As a horror fan, I’m not fond of slasher films. But even I can’t deny the impact slashers have had on the genre. Like it or not, these films, often sparse on plot and heavy on gore and sex, have altered the course of horror movies, if not movies in general. Halloween, Friday the 13th, Nightmare on Elm Street, Black Christmas, and Scream are all slasher classics that have left an indelible mark on pop culture.
So of course, with today being Friday, July 13th, I had to revisit Friday the 13th.
Ah, the Prom Horror Movie. The guiltiest of my guilty pleasures!
They’re so cheesy, so campy, so over-the-top and wonderfully bad, though not always. Some prom horror movies have unexpected depth and nuance, exploring (sometimes clumsily) the dynamics of high school and the pressures of being a teenager. Just like the high school horror movie, the prom horror movie fumbles towards peering at the dark underside of the high school experience as memorialized in high school’s forever hyped event.
It makes total sense that prom is a big deal. In high school, especially the closer to graduation they are, teenagers find themselves stuck in a weird, awkward limbo where they don’t have the rights and privileges of an adult but know enough to want them, where the responsibilities and obligations of adulthood loom on the horizon. The intense desire for agency, meaning, and purpose melds with teenagers’ immature assumptions that agency, meaning, and purpose can be found in one glitzy, epic night.
Of course, it rarely happens that way. Prom night is almost never the incredible, life-changing event that Hollywood movies would have you believe. Most of the time, you get all dressed up in your high school best and spend a few hours swaying on the dance floor or sitting at your table with your friends, wondering why your crush hasn’t noticed how awesome you look. And then a drunk junior pukes Malibu all over the dance floor, and you and your friends leave and go to Denny’s on the way to someone’s house to watch Donnie Darko and try to sneak beer out of the garage refrigerator.
The Cannes Film Festival is officially underway! Yay for independent artsy films!
In the past, Cannes has given us not only buzzworthy prestige films from around the world, but it has also been a source of horror films outside the Hollywood mainstream. I’ve covered both the 2016 and 2017 Cannes Film Festivals, which introduced to the world to films like Raw, Neon Demon, Train to Busan, and The Killing of a Sacred Deer. And that’s not to mention horror classics like Evil Dead or Pan’s Labyrinth.
Festival season continues with the SXSW Film Festival in Austin, Texas, which means there are new (and, hopefully, fresh) horror movies for us to peruse!
2018 marks the 25th year of the SXSW film festival. Just think of it–25 years of a fearless and unflinching commitment to emerging voices, diverse viewpoints, and plain crazy schemes that translate into memorable films! SXSW is known for its commitment to pushing the envelope of the film industry, and the horror industry knows this.
Early this week, I was invited to an advanced screening of The Strangers: Prey at Night. I was excited, mainly because I enjoyed 2008’s home invasion horror thriller The Strangers, back before I knew I was a horror fan. In fact, The Strangers was one of the movies that made me realize I did like horror movies after all, so it’s always had a special place in my cold, black heart.
However, The Strangers is far from a perfect movie. Upon watching it for the second time, I have wondered what it would have been like with better writing, among other things.
The news of a sequel ten years after the fact was exciting, if for no other reason than home invasion movies scare the crap out of me. There was a part of me that was curious to see if the sequel would improve upon the original’s shortcomings…or merely rehash the same old stuff.
Oh, but it was worse than that. The Strangers: Prey at Night was disappointing. I was not looking for a socially-conscious horror movie going into The Strangers, but dammit, I wanted an entertaining and skilled effort. And I don’t think that is too much to ask!
I’ll admit, I’m not as informed about foreign horror films as I should be. For all my talk about seeing the horror genre as a window into the anxieties and fears of a culture, I’m dreadfully ignorant of many foreign horror traditions.
I felt even worse about my lack of awareness for horror films because of the Olympics. All these unique countries coming together in the spirit of peaceful competition, all those athletes sharing their gifts with the world? It’s beautiful and moving. We learn so much about each other from this magnificent event and put aside our differences to exalt the best of us together.
I freaking love the Olympics!
Consequently, with the 2018 Winter Olympics taking over television and the internet, I thought this was a perfect time for me to do some research about foreign horror films across the globe. And I found a lot of cool stuff.
A new year means a whole new year of fresh and creepy horror novels!
As a horror fan, it’s for me easy to focus on horror movies. Horror movies are relatively quick to consume instead of a horror novel, just as a movie is sometimes more immediately entertaining than a novel.
But there is a great deal of original, well-made horror fiction out there, crafted by authors from diverse backgrounds, points of view, and traditions. Stephen King may still rule horror fiction, but there’s plenty of room for all of the unique and unsettling tales offered by authors like Ania Ahlborn, Alma Katsu, Josh Malerman, and Paul Tremblay (King has a book out this year too, don’t worry!).
So, in keeping with my goals to raise awareness of exciting new horror fiction, I’ve put together a list of fifteen horror novels to be published in 2018. I can’t wait to read them, which is good for my New Year’s resolution to read more, but really bad for my book buying addiction. (If you’re interested in last year’s list of horror, check that out here.