Stories For Ghosts

Horror for the Discerning Fan

Category: Psychological Horror (page 2 of 14)

June Horror is Mostly Fizzle, Not Enough Sizzle

Horror fans, I’m back!

Not to dwell, but life has been a little crazy for me lately, and I had to take some time to take care of family stuff (mostly taking care of an adorable new human who is utterly dependant on others). I had to put my love for horror on the back burner, unfortunately. But the flame of horror love burns eternal, and I kept obsessing over the latest horror trailers even while changing poopy diapers and helping my new baby learn to grab stuff.

Now that things have settled a little bit, I am so excited to start up again. Let’s start with the June horror releases.

But you know what’s not so exciting? The slate of June horror movies. Of the big releases, only The Dead Don’t Die and MAYBE Child’s Play seem worthwhile. The Dead Don’t Die is fresh from its premiere at Cannes Film Festival, which would be a promising sign if it weren’t for all the less-than-stellar reviews. As for Child’s Play, I wasn’t super impressed by the trailer (though I like the tech updates they’ve made to the premise), but then I learned that Mark Hamill was voicing the Buddi doll, and now I really want to see it.

Annabelle Comes Home (alternate title: Conjuring Sequel 432: Electric Bugaloo) is…also coming out this month. Because somehow these movies keep making money. At least Patrick Wilson’s fine self stays employed.

As for smaller releases and VOD films, I’m disappointed, to say the least. Usually, there are a couple of hidden horror gems dumped into VOD land during June, but June’s offering does not inspire confidence. The only one that might have potential is Recovery. While that story could work so well for a horror film, I’m not convinced this low-budget effort makes the most of its promise.

Le sigh.

Here’s hoping July’s horror movie releases are more exciting. In the meantime, check out the trailers for June’s horror releases.

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Horror and the 2019 Cannes Film Festival

(To read my past coverage of Cannes, see my 2016, 2017, and 2018 posts.)

One of the more exciting trends in horror over the last few years has been the proliferation of horror movies making splash debuts at renowned film festivals. Horror has been defying expectations and proving the genre haters wrong by showing up and showing out at festivals like Sundance and SXSW. Even genre festivals like Fantastic Fest and Frightfest have increased their profiles to become hotly anticipated in horror and non-horror circles alike.

And as a horror fan, I feel like it’s about damn time. Many critics and filmmakers have turned their noses up to horror, so it’s nice to see the industry not only embrace horror but start to experiment with how the genre can tell compelling stories.

Cue the Cannes Film Festival, arguably the glitziest and most buzzworthy film festival in the world. In years past, horror films like Evil Dead 2, Pan’s Labyrinth, Train to Busan, and The Neon Demon. have garnered much attention and acclaim at Cannes. Additionally, Cannes serves as an important marketplace and networking nexus for filmmakers looking to secure additional funding or distribution for their horror films.  Such attention helps the whole genre do better, which is why I catalog the horror films showing at both the Cannes film festival and the Marché du Film (Cannes’ Film Market) every year.

This year’s Cannes festival doesn’t have as much horror as I would like to see (there’s never enough horror as far as I’m concerned). It’s disappointing that there aren’t more horror films at Cannes, but rest assured, those that will screen are ones to watch. This small but strong group of horror films promises to offer audiences a lot more than the same old tired remakes and half-assed slashers.

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“Sometimes, Dead is Bettah.” So Is Pet Sematary, the Novel

When I saw the trailer for Pet Sematary (2019), with John Lithgow as Jud Crandall, I felt excited. I’m usually skeptical of remakes, but since I liked the remake of IT (2017) with Bill Skarsgård as Pennywise the clown, I’m kind of hopeful for upcoming horror remakes. And then it occurred to me: I hadn’t read the book. I’d seen the 1989 film more than 20 times – sometimes just playing it in the background at home while I did chores. I really like the movie,  but I didn’t know what I was missing until I soaked up the novel.

In case you don’t know, Pet Sematary is a story about the Creed family, who moves to Ludlow, Maine, and into a house beside the town’s pet cemetery (misspelled “Sematary” by local children who made the sign). Strange things occur as Louis Creed discovers what lies beyond the Pet Sematary – breaking his grip on sanity and morality.

I had some traveling ahead of me, and I wanted to make sure I read the book before the remake hit theaters. So the night before I headed off to Austin, Texas, for SXSW, I kicked off the Pet Sematary audiobook on my way. As soon as I began the audiobook, I was hooked. I listened during my drive. When I stopped for gas, I didn’t linger so I could finish the next chapter. After a few hours, when I rolled into Austin, I could already tell there were differences between the novel and the 1989 film. But I turned off the audiobook and began live-music-binging.

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My 10 Favorite Episodes of The Twilight Zone

What is it about the spooky, provocative short story that moves us so? Whether it’s listening to the big kids recount ghost stories around a campfire or reading creepypastas under the covers in the middle of the night, we cannot resist the pull of eerie, enigmatic stories that linger long after they’ve finished imparting their lessons.

Personally, I’ve been fascinated and transfixed by these kinds of stories my whole life. Ghost stories, urban legends, local folklore, internet nightmares–I love all of them. And one of the reasons why I love them so much is due, in large part, to watching The Twilight Zone with my grandmother.

Before I could really understand what I was seeing, I remember visiting my grandparents’ house and watching episodes of the Twilight Zone on what was once The Sci-Fi Channel. My grandmother, who was a loving and fun grandma, was also a well-mannered and restrained woman who never had a messy house and just wasn’t a fan of dark fiction, be it books or movies tv shows. (Assuming that it was a hard-hitting period piece or something, she and my grandfather once walked out of a screening of Men in Black. Another time, I made her watch X-Men with me, and she told me in that it was the worst movie she’d ever seen.) I wasn’t allowed to watch certain movies or TV shows because they were “unpleasant” or “inappropriate.” But for some reason, she didn’t mind The Twilight Zone, and she let me watch them. Sometimes, she watched them with me.

