Stories For Ghosts

Horror for the Discerning Fan

Category: Zombie (page 1 of 4)

9 of My Favorite Prom Horror Movies

Ah, the Prom Horror Movie. The guiltiest of my guilty pleasures!

They’re so cheesy, so campy, so over-the-top and wonderfully bad, though not always. Some prom horror movies have unexpected depth and nuance, exploring (sometimes clumsily) the dynamics of high school and the pressures of being a teenager. Just like the high school horror movie, the prom horror movie fumbles towards peering at the dark underside of the high school experience as memorialized in high school’s forever hyped event.

It makes total sense that prom is a big deal. In high school, especially the closer to graduation they are, teenagers find themselves stuck in a weird, awkward limbo where they don’t have the rights and privileges of an adult but know enough to want them, where the responsibilities and obligations of adulthood loom on the horizon. The intense desire for agency, meaning, and purpose melds with teenagers’ immature assumptions that agency, meaning, and purpose can be found in one glitzy, epic night.

Of course, it rarely happens that way. Prom night is almost never the incredible, life-changing event that Hollywood movies would have you believe. Most of the time, you get all dressed up in your high school best and spend a few hours swaying on the dance floor or sitting at your table with your friends, wondering why your crush hasn’t noticed how awesome you look. And then a drunk junior pukes Malibu all over the dance floor, and you and your friends leave and go to Denny’s on the way to someone’s house to watch Donnie Darko and try to sneak beer out of the garage refrigerator.

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Horror and The 2018 Cannes Film Festival

The Cannes Film Festival is officially underway! Yay for independent artsy films!

In the past, Cannes has given us not only buzzworthy prestige films from around the world, but it has also been a source of horror films outside the Hollywood mainstream. I’ve covered both the 2016 and 2017 Cannes Film Festivals, which introduced to the world to films like Raw, Neon Demon, Train to Busan, and The Killing of a Sacred Deer. And that’s not to mention horror classics like Evil Dead or Pan’s Labyrinth.

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May Horror – The Calm Before the Summer Blockbuster Storm

Well damn y’all, May horror isn’t what I thought it would be–low key and full of indie releases.

Not that it’s a bad thing. Some of the best horror movies are small indies and foreign films that don’t secure wide theatrical releases in America. I’m willing to bet that festival darlings like Beast and Revenge are more than worth a watch. Bad Samaritan and Family Blood are very intriguing, and It Came from the Desert looks horrendous, like, I-need-a-couple-of-drinks-to-get-through-it-but-that-could-be-fun-horrendous.

Check out the May horror movies below!

Enjoy!

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March 2018 Horror – The Strangers Are Back!

It’s March, which means that spring is right around the corner. It also means that the steady stream of horror we’ve been enjoying this year runs a little slow during the spring months before the summer horror season starts in May.

But don’t fear! March promises some intriguing films, despite the short list of horror films this month. There are two great foreign horror films, the long-awaited sequel to The Strangers (2008), a documentary about a real-life haunting, and the latest psychological thriller/horror from Steven Soderbergh. It’s shot on an iPhone and Claire Foy gives a raw, frazzled performance that’s the exact opposite of her role as Queen Elizabeth II on The Crown (which I also love. I just love Claire Foy, and I can’t help it).

Check out the trailers below!

March 2

The Lullaby (Limited)

“A 19-year-old woman falls into a deep depression after the birth of her first son. In her paranoia, she begins to hear voices and comes to believe that a strange entity is haunting her child.”

What a coincidence (really!)! I was just talking about this South African horror movie as an example of foreign horror from the African Continent! It looks very creepy, though I can’t really discern the quality of the film from this trailer. I hope it’s a strong film, only because the subject matter and the hopeful exploration of post-partum psychosis deserve a nuanced discussed.

March 3

The Ravenous aka Les Affames (Netflix)

“A village in Quebec is terrorized by a flesh-eating plague.”

Here’s another foreign horror film for you—a zombie movie from Canada. Damn Canada! I know you’re very good at body horror, but not particularly known for your zombie films. Where did this artsy, old-school Romero, understated movie come from? It’s freaking me out. This is not good for my nerves, Canada, you must understand this. And I say that as a seasoned horror fan.

