A new year, a new list! It’s time for my list of most anticipated horror films of 2017!
Let’s be honest, 2016 sucked in a lot of ways, not least of wish was that the horror movie release calendar was disappointing. Don’t get me wrong, there were some great 2016 horror movies with real terror, solid scares, and provocative storytelling. But there were some real duds, the kind that made me roll my eyes and sigh at the state of the horror industry.
Yet here comes 2017, still full of hope and potential, sharing bright and shiny horror trailers for all. Among 2017’s most anticipated horror are dark and twisted social commentaries, high-profile reboots of horror movie classics, gorgeous grotesqueries, and a few black pearls of brave indie filmmaking.
Check them out!
I think most of us would agree that 2016 was a rough year, full of highs and lows. The horror movie scene was the same, full of some mediocre titles, but peppered throughout with both good and bad films. I, for one, loved a number of films that were very good and some others that were enjoyably bad (The Shallows is my new favorite guilty pleasure).
So, as a way to close the book on 2016, I’ve compiled a list of my five favorite horror movies of 2016. I’m not saying these are the best horror movies of 2016, because I haven’t seen every single horror movie released in 2016. I just really loved these five movies. I tried to represent a bunch of different types of horror films from the year. Some appealed to my own particular horror tastes and preferences. Others challenged my preconceived notions about the limitations of some horror-subgenres. They were all great movies that disturbed me in one way or another, sticking with me for days, even weeks.
I’ve always thought the werewolf was a fascinating horror archetype. I’ve talked about vampires, zombies, witches, and serial killers, and how all of those horror archetypes address certain human fears. Usually, vampires address fears about becoming lost to our desires and lusts; zombies are about becoming lost to a brainless, teeming hoard; witches are about the fear of too-powerful feminine influence; and serial killers are about the inherent ability and capacity of man to commit violent, unjustifiable murder.
And while all of these monsters address fears relating to control and human identity, no other monster encapsulates our anxieties quite like a werewolf. It’s no secret that civilization is a precarious balancing act between repressing and acknowledging our base, animalistic impulses. Werewolves personify the tension between our rational, controlled selves and our savage inclinations. Regardless of whether or not a werewolf can control his transformation, the opportunity to become a dangerous, uncivilized brute is a siren song few characters can resist.
Mild Spoilers for Goodnight Mommy
I’d like to preface this review by assuring you that I am no lightweight when it comes to watching horror films. On-screen violence and gore usually elicits the expected level of shock and disgust, while body horror reliably grosses me out.
Part of my love for scary movies is remembering that a movie is only a movie, and art is only art. The onscreen images are powerful, but they aren’t real. I’ve never forgotten that fact. I have never had to run for a bucket, nor have I fainted in a movie theater.
So when I almost fainted during Goodnight Mommy, it was because Goodnight Mommy is so precisely calibrated to create a deeply disturbing experience that I forgot to breathe.
As I lay on the carpet in my living room, waiting for the walls to stop swaying, I realized that Goodnight Mommy is one of the most harrowing horror movies I’ve ever seen. My friend spoke softly to me, coaching me through breathing exercises and assuring me we didn’t have to finish the movie if I didn’t want to. Which was so embarrassing, to say the least.
Bad news, horror fans, there are only three theatrical release horror movies in August. Three! And only one of them is a wide release!
I know, right? What happened? This summer started off strong with The Conjuring 2 and The Shallows. I know August is usually kind of “sleeper” month for movies, but this I was expecting more than this!
The good news is that two out of three of these horror movies look promising, in a RedBox or Amazon Prime kind of way. Hell, Don’t Breathe might be worth the price of a ticket just for the Silence-of-the-Lambs-esque night vision scenes.
Check ‘em out.
Finally! School is out, summer is here, and we’re finally getting some good horror movies!
After a few months of anemic offerings, June is stepping up to the plate with some heavy-hitting horror flicks. Of course, the biggest name here is The Conjuring 2, sequel to 2013’s box office smash The Conjuring. But there are some other big names here too, like The Neon Demon, which offers a look into the shadowy, dangerous world of the modeling industry, and The Shallows, which serves up a straightforward horror movie involving a stranded Blake Lively and a huge man-eating shark. I don’t know if you can go wrong with any of these films.
There are some smaller titles, mostly foreign films that haven’t gained much press here in the States. But don’t let that dissuade you from checking them out in either their limited theatrical release or their digital releases on VOD. Sometimes great horror movies come out of left field.
One of my biggest horror movie pet peeves is when characters die from making incredibly irrational, stupid decisions. Not when a character is stressed and freaks out, but when a character is a genuine idiot. I hate when that happens in movies because 1) most people aren’t that stupid, 2) convenient stupidity for the sake of moving the plot forward is the height of lazy, contrived writing, and 3) that shit isn’t scary.
I’d rather watch a movie where the characters are smart but woefully unprepared for the nasty situations they find themselves in. Helplessness is always scarier than stupidity.
And that’s why, despite my natural avoidance of super-gory horror, I really enjoyed Green Room.
Hey Houston, wanna see a free advance screening of Green Room before it opens on April 29? I got passes!
I have 25 passes for a special screening on Thursday, April 21 at the River Oaks Theatre on 2009 W. Gray in Houston. Each pass is general admission and admits two, so grab a friend and make a night of it! The movie starts at 7:00 PM sharp, so be sure get there early to guarantee your spot!
Follow THIS LINK, fill out the information, and secure your pass.