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Upcoming 2019 Horror TV – A Running List

With the plethora of fantastic horror available right now, it’s a great time to be a horror fan. Not only are horror movies getting better and better, told from a variety of viewpoints and with tons of cool new stories, but television is also experiencing a horror renaissance. And y’all, there are just too many options to choose from.

It all started with the premiere of What We Do In The Shadows this past week, which got me thinking–what other cool new 2019 horror TV shows have come out or are coming out soon?

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Jordan Peele Cements His Status as a Horror Visionary with “Us”

With his remarkable feature film debut, Get Out, writer-producer-director Jordan Peele struck a nerve and captured the cultural zeitgeist. Many horror fans were in awe of the achievement and felt vindicated that a horror movie received such critical and commercial success. We wanted to see what he would do next—what message would he send: political, social, cultural, or a mix of all three? How would he deliver this message? What fucked up, masterfully directed story would he unravel?

Most of all, we wanted Peele to get crazy, so he got crazy.

it
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March Horror Movies Deliver the Goods

Y’all, it’s a March Horror Miracle!

March is my birthday month, and the universe has seen fit to gift me (because it’s all about me) with a lot of new March horror movie releases! Many of these films were on the festival circuit in preceding months, and thus they have been on my radar for a long time. What did I do to deserve so many of them being released in my birthday month?

Where do I start? Of course, I am most excited for Jordan Peele’s Us, starring Lupita Nyong’o, which looks straight frightening. There’s also festival circuit darlings Climax, Book of Monsters, and The Field Guide to Evil. And if that wasn’t enough, I’ve been given a true gift in the form of Lindsay Lohan’s latest…um…role as a WEREWOLF in Among the Shadows, a cheeseball of a horror movie that will live in Bad Movie Night Infamy for years to come.

I love it.

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Not Your Average Demon – SFG Reviews “The Golem”

***Some Spoilers for The Golem (2018)***

Editor’s Note: I’m so excited and honored to announce that Stories For Ghosts has a new contributing writer, Andreana Binder! She’s a talented and whip-smart Houston writer who loves dissecting horror films and books, particularly when it comes to Stephen King and American Horror Story. I can’t wait to see what she has in store for us. First up: Andreana’s review of The Golem.

As an audience, demons derived from Christian/Catholic belief, like in The Nun (2018) or The Conjuring series, are pretty common. Also fairly common are the demons with loose origins, like in Annabelle Creation (2017), and Insidious (2010). Most of the time, we’re dealing with demons from some version of Hell – and while it’s not uninteresting, it’s been done before.

That goes double for all the movies that include the Christian/Catholic Devil – again, the devil isn’t uninteresting, we’ve just seen him a lot. The presence of Christian/Catholic demons in religious horror films perpetuates itself, and while I always hope to see the demon story told differently, sometimes it falls flat. It’s kind of like Frankenstein or Dracula movies – same character, mostly the same strengths, weaknesses, and challenges – where we as an audience are counting on something “different” to occur. Because the story’s been told before, we may rely on other factors like the dialogue, direction, special effects, or cinematography to give us a fresh experience or an exhilarating ride.

Thus, lately, as far as demons go, I’ve been sitting back like, “Meh. Demons.” We don’t get too many movies about Haitian demons, or entities like Pap Legba (seen recently in American Horror Story: Coven.)

I haven’t seen any golems lately. So rarely are we presented with a story rooted in Jewish folklore that gives us a demon to wrestle with. And because I feel like I get heavy doses of demons from other belief systems, The Golem (2018), rooted in Jewish folklore and mysticism, was pretty refreshing.

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Robert Aickman – The Best Horror Writer You’ve Never Heard Of

Editor’s Note: Greetings, dear reader! I am so excited to introduce Stories For Ghosts’ latest contributing writer, David Tobin! David is a longtime horror fan, especially when it comes to horror literature. As such, he thought it would be appropriate to introduce you to Robert Aickman, an incredibly gifted yet underrated writer of strange fiction. Glad to have you, David!

Robert Aickman is the genius of nightmare. His stories create a voiceless dread, feeding on characters and images that are endlessly disturbing. Sooner or later, reading him, you just want to wake up from what feels more and more like a very bad dream:

I caught hold of her left arm by putting both my hands round her wrist, and tried to lug her up toward me, so that I could feel her thrown against me, and could cover her neck and front with kisses, if only she could make me want to … I gave this great, bad-tempered, disappointed pull … She came up towards me and then fell back again with a sort of wail. I was still holding on to her hand and wrist … What had happened was that I had pulled her left hand and wrist right off.

“The Swords” (1975) From Cold Hand In Mine
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Velvet Buzzsaw Review – Biting Satire and Disappointing “Horror”

Do you ever wonder how or why certain pieces of art are worth millions of dollars? I think about that a lot, especially as someone who loves art. As an art lover, it doesn’t always make sense to me how some pieces can sell for $90 million while others go ignored. Are we saying that those big-ticket paintings are better art than those that don’t command those prices?

Of course not. The art scene, where critics reign supreme, gallery owners function as gatekeepers, and everyone wants their cut, sounds like the very opposite of how art should be handled. It seems twisted and deeply nihilistic to reduce artistic expression to its dollar amount.

This is the premise behind Velvet Buzzsaw, Dan Gilroy’s latest effort. Fresh from its premiere at Sundance Film Festival, Velvet Buzzsaw is a satirical horror film that aims to tackle this vapid world and those who inhabit it.

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