But seriously, I remember hearing about this movie when it was making the festival rounds at TIFF, and I understand it’s pretty good, both for its scares and its exploration of social themes. I’m pleasantly surprised that it’s popped up on Netflix. Add this one to the watch list!

March 9

The Strangers: Prey at Night (Wide)

“Mike and his wife Cindy take their son and daughter on a road trip that becomes their worst nightmare. The family members soon find themselves in a desperate fight for survival when they arrive at a secluded mobile home park that’s mysteriously deserted — until three masked psychopaths show up to satisfy their thirst for blood.”

I’m both excited and freaked out for this movie because, as far as horror subgenres go, home invasion movies burrow under my skin and stay there. The Strangers is widely regarded as one of the most intense home invasion horror movies in recent years, and for good reason, which makes The Strangers; Prey at Night a highly anticipated release. So far it seems to be getting some good reviews, but it’s still too early to tell which way this will go. Lucky for me, I get to attend a screening of the film tomorrow night, so stay tuned for my review!

 

March 16

Demon House (Limited)

“Paranormal investigator Zak Bagans buys a supposedly haunted house in Indiana and documents what happens when he moves in.”

Woooo a cursed movie! Earn your check, marketing team!

But seriously, this is a documentary about an actual real-life case, though I’m not sure how flexible the film is being with the term “documentary” here. The movie centers on a house that used to belong to the Ammons, a Gary, Indiana family that claimed they were being haunted and tortured by as many as 200 demonic entities.

I highly suggest reading the story as published by the Indy Star. It’s a wild ride from start to finish, and creepier still, it’s written in a very even tone. It neither believes the Ammon family story about demonic possession nor does it deny the story—it merely lays out the story.

Essentially, I’m way more interested in the Ammons, their story, and a potential film adaptation about the intersection of socio-economic factors, psychology, and religion than I am with this documentary about a guy who buys the house after the family flees.

March 23

Unsane (wide)

“Sawyer Valentini relocates from Boston to Pennsylvania to escape from the man who’s been stalking her for the last two years. While consulting with a therapist, Valentini unwittingly signs in for a voluntary 24-hour commitment to the Highland Creek Behavioral Center. Her stay at the facility soon gets extended when doctors and nurses begin to question her sanity. Sawyer now believes that one of the staffers is her stalker — and she’ll do whatever it takes to stay alive and fight her way out.”

This film is on my list of Most Anticipated Horror Movies of 2018! I am always up for a good psychological thriller/horror, especially when you can’t be sure if the protagonist is crazy or not. While reviews have been positive, they haven’t been quite glowing. Despite that, I think the film will be worth seeing for Claire Foy’s performance, Steven Soderbergh’s experimental use of an iPhone for his single camera, and its a solid (though perhaps uninspired) psychological horror.

Are y’all excited for these movies! Tell me about it in the comments.

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A Survey of Foreign Horror Films – Africa

As I admitted in my last post, I do not have a strong foreign horror game.  Of course, I’ve seen a ton of foreign horror films from countries like Great Britain, France, Japan, Canada, and Mexico, and more than a handful of foreign horror films from countries scattered all over the world, but I remain woefully ignorant of the global body of foreign horror.

This is something that I need to fix. And I figured that the Olympics would be the perfect time to educate myself.

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A Survey of Foreign Horror Films – Asia

I’ll admit, I’m not as informed about foreign horror films as I should be. For all my talk about seeing the horror genre as a window into the anxieties and fears of a culture, I’m dreadfully ignorant of many foreign horror traditions.

I felt even worse about my lack of awareness for horror films because of the Olympics. All these unique countries coming together in the spirit of peaceful competition, all those athletes sharing their gifts with the world? It’s beautiful and moving. We learn so much about each other from this magnificent event and put aside our differences to exalt the best of us together.

I freaking love the Olympics!

Consequently, with the 2018 Winter Olympics taking over television and the internet, I thought this was a perfect time for me to do some research about foreign horror films across the globe. And I found a lot of cool stuff.

