Stories For Ghosts

Horror for the Discerning Fan

Category: Zombie (page 1 of 5)

Horror and the 2019 Cannes Film Festival

(To read my past coverage of Cannes, see my 2016, 2017, and 2018 posts.)

One of the more exciting trends in horror over the last few years has been the proliferation of horror movies making splash debuts at renowned film festivals. Horror has been defying expectations and proving the genre haters wrong by showing up and showing out at festivals like Sundance and SXSW. Even genre festivals like Fantastic Fest and Frightfest have increased their profiles to become hotly anticipated in horror and non-horror circles alike.

And as a horror fan, I feel like it’s about damn time. Many critics and filmmakers have turned their noses up to horror, so it’s nice to see the industry not only embrace horror but start to experiment with how the genre can tell compelling stories.

Cue the Cannes Film Festival, arguably the glitziest and most buzzworthy film festival in the world. In years past, horror films like Evil Dead 2, Pan’s Labyrinth, Train to Busan, and The Neon Demon. have garnered much attention and acclaim at Cannes. Additionally, Cannes serves as an important marketplace and networking nexus for filmmakers looking to secure additional funding or distribution for their horror films.  Such attention helps the whole genre do better, which is why I catalog the horror films showing at both the Cannes film festival and the Marché du Film (Cannes’ Film Market) every year.

This year’s Cannes festival doesn’t have as much horror as I would like to see (there’s never enough horror as far as I’m concerned). It’s disappointing that there aren’t more horror films at Cannes, but rest assured, those that will screen are ones to watch. This small but strong group of horror films promises to offer audiences a lot more than the same old tired remakes and half-assed slashers.

Continue reading
Share

Upcoming 2019 Horror TV – A Running List

With the plethora of fantastic horror available right now, it’s a great time to be a horror fan. Not only are horror movies getting better and better, told from a variety of viewpoints and with tons of cool new stories, but television is also experiencing a horror renaissance. And y’all, there are just too many options to choose from.

It all started with the premiere of What We Do In The Shadows this past week, which got me thinking–what other cool new 2019 horror TV shows have come out or are coming out soon?

Continue reading
Share

SXSW Review: Little Monsters Has Lots of Heart and Zombies

Want more SXSW horror besides Little Monsters? Check out my SXSW 2019 Horror Lineup post.

The zombie horror-comedy is so popular that it’s nearly a separate horror sub-genre. Films like Dead Alive, Shaun of the dead, and Zombieland have shown just how fun and raucous a zombie film can be without skimping on the gory set pieces we all love. But not all zombie comedies meet the mark. To be successful, a zombie horror-comedy must command two separate films in one, and as such, must strike a balance between the gravity of a zombie outbreak while creating relatable, funny characters.

At first, Little Monsters might seem like too risky a premise to strike that balance. Set in present-day Australia, Little Monsters follows Dave (Alexander England), who is crashing on his sister’s couch after his life craters. When he’s not smoking weed, he’s watching his adorable 5-year old nephew, Felix (Diesel La Torraca). Once Dave meets Felix’s lovely kindergarten teacher, Miss Caroline (Lupita Nyong’o), he decides to pursue her by volunteering to chaperone the class’s field trip to a local petting zoo. Little do they know that the American army base next door to the petting zoo has been secretly conducting zombie experiments (naturally). The zombies escape, of course, and Dave and Ms. Caroline find themselves responsible for the lives of eight adorable, innocent, precocious kindergarteners. And if that wasn’t enough, they must also contend with Teddy McGiggle (Josh Gad), a highly annoying kids’ entertainer who shows his true sleazeball colors once shit goes down.

Continue reading
Share

The 2019 Sundance Film Festival and Horror Movies

The time has come for the Sundance Film Festival 2019!

You guys, I’m so excited to see what all Sundance has in store for us on a horror front. Year after year, Sundance has provided some really cool cutting edge horror ranging from the commercially and critically brilliant (2017’s Get Outto some very intense horror films (like last year’s Hereditary).

In fact, Sundance has always been a showcase for up-and-coming horror. Sundance brought us last year’s Mandy and Revenge in addition to The Blair Witch Project, American Psycho, Saw, 28 Days Later, The Descent, and The Witch

Truly, the Sundance Film Festival is one to watch, which is why I’ve covered it for both 2018 and 2017. This year, I’m excited to see the wide array of horror films. There are so many! And so many different kinds. There’s the arthouse gore of Velvet Buzzsaw, the black comedy of Little Monsters, and survival horror of Corporate Animals. I can’t wait to see what films have legs and become future horror heavyweights.

