The 35th annual Banned Books Week is winding down, and this year, countless readers have enjoyed the myriad of books that have faced challenges and suffered bans in the United States. Founded in 1982 by the Banned Books Week Coalition, Banned Books week aims to document and raise awareness of book censorship in America. The Coalition also wants to start and sustain a dialogue within communities, between concerned parents, libraries, and publishers to address book censorship.
After revisiting my favorite challenged children’s series , I wanted to document the scary books that have touched children’s lives and garnered challenges in the U.S. I’m a firm believer that scary, age-appropriate stories do a lot of good for young children by making their fears and anxieties manageable and recognizable. I also believe that it’s a “tragic mistake to deprive a child of a book that will allow them to face and discuss the things that make them afraid. Repressing those fears only makes them more afraid.”
Fantastic Fest 2017 is here! Finally!a
Fantastic Fest is the largest film festival specializing in genre films, which basically means it focuses a lot more on sci-fi, horror, fantasy, action, and generally fun and weird movies. Fantastic Fest may not be a critical darling like Cannes, Venice, or Sundance, but it has a proven track record of showcasing crowd-pleasers and groundbreaking genre films. It usually picks up where TIFF leaves off, pushing the envelope even farther with non-horror movies like There Will Be Blood, Red, and John Wick.
These are the kinds of movies that really make you feel something, whether that’s a vicarious blood lust, a sense of wonder, squealing terror, or outright uncomfortable confusion. Fantastic Fest is always interesting and has something for every type of horror fan.
*Mild Spoilers for It**
I’ve known about It for as long as I can remember. It was that massive brick of book that sat on the shelf at the public library, daring me to secretly check it out and sneak it home, where I could read it under the covers at night. It was also that early 90s TV movie starring Tim Curry that my parents wouldn’t let me see, and that I didn’t see until I watched it during a slumber party. Growing up, It was the epitome of horror, not only because of the scary clown, but because children were the target of his evil, and It was not afraid to depict child murder.
It really went there, and many 90s kids won’t forget it. Many of us flocked to movie theaters last weekend and forked over cash to see the latest adaptation of It. I, for one, was almost giddy with excitement. I wanted to be scared sh*tless. I wanted to recapture some of the terror I felt reading the novel. I’ve grown up, but I still remember the exquisite and sickening pain of growing up, of realizing the evil in the world.
But this adaptation didn’t make me feel that.
The Toronto International Film Festival (TIFF) continues the 2017 film festival season in style! And with tons of horror movies!
Thank God! I was getting a little parched with the paltry (though potent) slates of horror movies at Cannes and Venice.
Honestly, it’s not a surprise that TIFF has much more horror than the other festivals. TIFF has always been a little more…risky than some of the more prestigious festivals. Not that TIFF isn’t prestigious–it regularly attracts top-level talent and Oscar contenders. It’s just that TIFF is a little more daring. A little more willing to recognize the worth and artistic accomplishments of genre films.
As Vox put it, “Cannes films often skew toward more rarefied and international films, while at Toronto…you can find bigger crowdpleasers that might also find more money at the box office and wind up bigger awards-season contenders…TIFF sets the pace for the year’s awards chatter.”
And just to underscore the point, TIFF regularly hits homeruns, especially in horror. TIFF has debuted such horror films as Dario Argento’s Opera in 1989, Peter Jackson’s Braindead in 1992, The Grudge in 2002, Hostel in 2005, Inside (À l’intérieur) in 2007, 2008’s The Loved Ones, Black Swan in 2009, The Lords of Salem in 2012, Emilie in 2015, and Raw in 2016, where multiple people passed out during the screening.
Thus, without further adieu, let’s get to TIFF 2017’s horror movies!
Did you know It, the long-anticipated major studio adaptation of Stephen King’s most messed up novel, is being released this month? Of course you did, because those freaky trailers have been everywhere!
Did you know that Darren Aronofsky’s mother! is also being released and marks the director’s return to exquisite psychological horror? You sure do if you follow this blog, because I won’t shut up about it.
With those two films only, September 2017 is a good month for new horror movies. The same garden-variety, lamesauce horror films crop up (Temple, The Sound), but we’ve also got a few Netflix and indie horror movies that are worth a closer look (The Limehouse Golem, Flatliners, Don’t Sleep).
