***Spoiler Alert: mild spoilers for The Girl With All the Gifts***
Stagnation is one of the unfortunate things avid horror fans deal with. For such a rich, dynamic, and prolific genre, horror often trades in the same old stories. Sometimes I feel like I’m experiencing the same serial killer thriller, haunted house short story, or post-apocalyptic zombie movie again and again. I’ve noticed a cycle to subgenres’ popularity, where one well-made novel or movie captures hearts, minds, and nerves only to inspire a lot of not-as-good imitations. Knock-offs are churned out in record time, and in the rush to get the product out, creators sacrifice quality and imagination.
This isn’t always a “bad” choice, since there is a lot of money in producing cheap and gory horror movies. It happened with zombies, possessions, and found-footage horror movies. It happens with vampire novels. These works have entertainment value, but they aren’t groundbreaking and become uninteresting.
As a fan, this vicious cycle frustrates and bores me. Horror is such a flexible genre, with great potential for constant reinvention. I always enjoy horror that offers something different.
Thus, whenever a movie or novel comes along that breathes new life into a worn-out subgenre, I can’t help but take notice.
Enter The Girl With All the Gifts, M.R. Carey’s innovative 2014 zombie novel. In a subgenre rife with the same old survivor story, Carey wrote a compelling zombie narrative reexamining many of the assumptions of the genre. The result is a novel that offers a fresh perspective on many of the tried-and-true themes of the zombie genre, including survival at all costs, us vs. them mentalities, and what it would take to rebuild a shattered world.