Few things make me happier than finding one of my favorite actors starring in an old horror movie. The cheesier and more awful the movie, the better I enjoy the newbie actor’s performance. It’s comforting to know that these rich and famous actors, all at the top of their industry, started at the bottom like everybody else.
For a genre that doesn’t get much respect, horror consistently delivers new talent. Many of today’s A-Listers got their start in low-budget and shoddy horror films, while others were a little luckier with their early roles.
I figured, being as it’s Halloween time, I should pay homage to their early roles. First, it shows you just how much, um, range, some of these actors have (or not). Second, it’s fun to wonder how their careers would have been different had they not been Classroom Girl #1 in Urban Legends: Bloody Mary.
There’s also something so delightful about knowing that Tom Hanks, one of my favorite actors, started his acting career in a horror/thriller with terrible dialogue and ATROCIOUS acting, as evidenced by this clip.
If nothing else, I hope you enjoy this list for its Bad Movie Night potential. Seriously, I’ve never seen Leprechaun or Hellraiser: Hell World (what an amazing title!).
So, without further adieu, here is a list of 20 actors who saw their film debut in horror, followed by 20 actors who had early roles in some “iconic” horror films.
The Venice International Film Festival officially kicks off today, serving as one of the most important stops on the film festival circuit. Venice is one of the three most influential film festivals in the world, up there with Cannes and Berlin. As such, films showcased at Venice are regarded as being the crème de la crème, as prestigious films that aim to elevate the medium of film.
Of course, horror films are often overlooked. But not always.
There are a ton of new August horror releases this month, and a wide variety at that! That’s what I’m talking about! This broad array of new horror is what I’ve been missing from the last few months—a mix of big-budget wide releases, artsy indie flicks, and some bizarre low-budget films.
I’m excited for zombie-apocalypse film Patient Zero, as well as the moody, ghostly gothic thriller The Little Stranger. And of course, I can’t wait to see The Meg, because who doesn’t love a ridiculous action-horror movie about sharks?
Check out all of the August horror releases below! Enjoy!
After seeing Hereditary a few weeks ago, I left stunned, thinking that I hadn’t seen a horror film like Hereditary in a very long time. So much happened, much of it overwhelming in its emotional punch and terror. I couldn’t stop thinking about it. I gave up trying to decipher things and instead just let memories of it come to me. It is one of the most genuinely horrific films I’ve seen recently. It’s also one of the most depressing films I’ve seen in a long time.
After weeks of not knowing how to write this review, I finally managed to lean into the film’s complexity. Hereditary is so good at unfolding itself, at managing what information it offers the audience and when. Not only does this model make for excellent slow burns, but it also mirrors the disintegration of the family as their first loss spirals into unimaginable horror. It is a tragic story, really, a film about a woman that unwittingly enables and fulfills her family’s nightmarish fate.
As far as horror movies go, Hereditary isn’t focused on entertainment, though I found the film entertaining in and of itself. No, Hereditary is more focused on using its story and characters to create a fundamentally unnerving experience. It explores how we are at our most vulnerable around our family members, and despite our fervent beliefs that we can ignore the scars and outrun the past, we can’t always. Continue reading
You guys. I can’t believe how short the June horror movie slate is this month! I mean, don’t you think you’d want to spread your summer horror releases out? Guess not, because June is sparse this month. There are only two major theatrical releases and a few VOD releases.
Though, to be fair, June horror has the incendiary Hereditary, fresh off the indie festival circuit and burning up the internet with tons of critical acclaim. That alone makes up for the shortage of other major horror titles and the duds rounding out June horror movies, like The Toybox and Ghostland. So I guess we can call it even?
There’s always July, when The First Purge and The Nun come out!
In the meantime, check out these trailers.
Ah, the Prom Horror Movie. The guiltiest of my guilty pleasures!
They’re so cheesy, so campy, so over-the-top and wonderfully bad, though not always. Some prom horror movies have unexpected depth and nuance, exploring (sometimes clumsily) the dynamics of high school and the pressures of being a teenager. Just like the high school horror movie, the prom horror movie fumbles towards peering at the dark underside of the high school experience as memorialized in high school’s forever hyped event.
