As a horror fan, I live and die for visually striking, beautiful horror films. It doesn’t matter what subgenre of horror it is or how gory it is—I love beautiful horror. The more provocative, the better. I can’t look away from a film like Suspiria or The Cabinet of Dr. Caligari. I wouldn’t even if I could because I love the delicious contrast between watching something scary when it’s in a bold, ornate, artistic cinematic language.
Many horror films don’t bother with a strong, unifying visual concepts, so I find it refreshing when a film achieves a distinct cinematic style and tone. It’s even better when that distinct cinematic style transforms the horrors on screen into something gorgeous and compelling.
A beautiful horror film is special. A keen grasp of color and form and composition add layers of understanding to the story. An inspired eye deepens my apprehension, heightens my terror, and distills my horrific realizations into an unforgettable viewing experience. A beautiful horror film makes me wish I’d taken more film classes in college.A beautiful horror film scratches its way into my brain where it makes a permanent home.
A little while ago, I shared a list of my favorite beautiful horror films. The list included classic horror films with almost universally praised aesthetics, like The Shining or Let the Right One In. Lately, I’ve decided the time has come to publish an additional list including more of those visually magnificent films I love so much.
For this list, I’ve put together an eclectic group of beautiful horror films ranging from a noir-inspired B-movie to a French horror classic to last year’s prettiest and most disappointing movie. Here they are, in chronological order, resplendent and unsettling.
Halloween has come and gone, leaving horror movies in its wake like so many crumpled candy wrappers on my coffee table. Just as we kind of ignore Thanksgiving and skip from Halloween to Christmas, November’s horror release calendar makes me long for December when The Shape of Water will grace theaters.
And yet, even though it’s a slow time of year for horror movies, all is not lost. Yes, there are some real stinkers on November’s slate, but look at the bright side! I’ve found a few promising movies here, like My Friend Dahmer, The Killing of a Sacred Deer, and Mayhem, all of which have toured the festivals and gained critical acclaim as examples of innovative and striking horror filmmaking. Sometimes it’s the most unassuming horror movies that make the biggest impact, right?
One of my personal favorite parts about Halloween is that my friends and family really like to get into the spooky spirit. I am always in a spooky mood, and it brings my cold black heart joy to see my loved ones come visit me over here on the dark side. They ask me for recommendations for movies, TV shows, and books, the latter of which I absolutely love to give since I am a huge lit nerd.
I’ve done this before in my Classic Spooky Read post from last Halloween. If you are interested in picking up am iconic horror masterpiece like Frankenstein, or Dracula, or The Haunting of Hill House, now is the perfect time! But if you want something newer, a little fresher and more contemporary, then you should check out my list of 12 modern horror novel favorites.
Today is Friday the 13th, which makes it a perfect release date for Amazon’s new series, Lore. This new anthology series is directly inspired by Lore, an awesome and exquisitely researched podcast started by novelist Aaron Mahnke.
And I could not be more excited. Lore is one of my favorite podcasts.
As a podcast, Lore retells old legends, myths, and real-life ghost stories from America and Europe, but these aren’t your average campfire takes. Mahnke is a wonderful storyteller who carefully researches and questions the stories he tells, all of which weaves a stunning picture of human nature. You may have heard stories of the Moth Man or the Jersey Devil or Elizabeth Bathory, but never like this. And Amazon’s new series continues this tradition by adapting Mahnke’s podcast episodes for the small screen.
In honor of the new series, I wanted to share my 13 favorite Lore episodes with you. It was no small task to narrow down the 70 (and counting!) episodes to 13, so I had to make some hard choices. I hope you enjoy them!
Fantastic Fest 2017 is here! Finally!a
Fantastic Fest is the largest film festival specializing in genre films, which basically means it focuses a lot more on sci-fi, horror, fantasy, action, and generally fun and weird movies. Fantastic Fest may not be a critical darling like Cannes, Venice, or Sundance, but it has a proven track record of showcasing crowd-pleasers and groundbreaking genre films. It usually picks up where TIFF leaves off, pushing the envelope even farther with non-horror movies like There Will Be Blood, Red, and John Wick.
