This year, SXSW was a hotbed of buzzworthy horror movies, many from first-time directors. That’s one of my favorite things about film festivals—new voices and diverse viewpoints are given their time in the spotlight, and we’re all the better for it. This is especially true for horror, which benefits drastically from creative, fresh voices. After all, the same old shit can’t be relied upon to continually explore our fears, and filmmakers shouldn’t try.
Of the horror-comedy films at SXSW, Extra Ordinary was my favorite. Though it wasn’t without flaws, it was a confident debut for its first-time directors. It was an original horror-comedy with a distinctly Irish flair. It is also the most adorable horror-comedy I’ve ever seen, and I enjoyed it immensely. Who knew that sacrificing virgins and exorcizing ghosts could be so uproarious and charming?
When it comes to genre and big-name film festivals, the South By Southwest (a.k.a. SXSW) Film Festival has always been eager to showcase horror movies. This acceptance of horror isn’t surprising considering how committed SXSW is to feature “genre standouts” and “celebrate raw innovation and emerging talent from both behind and in front of the camera.” Overall, films shown at SXSW cut across a wide range of genres, tones, and influences, often encapsulating Sci-fi/Horror, fantasy, intimate dramedies, high-profile comedies, and everything in between.
Essentially, SXSW is a really fun film festival, with way more audience favorites and diverse voices than some of the more prestigious festivals. The festival purposefully cultivates a certain rebellious spirit and often screens films that are both smart and crowd-pleasing, accessible yet weird enough to be worthy of the host city (Keep Austin weird!). Notable horror titles from past SXSW festivals include The Return Of The Texas Chainsaw Massacre, Blade 2, the original Cabin Fever, The Cabin in the Woods, Insidious, Penny Dreadful, Creep, The Invitation, Ex Machina, A Quiet Place, and Hereditary.
So yeah, horror fans should definitely pay attention to what comes out of SXSW.
Not only does this year’s slate look as impressive as ever, but Stories For Ghosts will also attend SXSW in person to cover as many horror films and TV pilots as possible! I can’t wait! No longer will I have to admire the festival from afar, as I did in 2017 and 2018. I’ll get to be on the ground, soaking up everything from Jordan Peele’s latest horror movie Us, to AMC’s new horror series NOS4A2 (based on Joe Hill’s novel, to indie films like Them That Follow and Darlin’. I feel like a goth kid in a Hot Topic all by myself with my mom’s American Express.