September’s arrival means two things. First, that school is
back in season, which means a return to old routines, much-appreciated cooler
weather, and a fresh round of illnesses. (Yay for daycare, ugh!) Secondly, it
means we’re officially less than a month away from 31 days of celebrating Halloween!
The best part about Halloween becoming more and more of an
event is that we get a ton of scary movies around this time of year, and September
really ramps up the horror movie releases. As a fan, I love seeing what movies
are released, especially if the September horror movies are buzzy or promising.
However, it’s not always great seeing the not-so-good offerings.
And while I’m a little late with the post (see the aforementioned daycare illnesses, boooo), September is off to a roaring start. That’s mostly due to It: Chapter Two, which is clearly the star of September horror (read my recap of the first half of It here).
With summer drawing to a close, I find myself contemplating how the
meaning of “summer” has evolved throughout my life. As an adult, summer means vacation,
renewed gratitude for Texas-proof air conditioning, and drinking copious
amounts of rosé poolside. As a teenager, summer was consumed with plans to drop
the ten pounds that held me back from being irresistible, scrape together spending
money, and secure a sensitive-but-jocky boyfriend. As a kid, summer was
dominated by summer sports camps, vacation bible schools (blergh), and babysitting
gigs. Whatever my plans, summer means watching tons of TV shows and movies,
which prevent me from getting too bored and getting into too much trouble.
As a kid, I watched so many movies. Everything from old black and white
classics to mediocre romcoms to trashy teen slashers. I especially adored those
adventure movies of the 80s, the iconic films where a group of scrappy latchkey
kids, preteens like I used to be, face a fantastic and dangerous challenge.
Just like with the enticing and taboo slashers where teenagers talked and acted
like adults, so too did those 80s movies suck me into dream worlds where kids
answered the frightening and tempting call of adventure. The threat of injury
and death were always very real. The threat lingered constantly, and the
vicarious possibility of being the casualty, of never making it back home, of becoming
stuck in the nightmare world, was all too compelling.
Those stories have always spoken to me as well as an untold number of my contemporaries. This is the reason why Stranger Things, fueled by what critics merely assume to be nostalgia, enjoys immense popularity.
If you’re feeling the 80’s revival happening in recent horror movies, check out Mandy (2018), starring Nicolas Cage and directed by Panos Cosmatos (Beyond the Black Rainbow). Fresh off its screening at the 2018 Cannes Film Festival, Mandy might be Nicolas Cage’s best performance, and it wouldn’t surprise me if he makes another horror movie that’s as good as Mandy is.
Streamable on Shudder and available for rent on Amazon, Mandy starts as a love story that is then manipulated by hallucinogens, a psycho cult leader, some slashing, a little fantasy, and beautiful, bold colors.
With the plethora of fantastic horror available right now, it’s a great time to be a horror fan. Not only are horror movies getting better and better, told from a variety of viewpoints and with tons of cool new stories, but television is also experiencing a horror renaissance. And y’all, there are just too many options to choose from.
It all started with the premiere of What We Do In The Shadows this past week, which got me thinking–what other cool new 2019 horror TV shows have come out or are coming out soon?
“Remake”—the very word inspires the most dramatic of eye rolls for horror fans. That’s because so many horror remakes are unnecessary. All too often, remakes are based on films that were wonderfully crafted, and some producer somewhere is trying to make a quick buck by dragging a good movie’s legacy through the mud.
Seriously, how frustrating is it when a solid, well-made horror classic, like 1982’s Poltergeist, gets remade? Poltergeist didn’t need a remake! And if someone just had to remake it, couldn’t they have created something better than the 2015 remake?
But then, again, how cool is it when a horror remake actually adds to or improves upon the original horror film? As much as I love Dario Argento’s Suspiria, it has its flaws. Luckily, the remake of Suspiria paid homage to the original, avoided copying the original’s aesthetic, and dove deep into the plot. What resulted was an original film that preserved the original’s legacy and stood on its own.
Or take the most recent news about the remake of Candyman, a good film that could have been great. It’s set to be produced by Jordan Peele and promises to dig into the power of the Candyman mythos against the backdrop of the now-gentrified area where the Cabrini-Green housing projects once stood. With Peele at the helm, I’m optimistic that this remake will cover a lot of new ground when it comes to racism and class differences, which is sadly very relevant.
That got me thinking—what are some other horror films that deserve a remake? What are some films that were good but not great, full of potential that shouldn’t be wasted? For whatever reason, be it a shoe-string budget, uneven writing, or production troubles, tons of horror movies never reached their full potential despite having most of the parts to do so.