Stories For Ghosts

Horror for the Discerning Fan

Category: Real Life Horror (page 1 of 5)

Horror and The 2018 Cannes Film Festival

The Cannes Film Festival is officially underway! Yay for independent artsy films!

In the past, Cannes has given us not only buzzworthy prestige films from around the world, but it has also been a source of horror films outside the Hollywood mainstream. I’ve covered both the 2016 and 2017 Cannes Film Festivals, which introduced to the world to films like Raw, Neon Demon, Train to Busan, and The Killing of a Sacred Deer. And that’s not to mention horror classics like Evil Dead or Pan’s Labyrinth.

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May Horror – The Calm Before the Summer Blockbuster Storm

Well damn y’all, May horror isn’t what I thought it would be–low key and full of indie releases.

Not that it’s a bad thing. Some of the best horror movies are small indies and foreign films that don’t secure wide theatrical releases in America. I’m willing to bet that festival darlings like Beast and Revenge are more than worth a watch. Bad Samaritan and Family Blood are very intriguing, and It Came from the Desert looks horrendous, like, I-need-a-couple-of-drinks-to-get-through-it-but-that-could-be-fun-horrendous.

Check out the May horror movies below!

Enjoy!

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Unsane and the Horror of Ignoring Women’s Stories

As a genre, horror is especially adept at taking advantage of film’s voyeuristic nature and creating an uncomfortable vicarious experience. And more than any genre, horror can hack apart an audience member’s conception of fear and flip it on its head. The genre can sow horror and terror where the was none, forcing the audience to see once benign situations in a more sinister light (or shadow).

Steven Soderbergh’s Unsane, a film rooted in a young woman’s experience of being imprisoned in a mental asylum with her stalker, does precisely this. Unsane forces its audience to confront a premise that is scary for anyone, but for women especially. The film uses the negative cultural stereotypes we have of women and mental health to craft a film that recreates in lurid digital detail the discomfort and fear every woman has faced at some point in her life. It is a waking nightmare, less a work of fiction and more a worst case scenario of what happens when a man won’t take no for an answer.

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March 2018 Horror – The Strangers Are Back!

It’s March, which means that spring is right around the corner. It also means that the steady stream of horror we’ve been enjoying this year runs a little slow during the spring months before the summer horror season starts in May.

But don’t fear! March promises some intriguing films, despite the short list of horror films this month. There are two great foreign horror films, the long-awaited sequel to The Strangers (2008), a documentary about a real-life haunting, and the latest psychological thriller/horror from Steven Soderbergh. It’s shot on an iPhone and Claire Foy gives a raw, frazzled performance that’s the exact opposite of her role as Queen Elizabeth II on The Crown (which I also love. I just love Claire Foy, and I can’t help it).

Check out the trailers below!

March 2

The Lullaby (Limited)

“A 19-year-old woman falls into a deep depression after the birth of her first son. In her paranoia, she begins to hear voices and comes to believe that a strange entity is haunting her child.”

What a coincidence (really!)! I was just talking about this South African horror movie as an example of foreign horror from the African Continent! It looks very creepy, though I can’t really discern the quality of the film from this trailer. I hope it’s a strong film, only because the subject matter and the hopeful exploration of post-partum psychosis deserve a nuanced discussed.

March 3

The Ravenous aka Les Affames (Netflix)

“A village in Quebec is terrorized by a flesh-eating plague.”

Here’s another foreign horror film for you—a zombie movie from Canada. Damn Canada! I know you’re very good at body horror, but not particularly known for your zombie films. Where did this artsy, old-school Romero, understated movie come from? It’s freaking me out. This is not good for my nerves, Canada, you must understand this. And I say that as a seasoned horror fan.

But seriously, I remember hearing about this movie when it was making the festival rounds at TIFF, and I understand it’s pretty good, both for its scares and its exploration of social themes. I’m pleasantly surprised that it’s popped up on Netflix. Add this one to the watch list!

March 9

The Strangers: Prey at Night (Wide)

“Mike and his wife Cindy take their son and daughter on a road trip that becomes their worst nightmare. The family members soon find themselves in a desperate fight for survival when they arrive at a secluded mobile home park that’s mysteriously deserted — until three masked psychopaths show up to satisfy their thirst for blood.”

I’m both excited and freaked out for this movie because, as far as horror subgenres go, home invasion movies burrow under my skin and stay there. The Strangers is widely regarded as one of the most intense home invasion horror movies in recent years, and for good reason, which makes The Strangers; Prey at Night a highly anticipated release. So far it seems to be getting some good reviews, but it’s still too early to tell which way this will go. Lucky for me, I get to attend a screening of the film tomorrow night, so stay tuned for my review!

 

March 16

Demon House (Limited)

“Paranormal investigator Zak Bagans buys a supposedly haunted house in Indiana and documents what happens when he moves in.”

Woooo a cursed movie! Earn your check, marketing team!

But seriously, this is a documentary about an actual real-life case, though I’m not sure how flexible the film is being with the term “documentary” here. The movie centers on a house that used to belong to the Ammons, a Gary, Indiana family that claimed they were being haunted and tortured by as many as 200 demonic entities.

