Right now in Austin, Texas, film lovers from all over are converging to revel in their love of film. But not just any kind of films–weird films. Gory films. Films that make people squirm in their seats one minute and laugh out loud the next. I’m talking about Fantastic Fest 2019, the largest genre film festival in the United States.
Fantastic Fest 2019, as in past years, is devoted to horror, fantasy, sci-fi, action and “just plain fantastic movies from all around the world.” Further still, the festival “is dedicated to championing challenging and thought-provoking cinema, celebrating new voices and new stories from around the world and supporting new filmmakers.” Over the years, the festival has put its money where its mouth is, having screened the world premieres of John Wick, There Will Be Blood, Zombieland, Split, and Apostle.
This year, Fantastic Fest 2019 has several notable films, including the world premieres of the latest Stephen King adaptation In The Tall Grass and horror anthology The Mortuary Collection. I’m particularly excited for Nic Cage’s Color Out of Space, The Lodge (from the team that scarred me forever with Goodnight Mommy), and documentary Scream, Queen! My Nightmare On Elm Street. Also, if I’m being honest, this Wrinkles the Clown documentary looks wild.
Horror fans, I’m back!
Not to dwell, but life has been a little crazy for me
lately, and I had to take some time to take care of family stuff (mostly taking
care of an adorable new human who is utterly dependant on others). I had to put
my love for horror on the back burner, unfortunately. But the flame of horror
love burns eternal, and I kept obsessing over the latest horror trailers even
while changing poopy diapers and helping my new baby learn to grab stuff.
Now that things have settled a little bit, I am so excited to start up again. Let’s start with the June horror releases.
But you know what’s not so exciting? The slate of June horror movies. Of the big releases, only The Dead Don’t Die and MAYBE Child’s Play seem worthwhile. The Dead Don’t Die is fresh from its premiere at Cannes Film Festival, which would be a promising sign if it weren’t for all the less-than-stellar reviews. As for Child’s Play, I wasn’t super impressed by the trailer (though I like the tech updates they’ve made to the premise), but then I learned that Mark Hamill was voicing the Buddi doll, and now I really want to see it.
Annabelle Comes Home (alternate title: Conjuring Sequel 432: Electric Bugaloo) is…also coming out this month. Because somehow these movies keep making money. At least Patrick Wilson’s fine self stays employed.
As for smaller releases and VOD films, I’m disappointed, to say the least. Usually, there are a couple of hidden horror gems dumped into VOD land during June, but June’s offering does not inspire confidence. The only one that might have potential is Recovery. While that story could work so well for a horror film, I’m not convinced this low-budget effort makes the most of its promise.
Here’s hoping July’s horror movie releases are more exciting. In the meantime, check out the trailers for June’s horror releases.
(To read my past coverage of Cannes, see my 2016, 2017, and 2018 posts.)
One of the more exciting trends in horror over the last few years has been the proliferation of horror movies making splash debuts at renowned film festivals. Horror has been defying expectations and proving the genre haters wrong by showing up and showing out at festivals like Sundance and SXSW. Even genre festivals like Fantastic Fest and Frightfest have increased their profiles to become hotly anticipated in horror and non-horror circles alike.
as a horror fan, I feel like it’s about damn time. Many critics and filmmakers
have turned their noses up to horror, so it’s nice to see the industry not only
embrace horror but start to experiment with how the genre can tell compelling
Cue the Cannes Film Festival, arguably the glitziest and most buzzworthy film festival in the world. In years past, horror films like Evil Dead 2, Pan’s Labyrinth, Train to Busan, and The Neon Demon. have garnered much attention and acclaim at Cannes. Additionally, Cannes serves as an important marketplace and networking nexus for filmmakers looking to secure additional funding or distribution for their horror films. Such attention helps the whole genre do better, which is why I catalog the horror films showing at both the Cannes film festival and the Marché du Film (Cannes’ Film Market) every year.
year’s Cannes festival doesn’t have as much horror as I would like to see
(there’s never enough horror as far as I’m concerned). It’s disappointing that
there aren’t more horror films at Cannes, but rest assured, those that will
screen are ones to watch. This small but strong group of horror films promises
to offer audiences a lot more than the same old tired remakes and half-assed
With the plethora of fantastic horror available right now, it’s a great time to be a horror fan. Not only are horror movies getting better and better, told from a variety of viewpoints and with tons of cool new stories, but television is also experiencing a horror renaissance. And y’all, there are just too many options to choose from.
It all started with the premiere of What We Do In The Shadows this past week, which got me thinking–what other cool new 2019 horror TV shows have come out or are coming out soon?
Y’all, it’s a March Horror Miracle!
March is my birthday month, and the universe has seen fit to gift me (because it’s all about me) with a lot of new March horror movie releases! Many of these films were on the festival circuit in preceding months, and thus they have been on my radar for a long time. What did I do to deserve so many of them being released in my birthday month?
Where do I start? Of course, I am most excited for Jordan Peele’s Us, starring Lupita Nyong’o, which looks straight frightening. There’s also festival circuit darlings Climax, Book of Monsters, and The Field Guide to Evil. And if that wasn’t enough, I’ve been given a true gift in the form of Lindsay Lohan’s latest…um…role as a WEREWOLF in Among the Shadows, a cheeseball of a horror movie that will live in Bad Movie Night Infamy for years to come.
