I rail a lot against bad horror movies, the kind that are excuses to inflict a lot of violence, gore, and bad writing on audiences. As a horror fan, I wish to hold the genre to a certain standard of storytelling because the genre has so much to offer. But I’m realistic, and if a horror movie doesn’t live up to those standards (or even try), all I ask is that it’s at least entertaining. There’s nothing worse than a boring horror movie that tries way too hard.
However, I must confess that I have my own horror guilty pleasures. These are films that I acknowledge are poorly made movies with a laundry list of flaws. Yet somehow, I love them. I watch them over and over.
And my favorite horror guilty pleasure is 2003’s action-horror classic Underworld.
Gosh, is it already December 2017? Have we already been through eleven months’ worth of horror movies with only December horror left?
Time flies, doesn’t it?
We’ve been through a ton of horror movies this year of varying levels of quality. It only seems consistent that December horror would go the same route. I’ve been waiting for The Shape of Water for what feels like ages, which, if it’s as good as everyone says, will make a great year-end triumph for the genre. December horror also has some indie gems, like Desolation. But there’s also the forgettable Slumber to contend with.
It’s really Guillermo del Toro’s month for horror, for sure.
Horror is always a mixed bag, and it seems like this December Horror list is no different.
Let’s get to it.
As a horror fan, I live and die for visually striking, beautiful horror films. It doesn’t matter what subgenre of horror it is or how gory it is—I love beautiful horror. The more provocative, the better. I can’t look away from a film like Suspiria or The Cabinet of Dr. Caligari. I wouldn’t even if I could because I love the delicious contrast between watching something scary when it’s in a bold, ornate, artistic cinematic language.
Many horror films don’t bother with a strong, unifying visual concepts, so I find it refreshing when a film achieves a distinct cinematic style and tone. It’s even better when that distinct cinematic style transforms the horrors on screen into something gorgeous and compelling.
A beautiful horror film is special. A keen grasp of color and form and composition add layers of understanding to the story. An inspired eye deepens my apprehension, heightens my terror, and distills my horrific realizations into an unforgettable viewing experience. A beautiful horror film makes me wish I’d taken more film classes in college.A beautiful horror film scratches its way into my brain where it makes a permanent home.
A little while ago, I shared a list of my favorite beautiful horror films. The list included classic horror films with almost universally praised aesthetics, like The Shining or Let the Right One In. Lately, I’ve decided the time has come to publish an additional list including more of those visually magnificent films I love so much.
For this list, I’ve put together an eclectic group of beautiful horror films ranging from a noir-inspired B-movie to a French horror classic to last year’s prettiest and most disappointing movie. Here they are, in chronological order, resplendent and unsettling.
It feels like only yesterday that I was doing the post for July horror movies. Fast forward a month, and not only have I finally recovered from a whirlwind vacation in China, but a ton of August horror movies were added to the release schedule! It seems like the 2017 horror release schedule saved a lot for later.
Yes, the end of summer is upon us, and that means long and hot days where the air conditioning provides blessed relief from the inferno outside. What better way than to stay indoors and watch scary movies? Some of these look amazing, like The Dark Tower, Annabelle: Creation, Dave Made a Maze, and Death Note. Others will please certain genre fans who crave blood and guts, like Cut Shoot Kill and Red Christmas.
I think there’s something for everyone here, so get yourself to the nearest theater, buy an ice-cold beverage of your choice, and enjoy the show.
It’s summer time, and that means lots and lots of blockbuster pictures. It also means we’ll be on a steady diet of action movies, which is both good and bad. Good because I freakin’ LOVE action movies. Bad because that means there aren’t a lot of horror movies.
But there is a ray of hope in summer: the action horror film.
The action horror film is an audience favorite, for good reason. A good action horror movie smashes together the jump scares and roundhouse kicks, supernatural elements and thrilling fight scenes. When a horror movie makes me squeal in fear, an action movie makes me squeal in delight.
An action horror movie makes me do both, which makes for a thoroughly enjoyable and entertaining film-going experience. In the same spirit as a superhero film, an action horror movie lets me watch mega-powerful beings and monsters duke it out for my benefit, serving creepiness and gore the whole time.
I had hoped, sincerely, that Universal’s recent remake of The Mummy would satisfy my unquenchable thirst for badasses fighting monsters, but it sucks. Like, really sucks.
Side note: Universal really needs to get it together if it wants the Dark Universe to work.
Instead of slogging through a review of The Mummy, I decided to post about my favorite action horror movies. So here you go, thirteen awesomely cool, bloody action horror movies. They embody all the coolness of traditional action movies with the supernatural and horror baddies I love to watch. They may not be the smartest movies or the most culturally relevant, but they endure and impact audiences for years, and that’s something important.
UPDATED TO INCLUDE THE 2018 WINS!
*Interested in what other awards shows have honored horror films? Check out my Golden Globes post here.*
The Academy Awards just announced their list of 2018 nominations, and it is so nice to see The Shape of Water and Get Out get some love!
I’m a huge film buff (I love movies in general, not just horror movies) and I enjoy watching the Academy Awards every year. I strive to see all the Best pictures, even if I don’t agree with the choices. Despite my love and respect for the Academy Awards, I am disappointed that many excellent films are completely overlooked by the Academy. Especially horror films.
I shouldn’t be surprised. The Academy has a lot of issues. The Academy is a notoriously conservative body, reluctant to reward risks or give credit to inventive and brave filmmaking. Lately, it seems like the more popular a film is, the worst its chances are for receiving any kind of recognition from the Academy, though there are notable exceptions. Why does the Academy pick certain films over others? I have no idea.
And while horror is criminally underrated and underappreciated as a genre, while turning out well-made and culturally resonate films, there have been several films that the Academy has lauded for achievements in directing, acting, cinematography, and other facets of filmmaking.
Perhaps the recognition of The Shape of Water and Get Out marks the turning of the tide. Let’s hope that the more and more high-quality, compelling horror movies are made, the more recognition is paid to this underrated genre.
Happy New Year!
January is one of my favorite times of the year because there’s so much hope for this brand new shiny year we have before us. With a new year comes new surprises and delights, and I feel particularly optimistic since I think 2017 owes us for 2016. Hopefully that will extend to horror movies.
The good news is that, if the January horror movie release calendar is anything to go on, 2017 is off to a solid start. We’ve got some awesome horror-action films, a M. Night Shyamalan psychological thriller, and a promising urban legend supernatural horror movie, among others that could surprise us.
I’ve always thought the werewolf was a fascinating horror archetype. I’ve talked about vampires, zombies, witches, and serial killers, and how all of those horror archetypes address certain human fears. Usually, vampires address fears about becoming lost to our desires and lusts; zombies are about becoming lost to a brainless, teeming hoard; witches are about the fear of too-powerful feminine influence; and serial killers are about the inherent ability and capacity of man to commit violent, unjustifiable murder.
And while all of these monsters address fears relating to control and human identity, no other monster encapsulates our anxieties quite like a werewolf. It’s no secret that civilization is a precarious balancing act between repressing and acknowledging our base, animalistic impulses. Werewolves personify the tension between our rational, controlled selves and our savage inclinations. Regardless of whether or not a werewolf can control his transformation, the opportunity to become a dangerous, uncivilized brute is a siren song few characters can resist.