Stories For Ghosts

Horror for the Discerning Fan

Category: Socially Conscious

March 2018 Horror – The Strangers Are Back!

It’s March, which means that spring is right around the corner. It also means that the steady stream of horror we’ve been enjoying this year runs a little slow during the spring months before the summer horror season starts in May.

But don’t fear! March promises some intriguing films, despite the short list of horror films this month. There are two great foreign horror films, the long-awaited sequel to The Strangers (2008), a documentary about a real-life haunting, and the latest psychological thriller/horror from Steven Soderbergh. It’s shot on an iPhone and Claire Foy gives a raw, frazzled performance that’s the exact opposite of her role as Queen Elizabeth II on The Crown (which I also love. I just love Claire Foy, and I can’t help it).

Check out the trailers below!

March 2

The Lullaby (Limited)

“A 19-year-old woman falls into a deep depression after the birth of her first son. In her paranoia, she begins to hear voices and comes to believe that a strange entity is haunting her child.”

What a coincidence (really!)! I was just talking about this South African horror movie as an example of foreign horror from the African Continent! It looks very creepy, though I can’t really discern the quality of the film from this trailer. I hope it’s a strong film, only because the subject matter and the hopeful exploration of post-partum psychosis deserve a nuanced discussed.

March 3

The Ravenous aka Les Affames (Netflix)

“A village in Quebec is terrorized by a flesh-eating plague.”

Here’s another foreign horror film for you—a zombie movie from Canada. Damn Canada! I know you’re very good at body horror, but not particularly known for your zombie films. Where did this artsy, old-school Romero, understated movie come from? It’s freaking me out. This is not good for my nerves, Canada, you must understand this. And I say that as a seasoned horror fan.

But seriously, I remember hearing about this movie when it was making the festival rounds at TIFF, and I understand it’s pretty good, both for its scares and its exploration of social themes. I’m pleasantly surprised that it’s popped up on Netflix. Add this one to the watch list!

March 9

The Strangers: Prey at Night (Wide)

“Mike and his wife Cindy take their son and daughter on a road trip that becomes their worst nightmare. The family members soon find themselves in a desperate fight for survival when they arrive at a secluded mobile home park that’s mysteriously deserted — until three masked psychopaths show up to satisfy their thirst for blood.”

I’m both excited and freaked out for this movie because, as far as horror subgenres go, home invasion movies burrow under my skin and stay there. The Strangers is widely regarded as one of the most intense home invasion horror movies in recent years, and for good reason, which makes The Strangers; Prey at Night a highly anticipated release. So far it seems to be getting some good reviews, but it’s still too early to tell which way this will go. Lucky for me, I get to attend a screening of the film tomorrow night, so stay tuned for my review!

 

March 16

Demon House (Limited)

“Paranormal investigator Zak Bagans buys a supposedly haunted house in Indiana and documents what happens when he moves in.”

Woooo a cursed movie! Earn your check, marketing team!

But seriously, this is a documentary about an actual real-life case, though I’m not sure how flexible the film is being with the term “documentary” here. The movie centers on a house that used to belong to the Ammons, a Gary, Indiana family that claimed they were being haunted and tortured by as many as 200 demonic entities.

I highly suggest reading the story as published by the Indy Star. It’s a wild ride from start to finish, and creepier still, it’s written in a very even tone. It neither believes the Ammon family story about demonic possession nor does it deny the story—it merely lays out the story.

Essentially, I’m way more interested in the Ammons, their story, and a potential film adaptation about the intersection of socio-economic factors, psychology, and religion than I am with this documentary about a guy who buys the house after the family flees.

March 23

Unsane (wide)

“Sawyer Valentini relocates from Boston to Pennsylvania to escape from the man who’s been stalking her for the last two years. While consulting with a therapist, Valentini unwittingly signs in for a voluntary 24-hour commitment to the Highland Creek Behavioral Center. Her stay at the facility soon gets extended when doctors and nurses begin to question her sanity. Sawyer now believes that one of the staffers is her stalker — and she’ll do whatever it takes to stay alive and fight her way out.”

This film is on my list of Most Anticipated Horror Movies of 2018! I am always up for a good psychological thriller/horror, especially when you can’t be sure if the protagonist is crazy or not. While reviews have been positive, they haven’t been quite glowing. Despite that, I think the film will be worth seeing for Claire Foy’s performance, Steven Soderbergh’s experimental use of an iPhone for his single camera, and its a solid (though perhaps uninspired) psychological horror.

Are y’all excited for these movies! Tell me about it in the comments.

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A Survey of Foreign Horror Films – Oceania

I’m making solid progress on my global tour of foreign horror movies! Next stop: Oceania!

I’ve devoted my last few posts to educate myself (and my readers) about foreign horror, of which I now realize I knew *almost* nothing about. Not all the foreign horror is confined to countries like Great Britain, France, Japan, Canada, or Mexico, right?

Luckily for me, the ongoing Winter Olympics inspired me to research foreign horror the world over.

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Horror Movies and TV Shows at the Golden Globes

It’s time for the Golden Globes!

First given in 1944, the Golden Globes are widely regarded as the official kick-off of Hollywood’s awards season. The Golden Globes are prestigious, given to the best in both Film and Television, which makes the Golden Globes a sort of hybrid between the Emmys and the Oscars. Unlike its big sister, the Oscars, the Golden Globes split the film categories into “Drama” and “Musical or Comedy” while eschewing categories for technical achievements, like cinematography and editing. The Golden Globes are focused on big names and talent, which ensures that a lot of beautiful people show up to the ceremony and a lot of people tune in to watch. (Also, they serve dinner and tons of booze during the ceremony, which means lots of drunk people. Always good for ratings!)

So while Hollywood doesn’t regard the Golden Globes as prestigious as the Oscars, Hollywood does see the Golden Globes as an opportunity to recognize achievement from a larger group of films. More importantly, the Golden Globes take place before the Academy announces Oscar nominations and give a sharp insight into who the Academy might choose to recognize that year.

You’d think that would have translated into more and more horror films receiving recognition, but alas, that hasn’t happened.

This year, however, The Shape of Water and Get Out are both nominated in film, with Stranger Things and Twin Peaks receiving some nominations in television. It’s heartening to see such recognition, especially for Get Out, which is more of a straight horror movie than The Shape of Water, but no less carefully and expertly made.

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My Faves, Surprises, Disappointments – 2017 Horror Movies

2017 may have sucked in a lot of ways, but 2017 was a great year for horror. From clear standouts like Get Out to darkhorse surprises like Split, I enjoyed a great deal of 2017 horror. Even the not-so-great horror films failed to make me want to claw my face off.

Admittedly, I avoided tragic and terrible movies like Rings and Wish Upon because I didn’t need to pay to know they sucked. And I didn’t see every single horror 2017 film because, as I mentioned, 2017 was a difficult year.

At any rate, I’ve identified five movies in three categories—Favorites, Surprises, and Disappointments. Do my ratings match up with yours?
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