I love it.
Happy New Year to all you horror fans out there!
I don’t know
about you, but 2018 was kind of an amazing year for horror. There were a lot of
original titles and a fair bit of inventive stuff. Of course, each month we saw
many of the same old bad horror movie titles, with shoddy special effects, unimaginative
jump scares, and laughable acting. Despite the highs we experienced in 2018, it
appeared that each month would bring an endless stream of subpar horror movies.
I went into this
month’s horror movie calendar feeling the same way. 2019 would be, largely, the
same, and all I could do was hope we’d have the same caliber of cool horror
movies as in 2018.
These January 2019 horror trailers weren’t that bad. Some of them were
actually, dare I say, interesting? Take Rust
Creek, which might be a more sophisticated execution of your typical redneck
survival horror movie. Or Pledge,
which promises to unleash a whole frat of Patrick Bateman psychopaths on a
group of unsuspecting underclassmen. And then, of course, there’s Glass, which isn’t really a full horror
film, but by God, James McAvoy’s Beast character creeps me the hell out.
There’s also the notable horror DVD releases this month—Halloween will hit Amazon on January 15, followed by Suspiria on January 29. Both of these 2018 horror films are solid choices, so check them out.
And enjoy this month’s new horror releases!
Gosh, can you believe it’s December, and we’ve got nearly a year’s worth of horror movies behind us? From A Quiet Place to Hereditary to Halloween, we’ve seen horror movies make waves. We’ve also heard from quite a few quieter horror movies, like Unsane, Mandy, and Annihilation. All in all, it’s been a compelling year for horror with a lot of very creative and innovative films, but also a good amount of the same kind of mediocrity we’ve seen before.
And December 2018 is no exception. This month serves up a short but punchy list of horror movies. The recent trend of Christmas horror anthologies (love) continues with All the Creatures Was Stirring. We’re subjected to an ill-timed holiday horror film in Leprechaun Returns. Lars von Trier does his sexual and violent is-he-a-misogynist-and-if-he-is-does-does-he-at-least-feel-bad-about-it act with The House that Jack Built. And Netflix, as dependable as ever, gives us an early Christmas gift in the form of the film adaptation of Josh Malerman’s frightening, taut horror-thriller Bird Box.
Not a bad month all around, considering.
One of my favorite things about the horror genre is how versatile it is. From films, television shows, books, and art, horror can triumph with the right story and the right talent. And this is particularly true for the horror comic.
It’s a very different experience for horror fans—horror comics have the cinematic qualities of movies with the immersive elements of books. The most effective horror comics take the best aspects of comic book storytelling with stunning artwork, creating unique and deeply disturbing aesthetics that suck in readers and stick with them for days afterward.
With the success of The Chilling Adventures of Sabrina on Netflix, I’ve decided that more people need to know about the horror comic, which reboots the bubbly Sabrina The Teenage Witch series with a decidedly darker angle. And while we’re at it, let’s discuss a small portion of the staggeringly good horror comics the medium has to offer.
It’s officially November, which means that we’ve got a whole new slate of horror movies to discuss while steadily munching on leftover candy.
The months after October were usually devoid of quality (or even interesting) horror movies because the holiday season is the domain of awards seasons hopefuls. But that’s changed in recent years as more and more studios realize there is a year-round audience for horror.
As such, there’s a not-terrible slate of horror movies to choose from this November. Based on trailers alone, highlights include Luca Guadagnino’s stylish remake of Dario Argento’s classic Suspiria, WWII occult-horror Overlord, and zombie-musical-comedy Anna and the Apocalypse. (I’ve been waiting for that last one since I first learned about it at FantasticFest 2017! I never knew how badly I wanted a Christmas-themed zombie musical until then.) But November also has a large number of stinkers, like The Amityville Murders (can they stop with this franchise already? Lord have mercy), The Farm, and The Possession of Hannah Grace.
Enjoy, and let me know what you think in the comments!
Few things make me happier than finding one of my favorite actors starring in an old horror movie. The cheesier and more awful the movie, the better I enjoy the newbie actor’s performance. It’s comforting to know that these rich and famous actors, all at the top of their industry, started at the bottom like everybody else.
For a genre that doesn’t get much respect, horror consistently delivers new talent. Many of today’s A-Listers got their start in low-budget and shoddy horror films, while others were a little luckier with their early roles.
I figured, being as it’s Halloween time, I should pay homage to their early roles. First, it shows you just how much, um, range, some of these actors have (or not). Second, it’s fun to wonder how their careers would have been different had they not been Classroom Girl #1 in Urban Legends: Bloody Mary.
There’s also something so delightful about knowing that Tom Hanks, one of my favorite actors, started his acting career in a horror/thriller with terrible dialogue and ATROCIOUS acting, as evidenced by this clip.
If nothing else, I hope you enjoy this list for its Bad Movie Night potential. Seriously, I’ve never seen Leprechaun or Hellraiser: Hell World (what an amazing title!).
So, without further adieu, here is a list of 20 actors who saw their film debut in horror, followed by 20 actors who had early roles in some “iconic” horror films.