Film Festival season continues with the venerated and show-stopping Venice International Film Festival. The Venice International Film Festival is the oldest film festival in the world, founded in 1932. Venice reigns alongside the Cannes Film Festival and the Berlin International Film Festival as the three most important film festivals in the world. Kings are made, stars are born, and buzz-worthy films live or die by the reaction they garner at Venice.
As one of the most important film festivals in the world, Venice has done its fair share to elevate horror films of artistic merit and critical acclaim. The very first film ever screened at Venice in 1932 was Dr. Jekyll and Mr. Hyde, directed by Rouben Mamoulian. In more recent years, Venice showcased Survival of the Dead (2009), Black Swan (2010), Under the Skin (2013), and The Bad Batch (2016).
And this year, Venice has two of the most highly anticipated horror movies on its slate – Darren Aronofsky’s mother! and Guillermo del Toro’s The Shape of Water. It doesn’t get much more art-house horror than these two, and I am dying of anticipation.
One of my guiltiest pleasures is the high school horror movie. I can’t get enough of the cheesy teenaged angst, bad acting, and messy murders on school property. Masked maniacs, fleeing cheerleaders, shady teachers, and terrible secrets are all hallmarks of this horror subgenre that just won’t seem to die. It appears that, despite how boring we thought high school was, the high school horror movie strikes a chord over and over again.
1977 was a damn good year for cinema with the release of modern film classics like Star Wars, Saturday Night Fever, and Close Encounters of the Third Kind. It was also an inspired year for horror, with The Hills Have Eyes, Eraserhead, Rabid, and, of course, Dario Argento’s masterpiece, Suspiria. One of the most iconic horror films ever, Suspiria enjoyed the 40th anniversary of its world premiere a few months ago. Just a few days ago, it enjoyed the 40th anniversary of its American release.
Suspiria is one of my favorite horror movies. Full stop. Not only is it violent and horrifying, it’s freakin’ gorgeous. Gory and unsettling, its visuals are beautiful and opulent. Suspiria is a true experience, more than a straightforward movie-watching experience. Like the giallo movies from which Suspiria is descended, the film explores the stunning effect of horrific violence rendered cinematic. Of all the giallo films, Suspiria achieves a rare kind of horror movie sublimity, slipping into your subconscious like a long, thin blade. Continue reading
As part of my ongoing series, Horror at Film Festivals, let’s take a trip down under to Australia for the Melbourne International Film Festival. The world isn’t just about Cannes and Sundance, now is it?
The Melbourne International Film Festival is chock full of horror spanning a wide range of tastes from the gory to the eerie to the downright weird. From August 3rd to August 20th, the film industry will gather in Melbourne to toast the latest crop of inventive and important films, and horror films part of the schedule.
As a festival, the Melbourne International Film Festival aims to show the global audience all manner of “curated and unforgettable screen experiences.” The major Australian film festival, the Melbourne International Film Festival is also one of the oldest film festivals in the world, showcasing films since 1952. It has a decidedly different flavor to its film lineup, focusing on daring, a little risky, slightly off-kilter independent films.
To that end, the Melbourne International Film Festival has showcased works by horror icons Dario Argento, David Cronenberg, and David Lynch, among many. More recently, the Melbourne International Film Festival screened such horror films as Housebound, Train to Busan, and What We Do in the Shadows.
The lineup for 2017 is exciting! Melbourne International Film Festival has one of the most extensive slates of indie horror I’ve seen at a major festival. I can’t wait until I can see these in America!
It feels like only yesterday that I was doing the post for July horror movies. Fast forward a month, and not only have I finally recovered from a whirlwind vacation in China, but a ton of August horror movies were added to the release schedule! It seems like the 2017 horror release schedule saved a lot for later.
Yes, the end of summer is upon us, and that means long and hot days where the air conditioning provides blessed relief from the inferno outside. What better way than to stay indoors and watch scary movies? Some of these look amazing, like The Dark Tower, Annabelle: Creation, Dave Made a Maze, and Death Note. Others will please certain genre fans who crave blood and guts, like Cut Shoot Kill and Red Christmas.
I think there’s something for everyone here, so get yourself to the nearest theater, buy an ice-cold beverage of your choice, and enjoy the show.