Film Festival season continues with the venerated and show-stopping Venice International Film Festival. The Venice International Film Festival is the oldest film festival in the world, founded in 1932. Venice reigns alongside the Cannes Film Festival and the Berlin International Film Festival as the three most important film festivals in the world. Kings are made, stars are born, and buzz-worthy films live or die by the reaction they garner at Venice.
As one of the most important film festivals in the world, Venice has done its fair share to elevate horror films of artistic merit and critical acclaim. The very first film ever screened at Venice in 1932 was Dr. Jekyll and Mr. Hyde, directed by Rouben Mamoulian. In more recent years, Venice showcased Survival of the Dead (2009), Black Swan (2010), Under the Skin (2013), and The Bad Batch (2016).
And this year, Venice has two of the most highly anticipated horror movies on its slate – Darren Aronofsky’s mother! and Guillermo del Toro’s The Shape of Water. It doesn’t get much more art-house horror than these two, and I am dying of anticipation.
One of my guiltiest pleasures is the high school horror movie. I can’t get enough of the cheesy teenaged angst, bad acting, and messy murders on school property. Masked maniacs, fleeing cheerleaders, shady teachers, and terrible secrets are all hallmarks of this horror subgenre that just won’t seem to die. It seems that, despite how boring we thought high school was, the high school horror movie strikes a chord over and over again.
1977 was a damn good year for cinema with the release of modern film classics like Star Wars, Saturday Night Fever, Annie Hall, and Close Encounters of the Third Kind. It was also an inspired year for horror, with The Hills Have Eyes, Eraserhead, Rabid, and, of course, Dario Argento’s masterpiece, Suspiria. One of the most iconic horror films ever, Suspiria enjoyed the 40th anniversary of its world premiere a few months ago. Just a few days ago, it enjoyed the 40th anniversary of its American release.
Suspiria is one of my favorite horror movies. Full stop. Not only is it violent and horrifying, it’s freakin’ gorgeous. Gory and unsettling, its visuals are beautiful and opulent. Suspiria is a true experience, more than a straightforward movie-watching experience. Like the giallo movies from which Suspiria is descended, the film explores the stunning effect of horrific violence rendered cinematic. Of all the giallo films, Suspiria achieves a rare kind of horror movie sublimity, slipping into your subconscious like a long, thin blade. Continue reading
As part of my ongoing series, Horror at Film Festivals, let’s take a trip down under to Australia for the Melbourne International Film Festival. The world isn’t just about Cannes and Sundance, now is it?
The Melbourne International Film Festival is chock full of horror spanning a wide range of tastes from the gory to the eerie to the downright weird. From August 3rd to August 20th, the film industry will gather in Melbourne to toast the latest crop of inventive and important films, and horror films part of the schedule.
As a festival, the Melbourne International Film Festival aims to show the global audience all manner of “curated and unforgettable screen experiences.” The major Australian film festival, the Melbourne International Film Festival is also one of the oldest film festivals in the world, showcasing films since 1952. It has a decidedly different flavor to its film lineup, focusing on daring, a little risky, slightly off-kilter independent films.
To that end, the Melbourne International Film Festival has showcased works by horror icons Dario Argento, David Cronenberg, and David Lynch, among many. More recently, the Melbourne International Film Festival screened such horror films as Housebound, Train to Busan, and What We Do in the Shadows.
The lineup for 2017 is exciting! Melbourne International Film Festival has one of the most extensive slates of indie horror I’ve seen at a major festival. I can’t wait until I can see these in America!
It feels like only yesterday that I was doing the post for July horror movies. Fast forward a month, and not only have I finally recovered from a whirlwind vacation in China, but a ton of August horror movies were added to the release schedule! It seems like the 2017 horror release schedule saved a lot for later.
Yes, the end of summer is upon us, and that means long and hot days where the air conditioning provides blessed relief from the inferno outside. What better way than to stay indoors and watch scary movies? Some of these look amazing, like The Dark Tower, Annabelle: Creation, Dave Made a Maze, and Death Note. Others will please certain genre fans who crave blood and guts, like Cut Shoot Kill and Red Christmas.
I think there’s something for everyone here, so get yourself to the nearest theater, buy an ice-cold beverage of your choice, and enjoy the show.