Ah, the Prom Horror Movie. The guiltiest of my guilty pleasures!
They’re so cheesy, so campy, so over-the-top and wonderfully bad, though not always. Some prom horror movies have unexpected depth and nuance, exploring (sometimes clumsily) the dynamics of high school and the pressures of being a teenager. Just like the high school horror movie, the prom horror movie fumbles towards peering at the dark underside of the high school experience as memorialized in high school’s forever hyped event.
It makes total sense that prom is a big deal. In high school, especially the closer to graduation they are, teenagers find themselves stuck in a weird, awkward limbo where they don’t have the rights and privileges of an adult but know enough to want them, where the responsibilities and obligations of adulthood loom on the horizon. The intense desire for agency, meaning, and purpose melds with teenagers’ immature assumptions that agency, meaning, and purpose can be found in one glitzy, epic night.
Of course, it rarely happens that way. Prom night is almost never the incredible, life-changing event that Hollywood movies would have you believe. Most of the time, you get all dressed up in your high school best and spend a few hours swaying on the dance floor or sitting at your table with your friends, wondering why your crush hasn’t noticed how awesome you look. And then a drunk junior pukes Malibu all over the dance floor, and you and your friends leave and go to Denny’s on the way to someone’s house to watch Donnie Darko and try to sneak beer out of the garage refrigerator.
The Cannes Film Festival is officially underway! Yay for independent artsy films!
In the past, Cannes has given us not only buzzworthy prestige films from around the world, but it has also been a source of horror films outside the Hollywood mainstream. I’ve covered both the 2016 and 2017 Cannes Film Festivals, which introduced to the world to films like Raw, Neon Demon, Train to Busan, and The Killing of a Sacred Deer. And that’s not to mention horror classics like Evil Dead or Pan’s Labyrinth.
Well damn y’all, May horror isn’t what I thought it would be–low key and full of indie releases.
Not that it’s a bad thing. Some of the best horror movies are small indies and foreign films that don’t secure wide theatrical releases in America. I’m willing to bet that festival darlings like Beast and Revenge are more than worth a watch. Bad Samaritan and Family Blood are very intriguing, and It Came from the Desert looks horrendous, like, I-need-a-couple-of-drinks-to-get-through-it-but-that-could-be-fun-horrendous.
Check out the May horror movies below!
I’m making solid progress on my global tour of foreign horror movies! Next stop: Oceania!
I’ve devoted my last few posts to educate myself (and my readers) about foreign horror, of which I now realize I knew *almost* nothing about. Not all the foreign horror is confined to countries like Great Britain, France, Japan, Canada, or Mexico, right?
Luckily for me, the ongoing Winter Olympics inspired me to research foreign horror the world over.
I’ll admit, I’m not as informed about foreign horror films as I should be. For all my talk about seeing the horror genre as a window into the anxieties and fears of a culture, I’m dreadfully ignorant of many foreign horror traditions.
I felt even worse about my lack of awareness for horror films because of the Olympics. All these unique countries coming together in the spirit of peaceful competition, all those athletes sharing their gifts with the world? It’s beautiful and moving. We learn so much about each other from this magnificent event and put aside our differences to exalt the best of us together.
I freaking love the Olympics!
Consequently, with the 2018 Winter Olympics taking over television and the internet, I thought this was a perfect time for me to do some research about foreign horror films across the globe. And I found a lot of cool stuff.
It’s time for the Golden Globes!
First given in 1944, the Golden Globes are widely regarded as the official kick-off of Hollywood’s awards season. The Golden Globes are prestigious, given to the best in both Film and Television, which makes the Golden Globes a sort of hybrid between the Emmys and the Oscars. Unlike its big sister, the Oscars, the Golden Globes split the film categories into “Drama” and “Musical or Comedy” while eschewing categories for technical achievements, like cinematography and editing. The Golden Globes are focused on big names and talent, which ensures that a lot of beautiful people show up to the ceremony and a lot of people tune in to watch. (Also, they serve dinner and tons of booze during the ceremony, which means lots of drunk people. Always good for ratings!)
So while Hollywood doesn’t regard the Golden Globes as prestigious as the Oscars, Hollywood does see the Golden Globes as an opportunity to recognize achievement from a larger group of films. More importantly, the Golden Globes take place before the Academy announces Oscar nominations and give a sharp insight into who the Academy might choose to recognize that year.
