When I first heard about Grady Hendrix’s novel My Best Friend’s Exorcism, marketed as a cross between Heathers and The Exorcist, I just knew I had to read it. I love 80s nostalgia as much as the next person (since I am just barely a child of the 80s). I also love making fun of the 80s, what with the awful clothes and hair, the rampant and self-conscious conservatism, and the general tackiness.
And sure enough, My Best Friend’s Exorcism pays homage to this decade as much as it pokes fun at it. More than that though this novel is heartfelt and creepy, treading into the well-worn territory of fraught adolescent relationships. The result is a book whose nostalgia runs deeper than the pop culture references it deploys throughout.
I rail a lot against bad horror movies, the kind that are excuses to inflict a lot of violence, gore, and bad writing on audiences. As a horror fan, I wish to hold the genre to a certain standard of storytelling because the genre has so much to offer. But I’m realistic, and if a horror movie doesn’t live up to those standards (or even try), all I ask is that it’s at least entertaining. There’s nothing worse than a boring horror movie that tries way too hard.
However, I must confess that I have my own horror guilty pleasures. These are films that I acknowledge are poorly made movies with a laundry list of flaws. Yet somehow, I love them. I watch them over and over.
And my favorite horror guilty pleasure is 2003’s action-horror classic Underworld.
Today is the official start of the Toronto International Film Festival (TIFF), which marks the unofficial beginning of “prestige movie season”! Every year, major studio and indie films vie for spots on the TIFF line-up in the hopes of garnering buzz and positive reviews to hype their releases. They’re also hoping for the kind of critical acclaim that wins films prestigious awards.
Unlike some other festivals of this caliber, TIFF always makes room for horror movies in their lineup. In recent years, TIFF has showcased films like The Grudge in 2002, Hostel in 2005, Inside (À l’intérieur) in 2007, 2008’s The Loved Ones, Black Swan in 2009, The Lords of Salem in 2012, and Raw in 2016. Last year, TIFF screened mother!, Veronica, The Ritual (loved that movie!), Mom and Dad, and of course, Guillermo del Toro’s Oscar-winning The Shape of Water.
This year, TIFF has an impressive slate of horror movies, from the highly anticipated Halloween to quieter entries like The Wind. I can’t wait to see which ones will make a splash! Read on to see the full line-up!
Do you feel that change in the air? In Texas, it’s no longer 100 degrees every day, and the mornings almost feel…pleasant? It must be fall!
Now that summer is drawing to a close, we’re less than 60 days out from Halloween! That means we’re about to get a whole slew of horror movies in anticipation of our favorite holiday.
And boy, does September deliver a bunch of horror movies. The quality of these movies varies, but there are some exciting choices here, like Nic Cage’s metal-horror Mandy and the religious-horror film Don’t Leave Home. Due to a crowded October release schedule, we also get a lot of big-name horror films this month, like sequels The Nun and The Predator. There’s also The House with a Clock in Its Walls, which might go on to become a kids’ horror classic.
Let’s get to it!
The Venice International Film Festival officially kicks off today, serving as one of the most important stops on the film festival circuit. Venice is one of the three most influential film festivals in the world, up there with Cannes and Berlin. As such, films showcased at Venice are regarded as being the crème de la crème, as prestigious films that aim to elevate the medium of film.
Of course, horror films are often overlooked. But not always.
Do you know when Christmas for horror fans is?
If you said Halloween, I hate to break it to you, but you’re wrong.
Because horror Christmas starts this Thursday, August 23, 2018, when the FrightFest Film Festival kicks off in London, England.
As a genre, horror rarely receives the respect it deserves. Imaginative, crowd-pleasing horror films are too easily dismissed and underestimated by major studios and audiences alike. That’s not to say that there aren’t plenty of horror films that have wowed both dedicated horror fans and critics (a la Get Out, Hereditary, see my whole blog). But honestly, there are way more horror films deserving of attention, if not acclaim.
That’s why I started blogging about horror movies at film festivals and why I’m so excited about this year’s FrightFest. I wanted to bring attention to horror films that, against harsh odds, broke out of their confines and stampeded into the spotlight. From Sundance to Cannes to TIFF, horror movies are proving that they can hang with the best of the best.
Still, it’s exhausting always having to prove that point, isn’t it?
But this week, my horror-fan prayers will be answered by the 18th annual FrightFest, a unique film festival dedicated to horror and other genre-bending films. FrightFest initially started as a quest to give British horror fans a high-caliber horror film festival before quickly becoming an internationally renowned festival. FrightFest is the festival where Danny Boyle debuted the first reel of 28 Days Later, where Guillermo del Toro chose to premiere Pan’s Labyrinth instead of the more glitzy London Film Festival, and where Neil Marshall held a gala preview for The Descent.
Do you hear that? It’s the sound of Halloween approaching, which means it’s time to start choosing your horror novels for autumn. You only have 75 days left to pick a scary read!
With so many horror novels out there, it can be hard to choose. Don’t worry though, because I always come prepared with great recommendations. If you’re looking for a horror classic to curl up with, I got you covered with my Classic Spooky Reads or Modern Horror Classics post. If you’re looking for a unique female voice to keep you up at night, my female horror writer litspo post is worth a look. And you can always check out my blog on new horror releases from the first half of 2018.
Even better news—I noticed that tons of intriguing, spooky sounding horror novels were slated for release in the latter half of 2018. Since I hadn’t covered any of these books in my previous post, I thought they merited a whole new post, and just in time for those of us looking to find the perfect scary fall read.
There are a ton of new August horror releases this month, and a wide variety at that! That’s what I’m talking about! This broad array of new horror is what I’ve been missing from the last few months—a mix of big-budget wide releases, artsy indie flicks, and some bizarre low-budget films.
I’m excited for zombie-apocalypse film Patient Zero, as well as the moody, ghostly gothic thriller The Little Stranger. And of course, I can’t wait to see The Meg, because who doesn’t love a ridiculous action-horror movie about sharks?
Check out all of the August horror releases below! Enjoy!
*Mild spoilers for The Outsider*
Like any horror fan (and latchkey kid raised by TV), I love Stephen King. The prolific master of horror has done so much to entertain and terrify readers for over forty years. I’ll never forget what it was like to read Carrie for the first time or to tackle It, and his books have influenced much of my own storytelling. While not every King novel is a success, I learn something new from everyone I read. Accordingly, when I heard about his latest novel, The Outsider, I didn’t think twice about including it on my list of most anticipated horror novels of 2018 to eagerly await its publication. Continue reading