Woohoo! June horror movies are here! There’s a lot this month, so strap in and buckle up because there’s wide array of films. There’s different subgenres, different levels of quality, and different levels of WTF-ness.
I need to apologize as well, because I’ve been traveling the last few days, which delayed my normal blog post schedule. Basically, I was traveling and boozing it up. Consequently, I wrote a lot of this in the Houston airport after drinking several glasses of overpriced wine (#noregrets). I am truly a Hemingway fan and wrote drunk and edited sober.
Can I just say that this was very fun to edit this? It was a challenge.
But anyway! Here’s your June Horror Movie list! You didn’t miss much from my post being late. Ooops!
***Mild Spoilers for The Vegetarian***
A core component of any good horror story is the characters’ apprehension of harm. Most of the time, the dread manifests as physical pain or violent death. Other times there are more abstract, existential ways of experiencing harm—a terrifying realization of past sins, slowly slipping into insanity, or losing one’s soul to a demonic entity. While physical pain will always be a powerful part of any scary story, an existential threat grabs me in a way most other types of horror don’t, probably because I have more to lose from an existential threat.
A realization that shakes a person to his core is, well, horrifying. It’s terrifying. Take the ancient Greek tragedy Oedipus, who realized he had unwittingly killed his father and married his mother. Or The Orphanage, where protagonist Laura realized she was the one responsible for the slow death of her adopted son. Bodily harm is awful and painful, but an earth-shattering existential realization can destroy the very idea of who a person thinks she is.
It can be extremely psychologically tortuous to deal with something like that, to be confronted with our mistakes and the lies we tell ourselves. People go to great lengths to preserve the reality they wish to see, even at the expense of themselves and others.
It’s destructive on a profound level, even more so if I am responsible for the obliteration of my sense of self.
The idea of self-destruction, of an unsettling, dark urge to protect oneself, of refusal, of stubborn persistence, is what fascinated me about The Vegetarian. It’s a novel about confrontation, about purposeful “self-destruction.”
It’s time for the annual Cannes Film Festival! And that means there’s a whole new crop of Cannes horror films!
Cannes is one of the renowned and distinguished film festivals in the world, attracting talent and glitz from all over. The festival has proven itself to be an important predictor of award-winning and groundbreaking films. Among all those storied films, composed of equal parts Oscar-bait and innovative indies, are some of the best horror movies.
As I pointed out in last year’s post, films like It Follows, Green Room, Possession, and Evil Dead were all shown at Cannes. Cannes has always recognized good films, even if they do happen to be horror films.
**Very Mild Spoilers for The Boy on the Bridge. Full discloser, I was given an advance copy of the novel by M.R. Carey’s publicist.**
In a horror subgenre that often feels like it’s overflowing with the same old stories, M.R. Carey has a knack for the original and inventive.
With his 2014 novel The Girl with All the Gifts, he explored how what’s left of humanity persists 20 years after a cataclysmic pathogen transforms the majority of the population into mindless, vicious zombies known as “hungries.” It was a novel heavy on scientific research and crafted tension, delivering a nightmarish and realistic vision of how an actual zombie pathogen might behave, how the world would evolve, and how fearful and selfish human beings would struggle in the aftermath. I found it a fascinating approach to the zombie apocalypse, a survival tale with all the expected strained group dynamics coupled with fascinating science and difficult ethical questions.
Continuing his mission of smart, well-researched, compelling zombie novels, Carey has just published his latest novel The Boy on the Bridge with Orbit. And let me tell you, if you liked The Girl with All the Gifts, you’ll really like The Boy on the Bridge.
The Tribeca Film Festival starts tomorrow! The film festival circuit is in full swing and Tribeca is the latest prestigious stop. And I’m going to tell you all about the featured horror films.
Tribeca may not be Cannes, but in its relatively short existence, Tribeca has proven itself a formidable and important film festival. Founded in 2002 by producer Jane Rosenthal, renowned actor Robert De Niro, and real estate mogul Craig Hatkoff, Tribeca has made a name for itself as a festival dedicated to presenting discerning and innovative filmmaking. More than the Cannes Film Festival or the Toronto International Film Festival, Tribeca is about independent films over “prestige studio movies.”
This year, there’s a great mix of various horror subgenres, from serial killer movies to artistic slashers to psychological horror, with loads of films falling between those categories or smashing through them. I have a feeling that some of these feature and short films will go on to generate plenty of buzz. Hopefully, we will see general releases of some of these. I’m particularly excited about Hounds of Love, Psychopaths, and Retouch.
Well, we’re in the full film festival swing of things, which means that there is an exciting new crop of horror movies up for distribution rights! But this also means that, as far as a wide-release calendar goes, there isn’t much to see this April.
In fact, while this month’s slate of horror movies is refreshingly inventive, it’s going to be difficult for anyone to see these outside of major movie markets like New York and Los Angeles. I’m particularly sad about scrounging for a screening of sci-fi existential body horror flick The Void, praying for a showing of the macabre and witchy A Dark Song, and wishing for a chance to see Voice from the Stone, despite my misgivings.
However, many of these movies will be available on VOD shortly after their limited runs, so you won’t have to wait so long!
Spring Break in Texas means a lot of things, like South Padre Island, Mustang Island, and South by South West!
I have many a fond memory of my time as a college student in Austin, Texas, too poor and too uncool to go to the exclusive, VIP SXSW events and having to settle for free events and waiting in line for screenings and concerts. Most of the time, I could only ever get into the musical events. I dreamed of the day I could afford a VIP pass to the SXSW Film Festival, especially because of all the freakin’ amazing SXSW horror movies there. So many great horror films premiered at SXSW! To name a few of those SXSW horror films, take French-extremism horror film Them, Lake Mungo, Insidious, and The Cabin in the Woods, to name a few.
Sadly, I’m still not in a place where I can take off a whole week to go party in Austin. Someday, I’ll get there. But until then, here’s a list of SXSW horror movies that are premiering this year! I’ve included a synopsis and a trailer if available. Enjoy!
Here in Texas, March is a bit of a tumultuous month. The weather is crazy, with hot days and chilly nights, and crazy pollen causing allergies like you wouldn’t believe. And the event scheduled is packed—you’ve got the weeks-long Cook-off and Rodeo, along with St. Patrick’s Day and Spring Break.
So too, the horror release schedule for March 2017 is a roller-coaster of horror movies. There’s blood and ghosts and humor and social commentary and fascinating stories. We’ve got some big, splashy gore fests in The Belko Experiment and Life, along with the artsy cannibal flick Raw. Later in the month, we see some pensive and creepy offerings with Dig Two Graves and The Blackcoat’s Daughter. And don’t overlook indie films The Devil’s Candy and Here Alone, both of which might prove to be pleasant, bloody surprises.
Let’s see where March takes us!