Today is the official start of the Toronto International Film Festival (TIFF), which marks the unofficial beginning of “prestige movie season”! Every year, major studio and indie films vie for spots on the TIFF line-up in the hopes of garnering buzz and positive reviews to hype their releases. They’re also hoping for the kind of critical acclaim that wins films prestigious awards.
Unlike some other festivals of this caliber, TIFF always makes room for horror movies in their lineup. In recent years, TIFF has showcased films like The Grudge in 2002, Hostel in 2005, Inside (À l’intérieur) in 2007, 2008’s The Loved Ones, Black Swan in 2009, The Lords of Salem in 2012, and Raw in 2016. Last year, TIFF screened mother!, Veronica, The Ritual (loved that movie!), Mom and Dad, and of course, Guillermo del Toro’s Oscar-winning The Shape of Water.
This year, TIFF has an impressive slate of horror movies, from the highly anticipated Halloween to quieter entries like The Wind. I can’t wait to see which ones will make a splash! Read on to see the full line-up!
Do you hear that? It’s the sound of Halloween approaching, which means it’s time to start choosing your horror novels for autumn. You only have 75 days left to pick a scary read!
With so many horror novels out there, it can be hard to choose. Don’t worry though, because I always come prepared with great recommendations. If you’re looking for a horror classic to curl up with, I got you covered with my Classic Spooky Reads or Modern Horror Classics post. If you’re looking for a unique female voice to keep you up at night, my female horror writer litspo post is worth a look. And you can always check out my blog on new horror releases from the first half of 2018.
Even better news—I noticed that tons of intriguing, spooky sounding horror novels were slated for release in the latter half of 2018. Since I hadn’t covered any of these books in my previous post, I thought they merited a whole new post, and just in time for those of us looking to find the perfect scary fall read.
There are a ton of new August horror releases this month, and a wide variety at that! That’s what I’m talking about! This broad array of new horror is what I’ve been missing from the last few months—a mix of big-budget wide releases, artsy indie flicks, and some bizarre low-budget films.
I’m excited for zombie-apocalypse film Patient Zero, as well as the moody, ghostly gothic thriller The Little Stranger. And of course, I can’t wait to see The Meg, because who doesn’t love a ridiculous action-horror movie about sharks?
Check out all of the August horror releases below! Enjoy!
*Beware, here be mild spoilers for The Terror.*
Maybe it’s because I’m a life-long Texan and I have no concept of what real winter is, but I love horror movies set in cold climates. I find that there’s a certain exoticism to an icy, snowy horror setting, where the threat of freezing to death is just as real as being eaten by a monster. That’s part of what draws me to films like Let The Right One In, The Shining, 30 Days of Night, and, of course, The Thing.
Now that it’s the end of July, and because I live in Houston, this time of the summer is particularly brutal. To ignore the oppressive heat and humidity, I’ve been spending most of my time indoors watching television and sucking down cold drinks. Every Texan knows that the best way to take advantage of our powerful air conditioning is to watch a movie that makes you feel cold.
Which brings me to The Terror.
Ah, the Prom Horror Movie. The guiltiest of my guilty pleasures!
They’re so cheesy, so campy, so over-the-top and wonderfully bad, though not always. Some prom horror movies have unexpected depth and nuance, exploring (sometimes clumsily) the dynamics of high school and the pressures of being a teenager. Just like the high school horror movie, the prom horror movie fumbles towards peering at the dark underside of the high school experience as memorialized in high school’s forever hyped event.
It makes total sense that prom is a big deal. In high school, especially the closer to graduation they are, teenagers find themselves stuck in a weird, awkward limbo where they don’t have the rights and privileges of an adult but know enough to want them, where the responsibilities and obligations of adulthood loom on the horizon. The intense desire for agency, meaning, and purpose melds with teenagers’ immature assumptions that agency, meaning, and purpose can be found in one glitzy, epic night.
Of course, it rarely happens that way. Prom night is almost never the incredible, life-changing event that Hollywood movies would have you believe. Most of the time, you get all dressed up in your high school best and spend a few hours swaying on the dance floor or sitting at your table with your friends, wondering why your crush hasn’t noticed how awesome you look. And then a drunk junior pukes Malibu all over the dance floor, and you and your friends leave and go to Denny’s on the way to someone’s house to watch Donnie Darko and try to sneak beer out of the garage refrigerator.
The Cannes Film Festival is officially underway! Yay for independent artsy films!
In the past, Cannes has given us not only buzzworthy prestige films from around the world, but it has also been a source of horror films outside the Hollywood mainstream. I’ve covered both the 2016 and 2017 Cannes Film Festivals, which introduced to the world to films like Raw, Neon Demon, Train to Busan, and The Killing of a Sacred Deer. And that’s not to mention horror classics like Evil Dead or Pan’s Labyrinth.
Well damn y’all, May horror isn’t what I thought it would be–low key and full of indie releases.
Not that it’s a bad thing. Some of the best horror movies are small indies and foreign films that don’t secure wide theatrical releases in America. I’m willing to bet that festival darlings like Beast and Revenge are more than worth a watch. Bad Samaritan and Family Blood are very intriguing, and It Came from the Desert looks horrendous, like, I-need-a-couple-of-drinks-to-get-through-it-but-that-could-be-fun-horrendous.
Check out the May horror movies below!
I. Am. Pumped. April horror is chock full of all sorts of festival horror movies I’ve been waiting for, and they look great!
This April, we’re getting not one, not two, but three horror movies from last month’s SXSW, and they look amazing. I can already confirm that A Quiet Place, starring Emily Blunt and John Krasinski, is very good and highly enjoyable. That leaves Wildling, one of the festival’s unexpected triumphs, and Ghost Stories, a spectacularly moody British ghost tale.
And then, on top of everything, Marrowbone, the latest effort from Spanish filmmaker Sergio G. Sanchez (El Orfanto) drops this month. Swoon.
Also among the April horror releases are a few horror films that look cheesy, contrived, and quite frankly, delightful! Truth or Dare promises the kind of schlocky teenage horror we all secretly enjoy (don’t lie) while Bus Party to Hell demands to be seen on the strength of its title alone. I will oblige.
Seriously, this is a great month for both quality horror and popcorn-flick fun.
Check out the trailers below.