**Very Mild Spoilers for The Boy on the Bridge. Full discloser, I was given an advance copy of the novel by M.R. Carey’s publicist.**
In a horror subgenre that often feels like it’s overflowing with the same old stories, M.R. Carey has a knack for the original and inventive.
With his 2014 novel The Girl with All the Gifts, he explored how what’s left of humanity persists 20 years after a cataclysmic pathogen transforms the majority of the population into mindless, vicious zombies known as “hungries.” It was a novel heavy on scientific research and crafted tension, delivering a nightmarish and realistic vision of how an actual zombie pathogen might behave, how the world would evolve, and how fearful and selfish human beings would struggle in the aftermath. I found it a fascinating approach to the zombie apocalypse, a survival tale with all the expected strained group dynamics coupled with fascinating science and difficult ethical questions.
Continuing his mission of smart, well-researched, compelling zombie novels, Carey has just published his latest novel The Boy on the Bridge with Orbit. And let me tell you, if you liked The Girl with All the Gifts, you’ll really like The Boy on the Bridge.
Well, we’re in the full film festival swing of things, which means that there is an exciting new crop of horror movies up for distribution rights! But this also means that, as far as a wide-release calendar goes, there isn’t much to see this April.
In fact, while this month’s slate of horror movies is refreshingly inventive, it’s going to be difficult for anyone to see these outside of major movie markets like New York and Los Angeles. I’m particularly sad about scrounging for a screening of sci-fi existential body horror flick The Void, praying for a showing of the macabre and witchy A Dark Song, and wishing for a chance to see Voice from the Stone, despite my misgivings.
However, many of these movies will be available on VOD shortly after their limited runs, so you won’t have to wait so long!
Spring Break in Texas means a lot of things, like South Padre Island, Mustang Island, and South by South West!
I have many a fond memory of my time as a college student in Austin, Texas, too poor and too uncool to go to the exclusive, VIP SXSW events and having to settle for free events and waiting in line for screenings and concerts. Most of the time, I could only ever get into the musical events. I dreamed of the day I could afford a VIP pass to the SXSW Film Festival, especially because of all the freakin’ amazing SXSW horror movies there. So many great horror films premiered at SXSW! To name a few of those SXSW horror films, take French-extremism horror film Them, Lake Mungo, Insidious, and The Cabin in the Woods, to name a few.
Sadly, I’m still not in a place where I can take off a whole week to go party in Austin. Someday, I’ll get there. But until then, here’s a list of SXSW horror movies that are premiering this year! I’ve included a synopsis and a trailer if available. Enjoy!
Here in Texas, March is a bit of a tumultuous month. The weather is crazy, with hot days and chilly nights, and crazy pollen causing allergies like you wouldn’t believe. And the event scheduled is packed—you’ve got the weeks-long Cook-off and Rodeo, along with St. Patrick’s Day and Spring Break.
So too, the horror release schedule for March 2017 is a roller-coaster of horror movies. There’s blood and ghosts and humor and social commentary and fascinating stories. We’ve got some big, splashy gore fests in The Belko Experiment and Life, along with the artsy cannibal flick Raw. Later in the month, we see some pensive and creepy offerings with Dig Two Graves and The Blackcoat’s Daughter. And don’t overlook indie films The Devil’s Candy and Here Alone, both of which might prove to be pleasant, bloody surprises.
Let’s see where March takes us!
*Beware, here be spoilers*
The tense political environment right now has me thinking a lot about my identity as an American. I was born and raised here. I’m fairly patriotic. I studied the law and our nation’s history in part to better understand the rules that underlie our Americanness.
And when I think of myself as an American, I think about our rights and the defense of our liberties. I think of working together with those who have different viewpoints. I think of respect and tolerance, because Americans are supposed to hold those values in esteem. I also think, “It’s easy to be American when things are going well.”
What happens if this all falls apart?