While the dead of summer is when we expect many of the big action blockbusters, the same cannot be said of horror movies this year. July 2017 horror movies are a bit low key this month, though not without some interesting entries. There are three movies that showed at the Sundance Film Festival back in January. There’s one mainstream summer scary movie. And, as always, there are quite a few low-budget, low-profile horror flicks rounding out the July 2017 horror movies. It’s definitely a mixed bag, but with movies like Killing Ground and It Stains the Sands Red, there’s hope for horror this month, despite the appearance of Wish Upon.
If nothing else, it will be only a few short weeks until The Dark Tower, Annabelle: Creation, and Polaroid!
It’s summer time, and that means lots and lots of blockbuster pictures. It also means we’ll be on a steady diet of action movies, which is both good and bad. Good because I freakin’ LOVE action movies. Bad because that means there aren’t a lot of horror movies.
But there is a ray of hope in summer: the action horror film.
The action horror film is an audience favorite, for good reason. A good action horror movie smashes together the jump scares and roundhouse kicks, supernatural elements and thrilling fight scenes. When a horror movie makes me squeal in fear, an action movie makes me squeal in delight.
An action horror movie makes me do both, which makes for a thoroughly enjoyable and entertaining film-going experience. In the same spirit as a superhero film, an action horror movie lets me watch mega-powerful beings and monsters duke it out for my benefit, serving creepiness and gore the whole time.
I had hoped, sincerely, that Universal’s recent remake of The Mummy would satisfy my unquenchable thirst for badasses fighting monsters, but it sucks. Like, really sucks.
Side note: Universal really needs to get it together if it wants the Dark Universe to work.
Instead of slogging through a review of The Mummy, I decided to post about my favorite action horror movies. So here you go, thirteen awesomely cool, bloody action horror movies. They embody all the coolness of traditional action movies with the supernatural and horror baddies I love to watch. They may not be the smartest movies or the most culturally relevant, but they endure and impact audiences for years, and that’s something important.
I won’t lie, I was ready to be disappointed by Alien: Covenant.
When I finally walked into it, I did so with low expectations and gratitude that my ticket was free. An ardent fan of both Alien and Aliens, I’m still sore about how disappointing Prometheus turned out to be. I was hopeful that Alien: Covenant would be different, but I wasn’t going to hold my breath. I thought I’d learned my lesson about managing expectations.
So imagine my surprise and delight when Alien: Covenant turned out to be thrilling, scary, and downright thoughtful. Alien: Covenant, thankfully, broke new ground instead of rehashing Prometheus and took meaningful steps towards giving us the same kind of gruesome and disturbing space horror epics we all know and love.
Woohoo! June horror movies are here! There’s a lot this month, so strap in and buckle up because there’s wide array of films. There’s different subgenres, different levels of quality, and different levels of WTF-ness.
I need to apologize as well, because I’ve been traveling the last few days, which delayed my normal blog post schedule. Basically, I was traveling and boozing it up. Consequently, I wrote a lot of this in the Houston airport after drinking several glasses of overpriced wine (#noregrets). I am truly a Hemingway fan and wrote drunk and edited sober.
Can I just say that this was very fun to edit this? It was a challenge.
But anyway! Here’s your June Horror Movie list! You didn’t miss much from my post being late. Ooops!
***Mild Spoilers for The Vegetarian***
A core component of any good horror story is the characters’ apprehension of harm. Most of the time, the dread manifests as physical pain or violent death. Other times there are more abstract, existential ways of experiencing harm—a terrifying realization of past sins, slowly slipping into insanity, or losing one’s soul to a demonic entity. While physical pain will always be a powerful part of any scary story, an existential threat grabs me in a way most other types of horror don’t, probably because I have more to lose from an existential threat.
A realization that shakes a person to his core is, well, horrifying. It’s terrifying. Take the ancient Greek tragedy Oedipus, who realized he had unwittingly killed his father and married his mother. Or The Orphanage, where protagonist Laura realized she was the one responsible for the slow death of her adopted son. Bodily harm is awful and painful, but an earth-shattering existential realization can destroy the very idea of who a person thinks she is.
It can be extremely psychologically tortuous to deal with something like that, to be confronted with our mistakes and the lies we tell ourselves. People go to great lengths to preserve the reality they wish to see, even at the expense of themselves and others.
It’s destructive on a profound level, even more so if I am responsible for the obliteration of my sense of self.
The idea of self-destruction, of an unsettling, dark urge to protect oneself, of refusal, of stubborn persistence, is what fascinated me about The Vegetarian. It’s a novel about confrontation, about purposeful “self-destruction.”