These are the kinds of movies that really make you feel something, whether that’s a vicarious blood lust, a sense of wonder, squealing terror, or outright uncomfortable confusion. Fantastic Fest is always interesting and has something for every type of horror fan.
*Mild Spoilers for It**
I’ve known about It for as long as I can remember. It was that massive brick of book that sat on the shelf at the public library, daring me to secretly check it out and sneak it home, where I could read it under the covers at night. It was also that early 90s TV movie starring Tim Curry that my parents wouldn’t let me see, and that I didn’t see until I watched it during a slumber party. Growing up, It was the epitome of horror, not only because of the scary clown, but because children were the target of his evil, and It was not afraid to depict child murder.
It really went there, and many 90s kids won’t forget it. Many of us flocked to movie theaters last weekend and forked over cash to see the latest adaptation of It. I, for one, was almost giddy with excitement. I wanted to be scared sh*tless. I wanted to recapture some of the terror I felt reading the novel. I’ve grown up, but I still remember the exquisite and sickening pain of growing up, of realizing the evil in the world.
But this adaptation didn’t make me feel that.
One of my guiltiest pleasures is the high school horror movie. I can’t get enough of the cheesy teenaged angst, bad acting, and messy murders on school property. Masked maniacs, fleeing cheerleaders, shady teachers, and terrible secrets are all hallmarks of this horror subgenre that just won’t seem to die. It seems that, despite how boring we thought high school was, the high school horror movie strikes a chord over and over again.
1977 was a damn good year for cinema with the release of modern film classics like Star Wars, Saturday Night Fever, Annie Hall, and Close Encounters of the Third Kind. It was also an inspired year for horror, with The Hills Have Eyes, Eraserhead, Rabid, and, of course, Dario Argento’s masterpiece, Suspiria. One of the most iconic horror films ever, Suspiria enjoyed the 40th anniversary of its world premiere a few months ago. Just a few days ago, it enjoyed the 40th anniversary of its American release.
Suspiria is one of my favorite horror movies. Full stop. Not only is it violent and horrifying, it’s freakin’ gorgeous. Gory and unsettling, its visuals are beautiful and opulent. Suspiria is a true experience, more than a straightforward movie-watching experience. Like the giallo movies from which Suspiria is descended, the film explores the stunning effect of horrific violence rendered cinematic. Of all the giallo films, Suspiria achieves a rare kind of horror movie sublimity, slipping into your subconscious like a long, thin blade. Continue reading
As part of my ongoing series, Horror at Film Festivals, let’s take a trip down under to Australia for the Melbourne International Film Festival. The world isn’t just about Cannes and Sundance, now is it?
The Melbourne International Film Festival is chock full of horror spanning a wide range of tastes from the gory to the eerie to the downright weird. From August 3rd to August 20th, the film industry will gather in Melbourne to toast the latest crop of inventive and important films, and horror films part of the schedule.
As a festival, the Melbourne International Film Festival aims to show the global audience all manner of “curated and unforgettable screen experiences.” The major Australian film festival, the Melbourne International Film Festival is also one of the oldest film festivals in the world, showcasing films since 1952. It has a decidedly different flavor to its film lineup, focusing on daring, a little risky, slightly off-kilter independent films.
To that end, the Melbourne International Film Festival has showcased works by horror icons Dario Argento, David Cronenberg, and David Lynch, among many. More recently, the Melbourne International Film Festival screened such horror films as Housebound, Train to Busan, and What We Do in the Shadows.
The lineup for 2017 is exciting! Melbourne International Film Festival has one of the most extensive slates of indie horror I’ve seen at a major festival. I can’t wait until I can see these in America!