September’s arrival means two things. First, that school is
back in season, which means a return to old routines, much-appreciated cooler
weather, and a fresh round of illnesses. (Yay for daycare, ugh!) Secondly, it
means we’re officially less than a month away from 31 days of celebrating Halloween!
The best part about Halloween becoming more and more of an
event is that we get a ton of scary movies around this time of year, and September
really ramps up the horror movie releases. As a fan, I love seeing what movies
are released, especially if the September horror movies are buzzy or promising.
However, it’s not always great seeing the not-so-good offerings.
And while I’m a little late with the post (see the aforementioned daycare illnesses, boooo), September is off to a roaring start. That’s mostly due to It: Chapter Two, which is clearly the star of September horror (read my recap of the first half of It here).
You know how sometimes there’s nothing good to watch? So many cable channels, so many streaming services, so many Blu-rays in your house, and yet you can’t find anything remotely interesting to watch? Either you’ve seen all the horror movies you own, or everything airing looks lame. So you end up watching The Office or Parks and Recreation for the five billionth time, or whatever your I’m-bored-and-want-the-TV-on show is.
Well, buckle up buttercup, because it’s time for the 2019 London FrightFest Film Festival! This year marks the 20th anniversary of FrightFest, which is kind of insane when you think about all the amazing horror movies that have graced this horror-focused film festival. The list of groundbreaking and iconic horror FrightFest films is very long—Audition, Ginger Snaps, Pan’s Labyrinth, Martyrs, and The Babadook all count themselves members of this club, just to name a few.
This year, FrightFest will screen over 80 horror films (So. Much. Horror!), which means that BUCKETS of upcoming horror films are about to flood the market looking for distributors. And that means you’ll be seeing those films shortly, either in theaters or on streaming services. Even the most difficult to impress gorehounds and the pickiest psychological horror fans are sure to find something to like.
Guys, what did we do to deserve this many horror movies in a single month?!?! I’m overwhelmed with all these new August horror films! From a ton of VOD films (of varying quality) to some solid theatrical releases, the August horror cup runneth over.
For my part, I’m excited for Ready or Not, Scary Stories
to Tell in the Dark, Tigers Are Not
Afraid, and The Divine Fury.
Watch those trailers and many others after the cut!
release of Midsommar, Ari Aster’s
follow-up feature to last year’s Hereditary,
folk horror is enjoying much deserved time in the spotlight. While the niche
horror subgenre is known to many a horror fan (folk horror is one of my
favorite subgenres), many curious viewers are at a loss when it comes to folk
horror. What is it exactly?
Of course, as many folk horror fans will try to explain, the subgenre is difficult to pin down. Some consider it a subset of religious horror, and while I see and respect that viewpoint, I don’t necessarily agree with that. The two subgenres are related; I see them as distinct. Perhaps folk horror and religious horror are sisters. They both explore man’s fear of his beliefs, of one’s faith being tested, and of watching religion corrupt its practitioners. But folk horror has a particular flavor, a certain aesthetic, which religious horror does not replicate.
their nature, are weird.
about it—they’re (often) miniature representations of people meant to be played
with. They’re inanimate objects. With another person or an animal, there’s an
exchange, an actual relationship of some kind. But with a doll, there’s nothing
inside the doll to interact with. Yet we design them specifically to encourage that
interaction. In fact, we craft dolls specifically to invite children and adults
alike to construct identities for their dolls, to feel like there’s some kind
of relationship there. Because dolls demand that the person invent a
personality for the doll, a narrative for the doll, a ghost of a person to live
within the doll.
That’s weird, right?
If you’re feeling the 80’s revival happening in recent horror movies, check out Mandy (2018), starring Nicolas Cage and directed by Panos Cosmatos (Beyond the Black Rainbow). Fresh off its screening at the 2018 Cannes Film Festival, Mandy might be Nicolas Cage’s best performance, and it wouldn’t surprise me if he makes another horror movie that’s as good as Mandy is.
Streamable on Shudder and available for rent on Amazon, Mandy starts as a love story that is then manipulated by hallucinogens, a psycho cult leader, some slashing, a little fantasy, and beautiful, bold colors.
With the plethora of fantastic horror available right now, it’s a great time to be a horror fan. Not only are horror movies getting better and better, told from a variety of viewpoints and with tons of cool new stories, but television is also experiencing a horror renaissance. And y’all, there are just too many options to choose from.
It all started with the premiere of What We Do In The Shadows this past week, which got me thinking–what other cool new 2019 horror TV shows have come out or are coming out soon?
This year, SXSW was a hotbed of buzzworthy horror movies, many from first-time directors. That’s one of my favorite things about film festivals—new voices and diverse viewpoints are given their time in the spotlight, and we’re all the better for it. This is especially true for horror, which benefits drastically from creative, fresh voices. After all, the same old shit can’t be relied upon to continually explore our fears, and filmmakers shouldn’t try.
Of the horror-comedy films at SXSW, Extra Ordinary was my favorite. Though it wasn’t without flaws, it was a confident debut for its first-time directors. It was an original horror-comedy with a distinctly Irish flair. It is also the most adorable horror-comedy I’ve ever seen, and I enjoyed it immensely. Who knew that sacrificing virgins and exorcizing ghosts could be so uproarious and charming?
One of my favorite things about the horror genre is how versatile it is. From films, television shows, books, and art, horror can triumph with the right story and the right talent. And this is particularly true for the horror comic.
It’s a very different experience for horror fans—horror comics have the cinematic qualities of movies with the immersive elements of books. The most effective horror comics take the best aspects of comic book storytelling with stunning artwork, creating unique and deeply disturbing aesthetics that suck in readers and stick with them for days afterward.
With the success of The Chilling Adventures of Sabrina on Netflix, I’ve decided that more people need to know about the horror comic, which reboots the bubbly Sabrina The Teenage Witch series with a decidedly darker angle. And while we’re at it, let’s discuss a small portion of the staggeringly good horror comics the medium has to offer.