Stories For Ghosts

Horror for the Discerning Fan

Category: Monsters (page 1 of 12)

September Horror Is All About Pennywise and Festival Flicks

September’s arrival means two things. First, that school is back in season, which means a return to old routines, much-appreciated cooler weather, and a fresh round of illnesses. (Yay for daycare, ugh!) Secondly, it means we’re officially less than a month away from 31 days of celebrating Halloween!

The best part about Halloween becoming more and more of an event is that we get a ton of scary movies around this time of year, and September really ramps up the horror movie releases. As a fan, I love seeing what movies are released, especially if the September horror movies are buzzy or promising. However, it’s not always great seeing the not-so-good offerings.

And while I’m a little late with the post (see the aforementioned daycare illnesses, boooo), September is off to a roaring start. That’s mostly due to It: Chapter Two, which is clearly the star of September horror (read my recap of the first half of It here).

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25 Funky Fresh Horror Films from the 2019 FrightFest Film Festival

You know how sometimes there’s nothing good to watch? So many cable channels, so many streaming services, so many Blu-rays in your house, and yet you can’t find anything remotely interesting to watch? Either you’ve seen all the horror movies you own, or everything airing looks lame. So you end up watching The Office or Parks and Recreation for the five billionth time, or whatever your I’m-bored-and-want-the-TV-on show is.

Well, buckle up buttercup, because it’s time for the 2019 London FrightFest Film Festival! This year marks the 20th anniversary of FrightFest, which is kind of insane when you think about all the amazing horror movies that have graced this horror-focused film festival. The list of groundbreaking and iconic horror FrightFest films is very long—Audition, Ginger Snaps, Pan’s Labyrinth, Martyrs, and The Babadook all count themselves members of this club, just to name a few.

This year, FrightFest will screen over 80 horror films (So. Much. Horror!), which means that BUCKETS of upcoming horror films are about to flood the market looking for distributors. And that means you’ll be seeing those films shortly, either in theaters or on streaming services. Even the most difficult to impress gorehounds and the pickiest psychological horror fans are sure to find something to like.

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August Horror Movies – The Horror Cup Runneth Over!

Guys, what did we do to deserve this many horror movies in a single month?!?! I’m overwhelmed with all these new August horror films! From a ton of VOD films (of varying quality) to some solid theatrical releases, the August horror cup runneth over.

For my part, I’m excited for Ready or Not, Scary Stories to Tell in the Dark, Tigers Are Not Afraid, and The Divine Fury. Watch those trailers and many others after the cut!

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Stranger Things and Nostalgia: More Than Just 80s References

With summer drawing to a close, I find myself contemplating how the meaning of “summer” has evolved throughout my life. As an adult, summer means vacation, renewed gratitude for Texas-proof air conditioning, and drinking copious amounts of rosé poolside. As a teenager, summer was consumed with plans to drop the ten pounds that held me back from being irresistible, scrape together spending money, and secure a sensitive-but-jocky boyfriend. As a kid, summer was dominated by summer sports camps, vacation bible schools (blergh), and babysitting gigs. Whatever my plans, summer means watching tons of TV shows and movies, which prevent me from getting too bored and getting into too much trouble.

As a kid, I watched so many movies. Everything from old black and white classics to mediocre romcoms to trashy teen slashers. I especially adored those adventure movies of the 80s, the iconic films where a group of scrappy latchkey kids, preteens like I used to be, face a fantastic and dangerous challenge. Just like with the enticing and taboo slashers where teenagers talked and acted like adults, so too did those 80s movies suck me into dream worlds where kids answered the frightening and tempting call of adventure. The threat of injury and death were always very real. The threat lingered constantly, and the vicarious possibility of being the casualty, of never making it back home, of becoming stuck in the nightmare world, was all too compelling.

Those stories have always spoken to me as well as an untold number of my contemporaries. This is the reason why Stranger Things, fueled by what critics merely assume to be nostalgia, enjoys immense popularity.

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Don’t Keep the Wicker Man Waiting: My Favorite Folk Horror Films

With the release of Midsommar, Ari Aster’s follow-up feature to last year’s Hereditary, folk horror is enjoying much deserved time in the spotlight. While the niche horror subgenre is known to many a horror fan (folk horror is one of my favorite subgenres), many curious viewers are at a loss when it comes to folk horror. What is it exactly?

Of course, as many folk horror fans will try to explain, the subgenre is difficult to pin down. Some consider it a subset of religious horror, and while I see and respect that viewpoint, I don’t necessarily agree with that. The two subgenres are related; I see them as distinct. Perhaps folk horror and religious horror are sisters. They both explore man’s fear of his beliefs, of one’s faith being tested, and of watching religion corrupt its practitioners. But folk horror has a particular flavor, a certain aesthetic, which religious horror does not replicate.

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“Your Friend Till the End!” The Scariest Creepy Dolls

Dolls, by their nature, are weird.

Think about it—they’re (often) miniature representations of people meant to be played with. They’re inanimate objects. With another person or an animal, there’s an exchange, an actual relationship of some kind. But with a doll, there’s nothing inside the doll to interact with. Yet we design them specifically to encourage that interaction. In fact, we craft dolls specifically to invite children and adults alike to construct identities for their dolls, to feel like there’s some kind of relationship there. Because dolls demand that the person invent a personality for the doll, a narrative for the doll, a ghost of a person to live within the doll.

That’s weird, right?

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June Horror is Mostly Fizzle, Not Enough Sizzle

Horror fans, I’m back!

