**Very Mild Spoilers for The Boy on the Bridge. Full discloser, I was given an advance copy of the novel by M.R. Carey’s publicist.**
In a horror subgenre that often feels like it’s overflowing with the same old stories, M.R. Carey has a knack for the original and inventive.
With his 2014 novel The Girl with All the Gifts, he explored how what’s left of humanity persists 20 years after a cataclysmic pathogen transforms the majority of the population into mindless, vicious zombies known as “hungries.” It was a novel heavy on scientific research and crafted tension, delivering a nightmarish and realistic vision of how an actual zombie pathogen might behave, how the world would evolve, and how fearful and selfish human beings would struggle in the aftermath. I found it a fascinating approach to the zombie apocalypse, a survival tale with all the expected strained group dynamics coupled with fascinating science and difficult ethical questions.
Continuing his mission of smart, well-researched, compelling zombie novels, Carey has just published his latest novel The Boy on the Bridge with Orbit. And let me tell you, if you liked The Girl with All the Gifts, you’ll really like The Boy on the Bridge.
Lord, I’m dying of thirst over here! Where are all the summer horror movies?
There’s only one major, wide-release movie coming out in all of May 2017! That movie is Alien: Covenant, which I feel like I should be more excited about. If only I could get over my feelings about Prometheus. The other releases are all extremely limited releases that provide an interesting look into the state of indie horror movies. Another Evil and Berlin Syndrome are two film festival darlings. 7 Witches and Dead Awake seem like very low-budget horror movies, but not without their potential.
So while I am scrapping the bottom of the barrel with this month, there’s some good stuff here.
Check ‘em out!
The Tribeca Film Festival starts tomorrow! The film festival circuit is in full swing and Tribeca is the latest prestigious stop. And I’m going to tell you all about the featured horror films.
Tribeca may not be Cannes, but in its relatively short existence, Tribeca has proven itself a formidable and important film festival. Founded in 2002 by producer Jane Rosenthal, renowned actor Robert De Niro, and real estate mogul Craig Hatkoff, Tribeca has made a name for itself as a festival dedicated to presenting discerning and innovative filmmaking. More than the Cannes Film Festival or the Toronto International Film Festival, Tribeca is about independent films over “prestige studio movies.”
This year, there’s a great mix of various horror subgenres, from serial killer movies to artistic slashers to psychological horror, with loads of films falling between those categories or smashing through them. I have a feeling that some of these feature and short films will go on to generate plenty of buzz. Hopefully, we will see general releases of some of these. I’m particularly excited about Hounds of Love, Psychopaths, and Retouch.
*Beware: Here be mild spoilers for Raw*
During my time blogging about all things horror, I’ve found that most serious horror fans by and large stick to their favorite horror subgenres. They may only dapple in other subgenres, occasionally dipping a toe into art horror or zombie flicks, but not often. I do this. I love moody, tense psychological horror, ghost stories, and taut thrillers with elegant displays of horrific violence. Slashers? Not really my thing. The Saw movies? Ehhh, pass. And body horror? Definitely not my thing.
For some reason, body horror is particularly challenging for me. Thus, I avoid it. This isn’t to say that I think body horror is bad or uncouth or less capable of artistic potential. I accept the importance of body horror as a subgenre that is, at times, most-equipped to explore themes like mortality, physical weakness, aging and disease, over-population, and the disconnect between our mental power and our bodily strength. After all, body horror is the most universal kind of horror, since everyone is stuck in a decaying body and marches through a field of pain and pleasure towards death.
There are times when even I can’t look away from a well-done, brilliant body horror film, when even I have to admit that I really, really liked it.
This is how I felt about Raw, a 2016 French-Belgian cannibalism and coming of age horror film that made waves at Cannes last year and was finally released stateside a few weeks ago.
Well, we’re in the full film festival swing of things, which means that there is an exciting new crop of horror movies up for distribution rights! But this also means that, as far as a wide-release calendar goes, there isn’t much to see this April.
In fact, while this month’s slate of horror movies is refreshingly inventive, it’s going to be difficult for anyone to see these outside of major movie markets like New York and Los Angeles. I’m particularly sad about scrounging for a screening of sci-fi existential body horror flick The Void, praying for a showing of the macabre and witchy A Dark Song, and wishing for a chance to see Voice from the Stone, despite my misgivings.
However, many of these movies will be available on VOD shortly after their limited runs, so you won’t have to wait so long!
Spring Break in Texas means a lot of things, like South Padre Island, Mustang Island, and South by South West!
I have many a fond memory of my time as a college student in Austin, Texas, too poor and too uncool to go to the exclusive, VIP SXSW events and having to settle for free events and waiting in line for screenings and concerts. Most of the time, I could only ever get into the musical events. I dreamed of the day I could afford a VIP pass to the SXSW Film Festival, especially because of all the freakin’ amazing SXSW horror movies there. So many great horror films premiered at SXSW! To name a few of those SXSW horror films, take French-extremism horror film Them, Lake Mungo, Insidious, and The Cabin in the Woods, to name a few.
Sadly, I’m still not in a place where I can take off a whole week to go party in Austin. Someday, I’ll get there. But until then, here’s a list of SXSW horror movies that are premiering this year! I’ve included a synopsis and a trailer if available. Enjoy!
Here in Texas, March is a bit of a tumultuous month. The weather is crazy, with hot days and chilly nights, and crazy pollen causing allergies like you wouldn’t believe. And the event scheduled is packed—you’ve got the weeks-long Cook-off and Rodeo, along with St. Patrick’s Day and Spring Break.
So too, the horror release schedule for March 2017 is a roller-coaster of horror movies. There’s blood and ghosts and humor and social commentary and fascinating stories. We’ve got some big, splashy gore fests in The Belko Experiment and Life, along with the artsy cannibal flick Raw. Later in the month, we see some pensive and creepy offerings with Dig Two Graves and The Blackcoat’s Daughter. And don’t overlook indie films The Devil’s Candy and Here Alone, both of which might prove to be pleasant, bloody surprises.
Let’s see where March takes us!
*Beware, here be spoilers*
The tense political environment right now has me thinking a lot about my identity as an American. I was born and raised here. I’m fairly patriotic. I studied the law and our nation’s history in part to better understand the rules that underlie our Americanness.
And when I think of myself as an American, I think about our rights and the defense of our liberties. I think of working together with those who have different viewpoints. I think of respect and tolerance, because Americans are supposed to hold those values in esteem. I also think, “It’s easy to be American when things are going well.”
What happens if this all falls apart?
We Americans treasure our autonomy. Look at the Bill of Rights. Look at the Constitution. These are the rules by which the government protects our rights and with which the people limit the government. We have all said we agree to abide by this rulebook to preserve everyone’s pursuit of life, liberty, and pursuit of happiness (within reason). Do we mean it?
The Academy Awards are this weekend, and I’m excited! I’m a huge film buff and enjoy watching the Academy Awards every year. I strive to see all the Best pictures, even if I don’t agree with the choices. Despite my love and respect for the Academy Awards, I am disappointed that many excellent films are completely overlooked by the Academy. Especially horror films.
I shouldn’t be surprised. The Academy has a lot of issues. The Academy is a notoriously conservative body, reluctant to reward risks or give credit to inventive and brave filmmaking. Lately it seems like the more popular a film is, the worst its chances are for receiving any kind of recognition from the Academy, though there are notable exceptions. Why does the Academy pick certain films over others? I have no idea.
And while horror is criminally underrated and underappreciated genre, turning out well-made and culturally resonate films, there have been several films that the Academy has lauded for achievements in directing, acting, cinematography, and other facets of filmmaking.