It makes total sense that prom is a big deal. In high school, especially the closer to graduation they are, teenagers find themselves stuck in a weird, awkward limbo where they don’t have the rights and privileges of an adult but know enough to want them, where the responsibilities and obligations of adulthood loom on the horizon. The intense desire for agency, meaning, and purpose melds with teenagers’ immature assumptions that agency, meaning, and purpose can be found in one glitzy, epic night.
Of course, it rarely happens that way. Prom night is almost never the incredible, life-changing event that Hollywood movies would have you believe. Most of the time, you get all dressed up in your high school best and spend a few hours swaying on the dance floor or sitting at your table with your friends, wondering why your crush hasn’t noticed how awesome you look. And then a drunk junior pukes Malibu all over the dance floor, and you and your friends leave and go to Denny’s on the way to someone’s house to watch Donnie Darko and try to sneak beer out of the garage refrigerator.
Much like January before it, February has often been a dumping ground for films (especially horror films) that studios know won’t do well. But don’t fret, this February has a lot of hidden gems, the kind I’m not used to seeing this early in the year. I’m stoked to see Natalie Portman’s sci-fi horror film Annihilation as well as a fresh take on a zombie outbreak in The Cured. Then there’s Netflix’s latest acquisition, The Ritual, the promises a scary fun time in the woods.
There’s also a fair bit of movies that are less than exciting, but it’s a good sign that we’re already seeing strong horror films this early in the year.
Enjoy! Continue reading
A new year means a whole new year of fresh and creepy horror novels!
As a horror fan, it’s for me easy to focus on horror movies. Horror movies are relatively quick to consume instead of a horror novel, just as a movie is sometimes more immediately entertaining than a novel.
But there is a great deal of original, well-made horror fiction out there, crafted by authors from diverse backgrounds, points of view, and traditions. Stephen King may still rule horror fiction, but there’s plenty of room for all of the unique and unsettling tales offered by authors like Ania Ahlborn, Alma Katsu, Josh Malerman, and Paul Tremblay (King has a book out this year too, don’t worry!).
So, in keeping with my goals to raise awareness of exciting new horror fiction, I’ve put together a list of fifteen horror novels to be published in 2018. I can’t wait to read them, which is good for my New Year’s resolution to read more, but really bad for my book buying addiction. (If you’re interested in last year’s list of horror, check that out here.
Recently I found the time to finally read one of my most anticipated novels of 2017, The 20 Days of Turin by Giorgio De Maria. This novel was hyped as a cult classic, a prime example of Italian weird fiction that had finally been given the treatment owed to a cult classic and translated into English. Reviews and publisher blurbs hailed it as a horrifying tale that, despite being published almost forty years ago, had proven just as timely and significant as ever.
With such endorsements, I didn’t really know what to expect, since I have never read any Italian weird fiction, and the closest thing to Italian horror I’ve read was Dante’s Inferno. But the synopsis was intriguing, the cover was creepy, and I thought, what the heck?
The 20 Days of Turin turned out to be more complicated than I had anticipated. It’s part Lovecraftian horror story, part political allegory, part mystery thriller, and part sublime nightmare. This novel is a very good example of the kind of horror that focuses less on jump scares and more on weaving an insidious scheme to ensnare its reader.
Ensnare me it did. The 20 Days of Turin didn’t scare me in a way that forced me to make sure my doors and windows were locked. But it burrowed its way under my skin, and I can’t stop thinking about it.
Halloween has come and gone, leaving horror movies in its wake like so many crumpled candy wrappers on my coffee table. Just as we kind of ignore Thanksgiving and skip from Halloween to Christmas, November’s horror release calendar makes me long for December when The Shape of Water will grace theaters.
And yet, even though it’s a slow time of year for horror movies, all is not lost. Yes, there are some real stinkers on November’s slate, but look at the bright side! I’ve found a few promising movies here, like My Friend Dahmer, The Killing of a Sacred Deer, and Mayhem, all of which have toured the festivals and gained critical acclaim as examples of innovative and striking horror filmmaking. Sometimes it’s the most unassuming horror movies that make the biggest impact, right?