Enjoy!

Continue reading
Share

Revisiting Night of the Living Dead, 50 Years Later

The horror genre is littered with controversial films, films that inspired censorship and protests and extreme backlash. While controversy is certainly good for box office takes, it’s not always good for the critical interpretation of a film. Horror fans, especially, know that controversy does not always merit the backlash our favorite genre films receive. A violent or unsettling or difficult movie doesn’t mean it’s bad—sometimes, it means that the film has done its job.

Night of the Living Dead, George A. Romero’s 1968 black-and-white exploitation classic, is one such film. What modern audiences see as an undisputed but perhaps dated work of essential horror, contemporary audiences were shocked and appalled by Night of the Living Dead. It was violent! It was gory! It tested the very boundaries of decency!

Despite its critical success, the movie simply did not deserve to exist, according to some critics. As the Variety review put it, “Until the Supreme Court establishes clear-cut guidelines for the pornography of violence, Night of the Living Dead will serve nicely as an outer-limit definition by example.”

But it’s precisely because of those outer-limits that films like Night of the Living Dead are essential. They ask us to question art, to question the way we tell stories. They force us to consider uncomfortable implications of what we’re seeing onscreen. In short, they ask what deserves to be committed to film and why.

Continue reading

Share

The Good, The Bad, and The Weird – August Horror Releases

There are a ton of new August horror releases this month, and a wide variety at that! That’s what I’m talking about! This broad array of new horror is what I’ve been missing from the last few months—a mix of big-budget wide releases, artsy indie flicks, and some bizarre low-budget films.

I’m excited for zombie-apocalypse film Patient Zero, as well as the moody, ghostly gothic thriller The Little Stranger. And of course, I can’t wait to see The Meg, because who doesn’t love a ridiculous action-horror movie about sharks?

Check out all of the August horror releases below! Enjoy!

Continue reading

Share

9 of My Favorite Prom Horror Movies

Ah, the Prom Horror Movie. The guiltiest of my guilty pleasures!

They’re so cheesy, so campy, so over-the-top and wonderfully bad, though not always. Some prom horror movies have unexpected depth and nuance, exploring (sometimes clumsily) the dynamics of high school and the pressures of being a teenager. Just like the high school horror movie, the prom horror movie fumbles towards peering at the dark underside of the high school experience as memorialized in high school’s forever hyped event.

It makes total sense that prom is a big deal. In high school, especially the closer to graduation they are, teenagers find themselves stuck in a weird, awkward limbo where they don’t have the rights and privileges of an adult but know enough to want them, where the responsibilities and obligations of adulthood loom on the horizon. The intense desire for agency, meaning, and purpose melds with teenagers’ immature assumptions that agency, meaning, and purpose can be found in one glitzy, epic night.

Of course, it rarely happens that way. Prom night is almost never the incredible, life-changing event that Hollywood movies would have you believe. Most of the time, you get all dressed up in your high school best and spend a few hours swaying on the dance floor or sitting at your table with your friends, wondering why your crush hasn’t noticed how awesome you look. And then a drunk junior pukes Malibu all over the dance floor, and you and your friends leave and go to Denny’s on the way to someone’s house to watch Donnie Darko and try to sneak beer out of the garage refrigerator.

Continue reading

Share

Horror and The 2018 Cannes Film Festival

The Cannes Film Festival is officially underway! Yay for independent artsy films!

In the past, Cannes has given us not only buzzworthy prestige films from around the world, but it has also been a source of horror films outside the Hollywood mainstream. I’ve covered both the 2016 and 2017 Cannes Film Festivals, which introduced to the world to films like Raw, Neon Demon, Train to Busan, and The Killing of a Sacred Deer. And that’s not to mention horror classics like Evil Dead or Pan’s Labyrinth.

Continue reading

Share

May Horror – The Calm Before the Summer Blockbuster Storm

Well damn y’all, May horror isn’t what I thought it would be–low key and full of indie releases.

Not that it’s a bad thing. Some of the best horror movies are small indies and foreign films that don’t secure wide theatrical releases in America. I’m willing to bet that festival darlings like Beast and Revenge are more than worth a watch. Bad Samaritan and Family Blood are very intriguing, and It Came from the Desert looks horrendous, like, I-need-a-couple-of-drinks-to-get-through-it-but-that-could-be-fun-horrendous.

Check out the May horror movies below!

Enjoy!

Continue reading

Share

March 2018 Horror – The Strangers Are Back!

