Gosh, is it already December 2017? Have we already been through eleven months’ worth of horror movies with only December horror left?
Time flies, doesn’t it?
We’ve been through a ton of horror movies this year of varying levels of quality. It only seems consistent that December horror would go the same route. I’ve been waiting for The Shape of Water for what feels like ages, which, if it’s as good as everyone says, will make a great year-end triumph for the genre. December horror also has some indie gems, like Desolation. But there’s also the forgettable Slumber to contend with.
It’s really Guillermo del Toro’s month for horror, for sure.
Horror is always a mixed bag, and it seems like this December Horror list is no different.
Let’s get to it.
The Toronto International Film Festival (TIFF) continues the 2017 film festival season in style! And with tons of horror movies!
Thank God! I was getting a little parched with the paltry (though potent) slates of horror movies at Cannes and Venice.
Honestly, it’s not a surprise that TIFF has much more horror than the other festivals. TIFF has always been a little more…risky than some of the more prestigious festivals. Not that TIFF isn’t prestigious–it regularly attracts top-level talent and Oscar contenders. It’s just that TIFF is a little more daring. A little more willing to recognize the worth and artistic accomplishments of genre films.
As Vox put it, “Cannes films often skew toward more rarefied and international films, while at Toronto…you can find bigger crowdpleasers that might also find more money at the box office and wind up bigger awards-season contenders…TIFF sets the pace for the year’s awards chatter.”
And just to underscore the point, TIFF regularly hits homeruns, especially in horror. TIFF has debuted such horror films as Dario Argento’s Opera in 1989, Peter Jackson’s Braindead in 1992, The Grudge in 2002, Hostel in 2005, Inside (À l’intérieur) in 2007, 2008’s The Loved Ones, Black Swan in 2009, The Lords of Salem in 2012, Emilie in 2015, and Raw in 2016, where multiple people passed out during the screening.
Thus, without further adieu, let’s get to TIFF 2017’s horror movies!
Film Festival season continues with the venerated and show-stopping Venice International Film Festival. The Venice International Film Festival is the oldest film festival in the world, founded in 1932. Venice reigns alongside the Cannes Film Festival and the Berlin International Film Festival as the three most important film festivals in the world. Kings are made, stars are born, and buzz-worthy films live or die by the reaction they garner at Venice.
As one of the most important film festivals in the world, Venice has done its fair share to elevate horror films of artistic merit and critical acclaim. The very first film ever screened at Venice in 1932 was Dr. Jekyll and Mr. Hyde, directed by Rouben Mamoulian. In more recent years, Venice showcased Survival of the Dead (2009), Black Swan (2010), Under the Skin (2013), and The Bad Batch (2016).
And this year, Venice has two of the most highly anticipated horror movies on its slate – Darren Aronofsky’s mother! and Guillermo del Toro’s The Shape of Water. It doesn’t get much more art-house horror than these two, and I am dying of anticipation.