I love January. It’s the beginning of a new year, the sweet spot between a worn out, dusty old year and 12 months of as of yet untarnished potential.
I also love January for the horror movie trailers. That’s right—the dumping ground for movies Hollywood needed to unload has some of the best bad horror movie trailers of the whole year. And 2018 doesn’t disappoint.
Last January, we had trailers like Underworld: Blood Wars, The Bye Bye Man, and The Summoning. I laughed and cringed and wholly enjoyed myself. This January, my favorite bad horror movie trailers go to Day of the Dead: Bloodline, Primal Rage, and Death House, the latter of which I need to watch immediately.
Fantastic Fest 2017 is here! Finally!a
Fantastic Fest is the largest film festival specializing in genre films, which basically means it focuses a lot more on sci-fi, horror, fantasy, action, and generally fun and weird movies. Fantastic Fest may not be a critical darling like Cannes, Venice, or Sundance, but it has a proven track record of showcasing crowd-pleasers and groundbreaking genre films. It usually picks up where TIFF leaves off, pushing the envelope even farther with non-horror movies like There Will Be Blood, Red, and John Wick.
These are the kinds of movies that really make you feel something, whether that’s a vicarious blood lust, a sense of wonder, squealing terror, or outright uncomfortable confusion. Fantastic Fest is always interesting and has something for every type of horror fan.
The Toronto International Film Festival (TIFF) continues the 2017 film festival season in style! And with tons of horror movies!
Thank God! I was getting a little parched with the paltry (though potent) slates of horror movies at Cannes and Venice.
Honestly, it’s not a surprise that TIFF has much more horror than the other festivals. TIFF has always been a little more…risky than some of the more prestigious festivals. Not that TIFF isn’t prestigious–it regularly attracts top-level talent and Oscar contenders. It’s just that TIFF is a little more daring. A little more willing to recognize the worth and artistic accomplishments of genre films.
As Vox put it, “Cannes films often skew toward more rarefied and international films, while at Toronto…you can find bigger crowdpleasers that might also find more money at the box office and wind up bigger awards-season contenders…TIFF sets the pace for the year’s awards chatter.”
And just to underscore the point, TIFF regularly hits homeruns, especially in horror. TIFF has debuted such horror films as Dario Argento’s Opera in 1989, Peter Jackson’s Braindead in 1992, The Grudge in 2002, Hostel in 2005, Inside (À l’intérieur) in 2007, 2008’s The Loved Ones, Black Swan in 2009, The Lords of Salem in 2012, Emilie in 2015, and Raw in 2016, where multiple people passed out during the screening.
Thus, without further adieu, let’s get to TIFF 2017’s horror movies!