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February Horror – Survival Horror, Sci-Fi Horror, and Helen Mirren’s Check

Much like January before it, February has often been a dumping ground for films (especially horror films) that studios know won’t do well. But don’t fret, this February has a lot of hidden gems, the kind I’m not used to seeing this early in the year. I’m stoked to see Natalie Portman’s sci-fi horror film Annihilation as well as a fresh take on a zombie outbreak in The Cured. Then there’s Netflix’s latest acquisition, The Ritual, the promises a scary fun time in the woods.

There’s also a fair bit of movies that are less than exciting, but it’s a good sign that we’re already seeing strong horror films this early in the year.

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January 2018 Horror – Haunted Houses, Demons, and a Homicidal Nic Cage

I love January. It’s the beginning of a new year, the sweet spot between a worn out, dusty old year and 12 months of as of yet untarnished potential.

I also love January for the horror movie trailers. That’s right—the dumping ground for movies Hollywood needed to unload has some of the best bad horror movie trailers of the whole year. And 2018 doesn’t disappoint.

Last January, we had trailers like Underworld: Blood Wars, The Bye Bye Man, and The Summoning. I laughed and cringed and wholly enjoyed myself. This January, my favorite bad horror movie trailers go to Day of the Dead: Bloodline, Primal Rage, and Death House, the latter of which I need to watch immediately.

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Black Friday and Horror Films About Consumerism

Don’t let this post on consumerism in horror movies fool you into thinking I’ve been productive and industrious today.

On this, Black Friday 2017, I have spent an irresponsible amount of money not on friends and family, but on myself. I have no regrets. I didn’t even have to leave the couch to take part in the great American tradition of buying things I don’t need, the day after eating a ton of food I didn’t need.

But I loved it. I do it every year–I munch on Thanksgiving leftovers and hoard coupon codes, grabbing up books and music and clothes and makeup.

That got me to thinking about horror and the horror movies that tackle consumerism. Everyone knows about films like Dawn of the Dead and They Live, but the meteoric rise of material goods and availability post World War II has embedded itself into the very fabric of American pop culture. And whenever we bake something into our national consciousness, it comes out in our horror movies, sooner or later.

Again, some of those movies that confront our materialism are thoughtful horror movies that elevate the discussion. Others don’t pretend to be anything more than a fab 1980s slasher flick that just so happens to occur in a mall. Either way, consumerism in all its shapes and forms, from zombies to haunted malls to obsessive serial killers reflects this very American way of life.

Here are 9 movies (of varying quality) about consumerism, shopping, and the desire to acquire material goods.

Enjoy!

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My Favorite Beautiful Horror Films – Part 2

As a horror fan, I live and die for visually striking, beautiful horror films. It doesn’t matter what subgenre of horror it is or how gory it is—I love beautiful horror. The more provocative, the better. I can’t look away from a film like Suspiria or The Cabinet of Dr. Caligari. I wouldn’t even if I could because I love the delicious contrast between watching something scary when it’s in a bold, ornate, artistic cinematic language.

Many horror films don’t bother with a strong, unifying visual concepts, so I find it refreshing when a film achieves a distinct cinematic style and tone. It’s even better when that distinct cinematic style transforms the horrors on screen into something gorgeous and compelling.

A beautiful horror film is special. A keen grasp of color and form and composition add layers of understanding to the story. An inspired eye deepens my apprehension, heightens my terror, and distills my horrific realizations into an unforgettable viewing experience. A beautiful horror film makes me wish I’d taken more film classes in college.A beautiful horror film scratches its way into my brain where it makes a permanent home.

A little while ago, I shared a list of my favorite beautiful horror films. The list included classic horror films with almost universally praised aesthetics, like The Shining or Let the Right One In. Lately, I’ve decided the time has come to publish an additional list including more of those visually magnificent films I love so much.

For this list, I’ve put together an eclectic group of beautiful horror films ranging from a noir-inspired B-movie to a French horror classic to last year’s prettiest and most disappointing movie. Here they are, in chronological order, resplendent and unsettling.

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