Not to dwell, but life has been a little crazy for me lately, and I had to take some time to take care of family stuff (mostly taking care of an adorable new human who is utterly dependant on others). I had to put my love for horror on the back burner, unfortunately. But the flame of horror love burns eternal, and I kept obsessing over the latest horror trailers even while changing poopy diapers and helping my new baby learn to grab stuff.

Now that things have settled a little bit, I am so excited to start up again. Let’s start with the June horror releases.

But you know what’s not so exciting? The slate of June horror movies. Of the big releases, only The Dead Don’t Die and MAYBE Child’s Play seem worthwhile. The Dead Don’t Die is fresh from its premiere at Cannes Film Festival, which would be a promising sign if it weren’t for all the less-than-stellar reviews. As for Child’s Play, I wasn’t super impressed by the trailer (though I like the tech updates they’ve made to the premise), but then I learned that Mark Hamill was voicing the Buddi doll, and now I really want to see it.

Annabelle Comes Home (alternate title: Conjuring Sequel 432: Electric Bugaloo) is…also coming out this month. Because somehow these movies keep making money. At least Patrick Wilson’s fine self stays employed.

As for smaller releases and VOD films, I’m disappointed, to say the least. Usually, there are a couple of hidden horror gems dumped into VOD land during June, but June’s offering does not inspire confidence. The only one that might have potential is Recovery. While that story could work so well for a horror film, I’m not convinced this low-budget effort makes the most of its promise.

Le sigh.

Here’s hoping July’s horror movie releases are more exciting. In the meantime, check out the trailers for June’s horror releases.

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Horror and the 2019 Cannes Film Festival

(To read my past coverage of Cannes, see my 2016, 2017, and 2018 posts.)

One of the more exciting trends in horror over the last few years has been the proliferation of horror movies making splash debuts at renowned film festivals. Horror has been defying expectations and proving the genre haters wrong by showing up and showing out at festivals like Sundance and SXSW. Even genre festivals like Fantastic Fest and Frightfest have increased their profiles to become hotly anticipated in horror and non-horror circles alike.

And as a horror fan, I feel like it’s about damn time. Many critics and filmmakers have turned their noses up to horror, so it’s nice to see the industry not only embrace horror but start to experiment with how the genre can tell compelling stories.

Cue the Cannes Film Festival, arguably the glitziest and most buzzworthy film festival in the world. In years past, horror films like Evil Dead 2, Pan’s Labyrinth, Train to Busan, and The Neon Demon. have garnered much attention and acclaim at Cannes. Additionally, Cannes serves as an important marketplace and networking nexus for filmmakers looking to secure additional funding or distribution for their horror films.  Such attention helps the whole genre do better, which is why I catalog the horror films showing at both the Cannes film festival and the Marché du Film (Cannes’ Film Market) every year.

This year’s Cannes festival doesn’t have as much horror as I would like to see (there’s never enough horror as far as I’m concerned). It’s disappointing that there aren’t more horror films at Cannes, but rest assured, those that will screen are ones to watch. This small but strong group of horror films promises to offer audiences a lot more than the same old tired remakes and half-assed slashers.

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“Sometimes, Dead is Bettah.” So Is Pet Sematary, the Novel

When I saw the trailer for Pet Sematary (2019), with John Lithgow as Jud Crandall, I felt excited. I’m usually skeptical of remakes, but since I liked the remake of IT (2017) with Bill Skarsgård as Pennywise the clown, I’m kind of hopeful for upcoming horror remakes. And then it occurred to me: I hadn’t read the book. I’d seen the 1989 film more than 20 times – sometimes just playing it in the background at home while I did chores. I really like the movie,  but I didn’t know what I was missing until I soaked up the novel.

In case you don’t know, Pet Sematary is a story about the Creed family, who moves to Ludlow, Maine, and into a house beside the town’s pet cemetery (misspelled “Sematary” by local children who made the sign). Strange things occur as Louis Creed discovers what lies beyond the Pet Sematary – breaking his grip on sanity and morality.

I had some traveling ahead of me, and I wanted to make sure I read the book before the remake hit theaters. So the night before I headed off to Austin, Texas, for SXSW, I kicked off the Pet Sematary audiobook on my way. As soon as I began the audiobook, I was hooked. I listened during my drive. When I stopped for gas, I didn’t linger so I could finish the next chapter. After a few hours, when I rolled into Austin, I could already tell there were differences between the novel and the 1989 film. But I turned off the audiobook and began live-music-binging.

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My 10 Favorite Episodes of The Twilight Zone

What is it about the spooky, provocative short story that moves us so? Whether it’s listening to the big kids recount ghost stories around a campfire or reading creepypastas under the covers in the middle of the night, we cannot resist the pull of eerie, enigmatic stories that linger long after they’ve finished imparting their lessons.

Personally, I’ve been fascinated and transfixed by these kinds of stories my whole life. Ghost stories, urban legends, local folklore, internet nightmares–I love all of them. And one of the reasons why I love them so much is due, in large part, to watching The Twilight Zone with my grandmother.

Before I could really understand what I was seeing, I remember visiting my grandparents’ house and watching episodes of the Twilight Zone on what was once The Sci-Fi Channel. My grandmother, who was a loving and fun grandma, was also a well-mannered and restrained woman who never had a messy house and just wasn’t a fan of dark fiction, be it books or movies tv shows. (Assuming that it was a hard-hitting period piece or something, she and my grandfather once walked out of a screening of Men in Black. Another time, I made her watch X-Men with me, and she told me in that it was the worst movie she’d ever seen.) I wasn’t allowed to watch certain movies or TV shows because they were “unpleasant” or “inappropriate.” But for some reason, she didn’t mind The Twilight Zone, and she let me watch them. Sometimes, she watched them with me.

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