I highly suggest reading the story as published by the Indy Star. It’s a wild ride from start to finish, and creepier still, it’s written in a very even tone. It neither believes the Ammon family story about demonic possession nor does it deny the story—it merely lays out the story.

Essentially, I’m way more interested in the Ammons, their story, and a potential film adaptation about the intersection of socio-economic factors, psychology, and religion than I am with this documentary about a guy who buys the house after the family flees.

March 23

Unsane (wide)

“Sawyer Valentini relocates from Boston to Pennsylvania to escape from the man who’s been stalking her for the last two years. While consulting with a therapist, Valentini unwittingly signs in for a voluntary 24-hour commitment to the Highland Creek Behavioral Center. Her stay at the facility soon gets extended when doctors and nurses begin to question her sanity. Sawyer now believes that one of the staffers is her stalker — and she’ll do whatever it takes to stay alive and fight her way out.”

This film is on my list of Most Anticipated Horror Movies of 2018! I am always up for a good psychological thriller/horror, especially when you can’t be sure if the protagonist is crazy or not. While reviews have been positive, they haven’t been quite glowing. Despite that, I think the film will be worth seeing for Claire Foy’s performance, Steven Soderbergh’s experimental use of an iPhone for his single camera, and its a solid (though perhaps uninspired) psychological horror.

Are y’all excited for these movies! Tell me about it in the comments.

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A Survey of Foreign Horror Films – Oceania

I’m making solid progress on my global tour of foreign horror movies! Next stop: Oceania!

I’ve devoted my last few posts to educate myself (and my readers) about foreign horror, of which I now realize I knew *almost* nothing about. Not all the foreign horror is confined to countries like Great Britain, France, Japan, Canada, or Mexico, right?

Luckily for me, the ongoing Winter Olympics inspired me to research foreign horror the world over.

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Horror Movies at The 2018 Sundance Film Festival

Tomorrow is the official kick-off of the Sundance Film Festival! That means you should get ready for a fresh round of groundbreaking, artistic, and unsettling indie horror films.

Sundance is the largest independent film festival in the United States and one of the beacons for upcoming independent horror films. Among the slate of prestigious arthouse flicks and top-tier foreign films, Sundance makes room for imaginative and innovative horror and genre films. Being the largest independent film festival in America and one of the most important film festivals in the world, Sundance provides invaluable exposure for horror films that buck the studio system and push the envelope.

All of which is great news for horror fans of all stripes.

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January 2018 Horror – Haunted Houses, Demons, and a Homicidal Nic Cage

I love January. It’s the beginning of a new year, the sweet spot between a worn out, dusty old year and 12 months of as of yet untarnished potential.

I also love January for the horror movie trailers. That’s right—the dumping ground for movies Hollywood needed to unload has some of the best bad horror movie trailers of the whole year. And 2018 doesn’t disappoint.

Last January, we had trailers like Underworld: Blood Wars, The Bye Bye Man, and The Summoning. I laughed and cringed and wholly enjoyed myself. This January, my favorite bad horror movie trailers go to Day of the Dead: Bloodline, Primal Rage, and Death House, the latter of which I need to watch immediately.

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My Faves, Surprises, Disappointments – 2017 Horror Movies

2017 may have sucked in a lot of ways, but 2017 was a great year for horror. From clear standouts like Get Out to darkhorse surprises like Split, I enjoyed a great deal of 2017 horror. Even the not-so-great horror films failed to make me want to claw my face off.

Admittedly, I avoided tragic and terrible movies like Rings and Wish Upon because I didn’t need to pay to know they sucked. And I didn’t see every single horror 2017 film because, as I mentioned, 2017 was a difficult year.

At any rate, I’ve identified five movies in three categories—Favorites, Surprises, and Disappointments. Do my ratings match up with yours?
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Hounds of Love: One of the Best Horror Films of 2017

*Mild Spoilers for Hounds of Love*

Despite being a seasoned horror fan, there are a few subjects really scare me. Serial killer movies, for instance, make me profoundly uncomfortable and anxious. Such stories lack the supernatural and fantastical elements of other horror movies, which I often use to create a degree of psychological distance between myself and fear. But serial killers are real. They target real people. The only psychological distance I can use to insulate myself from this fear is the fact that a serial killer has not come after me thus far.

Despite being a tough movie to get through, I thought Hounds of Love was amazing. I think it’s one of the best horror films of the year for both filmmaking technique as well as its exploration of female identity in a male-dominated context. Hounds of Love finds unexpected resonance not because of its male serial killer, but because of his female accomplice.

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December Horror – Guillermo del Toro Goes for Oscar Gold

Gosh, is it already December 2017? Have we already been through eleven months’ worth of horror movies with only December horror left?

Time flies, doesn’t it?

We’ve been through a ton of horror movies this year of varying levels of quality. It only seems consistent that December horror would go the same route. I’ve been waiting for The Shape of Water for what feels like ages, which, if it’s as good as everyone says, will make a great year-end triumph for the genre. December horror also has some indie gems, like Desolation. But there’s also the forgettable Slumber to contend with.

It’s really Guillermo del Toro’s month for horror, for sure.

Horror is always a mixed bag, and it seems like this December Horror list is no different.

Let’s get to it.

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