You’d think that would have translated into more and more horror films receiving recognition, but alas, that hasn’t happened.
This year, however, The Shape of Water and Get Out are both nominated in film, with Stranger Things and Twin Peaks receiving some nominations in television. It’s heartening to see such recognition, especially for Get Out, which is more of a straight horror movie than The Shape of Water, but no less carefully and expertly made.
I love January. It’s the beginning of a new year, the sweet spot between a worn out, dusty old year and 12 months of as of yet untarnished potential.
I also love January for the horror movie trailers. That’s right—the dumping ground for movies Hollywood needed to unload has some of the best bad horror movie trailers of the whole year. And 2018 doesn’t disappoint.
Last January, we had trailers like Underworld: Blood Wars, The Bye Bye Man, and The Summoning. I laughed and cringed and wholly enjoyed myself. This January, my favorite bad horror movie trailers go to Day of the Dead: Bloodline, Primal Rage, and Death House, the latter of which I need to watch immediately.
2017 may have sucked in a lot of ways, but 2017 was a great year for horror. From clear standouts like Get Out to darkhorse surprises like Split, I enjoyed a great deal of 2017 horror. Even the not-so-great horror films failed to make me want to claw my face off.
Admittedly, I avoided tragic and terrible movies like Rings and Wish Upon because I didn’t need to pay to know they sucked. And I didn’t see every single horror 2017 film because, as I mentioned, 2017 was a difficult year.
At any rate, I’ve identified five movies in three categories—Favorites, Surprises, and Disappointments. Do my ratings match up with yours?
Don’t let this post on consumerism in horror movies fool you into thinking I’ve been productive and industrious today.
On this, Black Friday 2017, I have spent an irresponsible amount of money not on friends and family, but on myself. I have no regrets. I didn’t even have to leave the couch to take part in the great American tradition of buying things I don’t need, the day after eating a ton of food I didn’t need.
But I loved it. I do it every year–I munch on Thanksgiving leftovers and hoard coupon codes, grabbing up books and music and clothes and makeup.
That got me to thinking about horror and the horror movies that tackle consumerism. Everyone knows about films like Dawn of the Dead and They Live, but the meteoric rise of material goods and availability post World War II has embedded itself into the very fabric of American pop culture. And whenever we bake something into our national consciousness, it comes out in our horror movies, sooner or later.
Again, some of those movies that confront our materialism are thoughtful horror movies that elevate the discussion. Others don’t pretend to be anything more than a fab 1980s slasher flick that just so happens to occur in a mall. Either way, consumerism in all its shapes and forms, from zombies to haunted malls to obsessive serial killers reflects this very American way of life.
Here are 9 movies (of varying quality) about consumerism, shopping, and the desire to acquire material goods.
As a horror fan, I live and die for visually striking, beautiful horror films. It doesn’t matter what subgenre of horror it is or how gory it is—I love beautiful horror. The more provocative, the better. I can’t look away from a film like Suspiria or The Cabinet of Dr. Caligari. I wouldn’t even if I could because I love the delicious contrast between watching something scary when it’s in a bold, ornate, artistic cinematic language.
Many horror films don’t bother with a strong, unifying visual concepts, so I find it refreshing when a film achieves a distinct cinematic style and tone. It’s even better when that distinct cinematic style transforms the horrors on screen into something gorgeous and compelling.
A beautiful horror film is special. A keen grasp of color and form and composition add layers of understanding to the story. An inspired eye deepens my apprehension, heightens my terror, and distills my horrific realizations into an unforgettable viewing experience. A beautiful horror film makes me wish I’d taken more film classes in college.A beautiful horror film scratches its way into my brain where it makes a permanent home.
A little while ago, I shared a list of my favorite beautiful horror films. The list included classic horror films with almost universally praised aesthetics, like The Shining or Let the Right One In. Lately, I’ve decided the time has come to publish an additional list including more of those visually magnificent films I love so much.
For this list, I’ve put together an eclectic group of beautiful horror films ranging from a noir-inspired B-movie to a French horror classic to last year’s prettiest and most disappointing movie. Here they are, in chronological order, resplendent and unsettling.