s offering does not inspire confidence. The only one that might have potential is Recovery. While that story could work so well for a horror film, I’m not convinced this low-budget effort makes the most of its promise.
Here’s hoping July’s horror movie releases are more exciting. In the meantime, check out the trailers for June’s horror releases.
With his remarkable feature film debut, Get Out, writer-producer-director Jordan Peele struck a nerve and captured the cultural zeitgeist. Many horror fans were in awe of the achievement and felt vindicated that a horror movie received such critical and commercial success. We wanted to see what he would do next—what message would he send: political, social, cultural, or a mix of all three? How would he deliver this message? What fucked up, masterfully directed story would he unravel?
Most of all, we
wanted Peele to get crazy, so he got crazy.
February hasn’t always been a strong month for horror. In fact, the early part of each year used to be seen as a dumping ground for meh movies for the entire film industry. And when it came to horror, a lot of those films were not really worth anyone’s time.
But thanks to the horror boom, which has revitalized the genre, we’re seeing interesting, high-profile horror releases year-round. This February is very strong, with splashy new horror movies straight from the festival circuit (Velvet Buzzsaw and Piercing), solid wide releases (The Prodigy and Happy Death Day 2U), and one VOD release that infuses the Frankenstein mythos with Jewish folklore (The Golem).
February also sees the release of an important and illuminating documentary, Horror Noire, about the historical role of black people both in horror films and behind the camera.
So yeah, February horror has a lot to offer. Enjoy!
A new year, a new slate of horror movies to anticipate. This year, as with nearly every year, there are so many horror films to choose from. And as with every year, there are some movies that look DOA (like La Llorona, which looks so cheesy) as well as some films that will blow us all away (Jordan Peele’s Us looks way intense, I’m ready but so unprepared at the same time).
That being said, this year’s anticipated horror list includes a whole lot of sequels (4 total) and remakes (2 total). 2019 is the year of Stephen King, as his stories have inspired THREE of the fourteen movies on my list. But there’s also a fair bit of original content, like Us, Brightburn, and Ma.
I’m just so excited to see all of these. As always, stay tuned for my reviews of these films! Enjoy!
Happy New Year to all you horror fans out there!
I don’t know
about you, but 2018 was kind of an amazing year for horror. There were a lot of
original titles and a fair bit of inventive stuff. Of course, each month we saw
many of the same old bad horror movie titles, with shoddy special effects, unimaginative
jump scares, and laughable acting. Despite the highs we experienced in 2018, it
appeared that each month would bring an endless stream of subpar horror movies.
I went into this
month’s horror movie calendar feeling the same way. 2019 would be, largely, the
same, and all I could do was hope we’d have the same caliber of cool horror
movies as in 2018.
These January 2019 horror trailers weren’t that bad. Some of them were
actually, dare I say, interesting? Take Rust
Creek, which might be a more sophisticated execution of your typical redneck
survival horror movie. Or Pledge,
which promises to unleash a whole frat of Patrick Bateman psychopaths on a
group of unsuspecting underclassmen. And then, of course, there’s Glass, which isn’t really a full horror
film, but by God, James McAvoy’s Beast character creeps me the hell out.
There’s also the notable horror DVD releases this month—Halloween will hit Amazon on January 15, followed by Suspiria on January 29. Both of these 2018 horror films are solid choices, so check them out.
And enjoy this month’s new horror releases!
“Remake”—the very word inspires the most dramatic of eye rolls for horror fans. That’s because so many horror remakes are unnecessary. All too often, remakes are based on films that were wonderfully crafted, and some producer somewhere is trying to make a quick buck by dragging a good movie’s legacy through the mud.
Seriously, how frustrating is it when a solid, well-made horror classic, like 1982’s Poltergeist, gets remade? Poltergeist didn’t need a remake! And if someone just had to remake it, couldn’t they have created something better than the 2015 remake?
But then, again, how cool is it when a horror remake actually adds to or improves upon the original horror film? As much as I love Dario Argento’s Suspiria, it has its flaws. Luckily, the remake of Suspiria paid homage to the original, avoided copying the original’s aesthetic, and dove deep into the plot. What resulted was an original film that preserved the original’s legacy and stood on its own.
Or take the most recent news about the remake of Candyman, a good film that could have been great. It’s set to be produced by Jordan Peele and promises to dig into the power of the Candyman mythos against the backdrop of the now-gentrified area where the Cabrini-Green housing projects once stood. With Peele at the helm, I’m optimistic that this remake will cover a lot of new ground when it comes to racism and class differences, which is sadly very relevant.
That got me thinking—what are some other horror films that deserve a remake? What are some films that were good but not great, full of potential that shouldn’t be wasted? For whatever reason, be it a shoe-string budget, uneven writing, or production troubles, tons of horror movies never reached their full potential despite having most of the parts to do so.
***Warning! Spoilers for Halloween (2018)***
It’s a rare thing to see a horror movie sequel that expands upon and develops the source material in an exciting, worthwhile way. It’s even more unusual and unexpected for a film with as storied a following as John Carpenter’s Halloween. A groundbreaking film that spawned a stream of uninspired sequels, the original Halloween finally has a sequel worthy of its legacy in the latest Halloween film, from Blumhouse Productions.
This horror fan enjoyed the film immensely because it did much more than pay fan service to horror legend. Halloween (2018) dove deep into the genre in a way that slashers rarely do. Sure, it’s got the body count, jump scares, and genre conventions of a slasher (along with some clever role reversals and callbacks), but Halloween will be remembered as a meta-slasher.
40 years after the events of John Carpenter’s Halloween, Laurie Strode, the only survivor of that fateful night, is convinced that Michael Myers will come for her again. Between not treating her PTSD and struggling to live a functional life, Laurie has become a hardcore survivalist. But she’s lost a lot in the process. She has a strained relationship with her family—daughter Karen, son-in-law Ray, and granddaughter Allyson. She is a recovering alcoholic. She doesn’t seem happy at all. But at least she knows that when Michael Myers returns, she’ll be ready for him.
And sure enough, Michael Myers escapes from state custody the night before Halloween. He hasn’t forgotten about Laurie either, and he will stop at nothing before he finds her and kills her. After all, she’s literally the one that got away.