It’s March, which means that spring is right around the corner. It also means that the steady stream of horror we’ve been enjoying this year runs a little slow during the spring months before the summer horror season starts in May.

But don’t fear! March promises some intriguing films, despite the short list of horror films this month. There are two great foreign horror films, the long-awaited sequel to The Strangers (2008), a documentary about a real-life haunting, and the latest psychological thriller/horror from Steven Soderbergh. It’s shot on an iPhone and Claire Foy gives a raw, frazzled performance that’s the exact opposite of her role as Queen Elizabeth II on The Crown (which I also love. I just love Claire Foy, and I can’t help it).

Check out the trailers below!

March 2

The Lullaby (Limited)

“A 19-year-old woman falls into a deep depression after the birth of her first son. In her paranoia, she begins to hear voices and comes to believe that a strange entity is haunting her child.”

What a coincidence (really!)! I was just talking about this South African horror movie as an example of foreign horror from the African Continent! It looks very creepy, though I can’t really discern the quality of the film from this trailer. I hope it’s a strong film, only because the subject matter and the hopeful exploration of post-partum psychosis deserve a nuanced discussed.

March 3

The Ravenous aka Les Affames (Netflix)

“A village in Quebec is terrorized by a flesh-eating plague.”

Here’s another foreign horror film for you—a zombie movie from Canada. Damn Canada! I know you’re very good at body horror, but not particularly known for your zombie films. Where did this artsy, old-school Romero, understated movie come from? It’s freaking me out. This is not good for my nerves, Canada, you must understand this. And I say that as a seasoned horror fan.

But seriously, I remember hearing about this movie when it was making the festival rounds at TIFF, and I understand it’s pretty good, both for its scares and its exploration of social themes. I’m pleasantly surprised that it’s popped up on Netflix. Add this one to the watch list!

March 9

The Strangers: Prey at Night (Wide)

“Mike and his wife Cindy take their son and daughter on a road trip that becomes their worst nightmare. The family members soon find themselves in a desperate fight for survival when they arrive at a secluded mobile home park that’s mysteriously deserted — until three masked psychopaths show up to satisfy their thirst for blood.”

I’m both excited and freaked out for this movie because, as far as horror subgenres go, home invasion movies burrow under my skin and stay there. The Strangers is widely regarded as one of the most intense home invasion horror movies in recent years, and for good reason, which makes The Strangers; Prey at Night a highly anticipated release. So far it seems to be getting some good reviews, but it’s still too early to tell which way this will go. Lucky for me, I get to attend a screening of the film tomorrow night, so stay tuned for my review!

 

March 16

Demon House (Limited)

“Paranormal investigator Zak Bagans buys a supposedly haunted house in Indiana and documents what happens when he moves in.”

Woooo a cursed movie! Earn your check, marketing team!

But seriously, this is a documentary about an actual real-life case, though I’m not sure how flexible the film is being with the term “documentary” here. The movie centers on a house that used to belong to the Ammons, a Gary, Indiana family that claimed they were being haunted and tortured by as many as 200 demonic entities.

I highly suggest reading the story as published by the Indy Star. It’s a wild ride from start to finish, and creepier still, it’s written in a very even tone. It neither believes the Ammon family story about demonic possession nor does it deny the story—it merely lays out the story.

Essentially, I’m way more interested in the Ammons, their story, and a potential film adaptation about the intersection of socio-economic factors, psychology, and religion than I am with this documentary about a guy who buys the house after the family flees.

March 23

Unsane (wide)

“Sawyer Valentini relocates from Boston to Pennsylvania to escape from the man who’s been stalking her for the last two years. While consulting with a therapist, Valentini unwittingly signs in for a voluntary 24-hour commitment to the Highland Creek Behavioral Center. Her stay at the facility soon gets extended when doctors and nurses begin to question her sanity. Sawyer now believes that one of the staffers is her stalker — and she’ll do whatever it takes to stay alive and fight her way out.”

This film is on my list of Most Anticipated Horror Movies of 2018! I am always up for a good psychological thriller/horror, especially when you can’t be sure if the protagonist is crazy or not. While reviews have been positive, they haven’t been quite glowing. Despite that, I think the film will be worth seeing for Claire Foy’s performance, Steven Soderbergh’s experimental use of an iPhone for his single camera, and its a solid (though perhaps uninspired) psychological horror.

Are y’all excited for these movies! Tell me about it in the comments.

Share
« Older posts

© 2019 Stories For Ghosts

Theme by Anders NorenUp ↑