*Very Mild Spoilers for Get Out*

Every once in a while, a horror movie comes along that checks off all my horror-movie boxes. Such a movie strikes a balance between horror and comedy, between jump scares and mounting dread, between imagination and classic genre fare, between a stand-alone story and an important social message.

Every once in a while, a horror movie comes along that knocks me back. Holds me in my seat. Grabs me by the throat.

Get Out is the most recent example of such excellent filmmaking. By now you’ve surely heard that the film has a 99% rating on Rotten Tomatoes from 167 total reviews and an 83% “Universal Acclaim” rating on Metacritic. You might also have read that Get Out is a certified box office smash, grossing $111 million dollars worldwide against a budget of $4.5 million, which is 24x over its budget.

Get Out deserves every good review and every penny it earns. Movies like this make me proud to be a horror fan because they prove how the genre is positioned as uniquely challenging and entertaining art. From its technical execution, to its writing, to its casting, to its deeply relevant social criticism, Get Out will probably be one of the best movies of the year and will undoubtedly be one of the best horror movies of the decade.

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