**Very Mild Spoilers for The Boy on the Bridge. Full discloser, I was given an advance copy of the novel by M.R. Carey’s publicist.**
In a horror subgenre that often feels like it’s overflowing with the same old stories, M.R. Carey has a knack for the original and inventive.
With his 2014 novel The Girl with All the Gifts, he explored how what’s left of humanity persists 20 years after a cataclysmic pathogen transforms the majority of the population into mindless, vicious zombies known as “hungries.” It was a novel heavy on scientific research and crafted tension, delivering a nightmarish and realistic vision of how an actual zombie pathogen might behave, how the world would evolve, and how fearful and selfish human beings would struggle in the aftermath. I found it a fascinating approach to the zombie apocalypse, a survival tale with all the expected strained group dynamics coupled with fascinating science and difficult ethical questions.
Continuing his mission of smart, well-researched, compelling zombie novels, Carey has just published his latest novel The Boy on the Bridge with Orbit. And let me tell you, if you liked The Girl with All the Gifts, you’ll really like The Boy on the Bridge.
***Spoiler Alert: mild spoilers for The Girl With All the Gifts***
Stagnation is one of the unfortunate things avid horror fans deal with. For such a rich, dynamic, and prolific genre, horror often trades in the same old stories. Sometimes I feel like I’m experiencing the same serial killer thriller, haunted house short story, or post-apocalyptic zombie movie again and again. I’ve noticed a cycle to subgenres’ popularity, where one well-made novel or movie captures hearts, minds, and nerves only to inspire a lot of not-as-good imitations. Knock-offs are churned out in record time, and in the rush to get the product out, creators sacrifice quality and imagination.
This isn’t always a “bad” choice, since there is a lot of money in producing cheap and gory horror movies. It happened with zombies, possessions, and found-footage horror movies. It happens with vampire novels. These works have entertainment value, but they aren’t groundbreaking and become uninteresting.
As a fan, this vicious cycle frustrates and bores me. Horror is such a flexible genre, with great potential for constant reinvention. I always enjoy horror that offers something different.
Thus, whenever a movie or novel comes along that breathes new life into a worn-out subgenre, I can’t help but take notice.
Enter The Girl With All the Gifts, M.R. Carey’s innovative 2014 zombie novel. In a subgenre rife with the same old survivor story, Carey wrote a compelling zombie narrative reexamining many of the assumptions of the genre. The result is a novel that offers a fresh perspective on many of the tried-and-true themes of the zombie genre, including survival at all costs, us vs. them mentalities, and what it would take to rebuild a shattered world.