We Americans treasure our autonomy. Look at the Bill of Rights. Look at the Constitution. These are the rules by which the government protects our rights and with which the people limit the government. We have all said we agree to abide by this rulebook to preserve everyone’s pursuit of life, liberty, and pursuit of happiness (within reason). Do we mean it?
February has arrived! And it brought along a pretty full slate of horror movies. This month we’ve got some impressive and hyped films, like A Cure for Wellness, Get Out, and XX. We’ve got Rings, which Paramount Pictures really wants to be a hit but actually looks convoluted and unintentionally hilarious. There’s also The Girl with All the Gifts, an adaptation of the 2014 bestselling zombie novel, and the normal amount of indie horror films that may or may not be worth your time.
Check them out!
Contrary to popular belief, January can be an exciting time for horror fans for one big reason—the Sundance Film Festival, one of the industry’s major film festivals. Every January, Sundance bestows upon us weird, frightening, and bizarrely amazing horror movies.
Come tomorrow, Sundance will kick off premieres and screenings of buzzworthy movies. While Sundance doesn’t specialize in horror movies (sadly), the festival is committed to providing a platform for intriguing and promising films, many of which are horror. Films like The Blair Witch Project, American Psycho, 28 Days Later, The Descent, and the Witch.
Horror has always had a place at the high-brow-film table, and Sundance has a proven record for bringing fresh horror to hungry audiences.
Last June, I wrote about the horror movie lineup at the 2016 Cannes Film Festival, where films like Green Room premiered in 2015 and Raw and The Neon Demon premiered in 2016. I decided to do a similar post for the horror lineup at Sundance, especially with films like XX, Killing Ground, and Bitch scheduled for screenings. Here you’ll find a list of the horror films at Sundance, as well as the “segment” in which they will be showcased.
A new year, a new list! It’s time for my list of most anticipated horror films of 2017!
Let’s be honest, 2016 sucked in a lot of ways, not least of wish was that the horror movie release calendar was disappointing. Don’t get me wrong, there were some great 2016 horror movies with real terror, solid scares, and provocative storytelling. But there were some real duds, the kind that made me roll my eyes and sigh at the state of the horror industry.
Yet here comes 2017, still full of hope and potential, sharing bright and shiny horror trailers for all. Among 2017’s most anticipated horror are dark and twisted social commentaries, high-profile reboots of horror movie classics, gorgeous grotesqueries, and a few black pearls of brave indie filmmaking.
Check them out!
I think most of us would agree that 2016 was a rough year, full of highs and lows. The horror movie scene was the same, full of some mediocre titles, but peppered throughout with both good and bad films. I, for one, loved a number of films that were very good and some others that were enjoyably bad (The Shallows is my new favorite guilty pleasure).
So, as a way to close the book on 2016, I’ve compiled a list of my five favorite horror movies of 2016. I’m not saying these are the best horror movies of 2016, because I haven’t seen every single horror movie released in 2016. I just really loved these five movies. I tried to represent a bunch of different types of horror films from the year. Some appealed to my own particular horror tastes and preferences. Others challenged my preconceived notions about the limitations of some horror-subgenres. They were all great movies that disturbed me in one way or another, sticking with me for days, even weeks.
I’ve always thought the werewolf was a fascinating horror archetype. I’ve talked about vampires, zombies, witches, and serial killers, and how all of those horror archetypes address certain human fears. Usually, vampires address fears about becoming lost to our desires and lusts; zombies are about becoming lost to a brainless, teeming hoard; witches are about the fear of too-powerful feminine influence; and serial killers are about the inherent ability and capacity of man to commit violent, unjustifiable murder.
And while all of these monsters address fears relating to control and human identity, no other monster encapsulates our anxieties quite like a werewolf. It’s no secret that civilization is a precarious balancing act between repressing and acknowledging our base, animalistic impulses. Werewolves personify the tension between our rational, controlled selves and our savage inclinations. Regardless of whether or not a werewolf can control his transformation, the opportunity to become a dangerous, uncivilized brute is a siren song few characters can resist.