The witch is one of the oldest villains in human civilization. Every culture has the concept of a human being, usually a woman, who has violated the laws of nature and society to gain immense power.
Her transgressions vary from culture to culture and religion to religion. In the western world, the witch has usually received her powers by signing over her soul to the Devil himself. Other times she has used some ancient, forbidden ritual to thwart God and order. Either way, the witch in a horror film is a dangerous woman. If you cross her, you will incur her horrific wrath. If you have something she wants, she will take it. Wither her cunning and mastery of black magic, the witch will gain dominion over your body and thoughts. They will force you to do unimaginable things.
That’s the legend, at least.
I always have a hard time watching many serial killer movies if for no other reason than serial killers exist, and the crimes depicted onscreen could and sometimes do happen to real people. In serial killer movies in particular, much of the violence is directed towards women, which makes my viewing experience more difficult.
But I find such films can be worthwhile despite their grotesque, depressing subject matter. In our culture, we have a fascination with serial killers. They do not kill for reasons society considers “justifiable.” They seem to do the unthinkable, killing for pure personal gain, for profit, or to fulfill some twisted sense of morality. It seems to go against all human decency to kill so needlessly and frequently.
Our fascination expresses itself with many questions—how does the killer select his victims? Why those victims? How does he kill them? How long has he been doing this? How has he never been caught? Yet those questions come secondary to the ten-million-dollar question:
Why does he kill?
Ah, the vampire. My favorite supernatural creature.
Vampires are cunning, sensual, and merciless. Vampires are effortlessly cool, fashionable, and glamorous. If I had to be any evil creature, I’d be a vampire, hands down, and I’d want my wardrobe to be stocked exclusively by Saint Laurent, à la Catherine Deneuve in The Hunger.
I’ve always been transfixed by how slick vampires are. They can go unnoticed inhuman society, benefiting from social mores when it serves and then stepping outside the bounds of human decency whenever they want. He (or she) embodies seduction and the willing surrender of control. They are more powerful than human beings, both in strength and intelligence, which is an essential characteristic. A werewolf or zombie is seen as a devolution of humanity, a descent into animal savagery or blank mindlessness. But a vampire is, for the most part, smarter than human beings. Like demons, they are dangerous not because of the threat of physical pain but because they can convince you to be the worst, coolest version of yourself.
In an earlier blog post, I asserted that Halloween is a valuable time of year for children because the holiday, as it has developed, enables children to safely engage in a variety of difficult topics. Halloween gently exposes children to human mortality and sinister forces, because there is no use in pretending these things do not exist. Children should be protected, but they will become adults soon.
I think screening children’s Halloween movies is an important way to engage children with these topics. They don’t always have to be about Halloween nor do they have to be straight up horror films. What these movies do is take scary and creepy stories and weave in uplifting and useful messages for children. These movies package unpleasant themes in a way children can manage and digest. They can absorb important lessons by feeling the age-appropriate shock only a horror movie can give you.
Though I didn’t quite realize it, children’s Halloween movies taught me some valuable lessons growing up. So I decided I wanted to take a trip back to Halloween Past. I decided I wanted to share my favorite children’s Halloween movies and some of the very personal life lessons I took from them. I hope kids in the future continue to watch these movies and learn from them, as I did.
I’ll come right out and say it – most of the October horror releases are not good this Halloween. In fact, some of these look downright terrible.
I’m not mad, but I am super disappointed. I was looking forward to Rings and Underworld: Blood Wars. I was expecting a release calendar full of solid (or even just serviceable) horror releases, but not this year.
But then Rings was moved to 2017. And then Underworld: Blood Wars was pushed back to 2017. Naomi Watts makes her return to horror in creepfest Shut In, but that doesn’t come out until November.
Which leaves us with this random group of horror movies.
Seriously? I am so very underwhelmed. Not all of these are terrible—Under The Shadow seems promising—but when Boo! A Madea Halloween looks better than 5 out of 8 movies on the October release schedule, something is very wrong.
Mild Spoilers for Goodnight Mommy
I’d like to preface this review by assuring you that I am no lightweight when it comes to watching horror films. On-screen violence and gore usually elicits the expected level of shock and disgust, while body horror reliably grosses me out.
Part of my love for scary movies is remembering that a movie is only a movie, and art is only art. The onscreen images are powerful, but they aren’t real. I’ve never forgotten that fact. I have never had to run for a bucket, nor have I fainted in a movie theater.
So when I almost fainted during Goodnight Mommy, it was because Goodnight Mommy is so precisely calibrated to create a deeply disturbing experience that I forgot to breathe.
As I lay on the carpet in my living room, waiting for the walls to stop swaying, I realized that Goodnight Mommy is one of the most harrowing horror movies I’ve ever seen. My friend spoke softly to me, coaching me through breathing exercises and assuring me we didn’t have to finish the movie if I didn’t want to. Which was so embarrassing, to say the least.
Ah, Labor Day. The end of summer and the beginning of fall.
Labor Day means one last hurrah of beach trips, cookouts, and pool parties before fall officially begins. You have to pack away your bathing suits and flip flops and break out your booties and sweaters, even if the weather refuses to cooperate. Yes, we are all sad about summer leaving us, but fall is pretty great. Football season, family gatherings, pumpkin-spice everything (and making fun of pumpkin-spice everything), and most importantly, horror movie season!
Let’s be honest. Halloween is not about just October anymore—Halloween is taking over September as well. That’s good news for a horror junkie like me, especially because that means we get more and better horror movies in the weeks leading up to Halloween!
September promises to deliver something for everyone. We have so much to choose from! There’s When The Bough Breaks, a hybrid of The Hand That Rocks The Cradle/Fatal Attraction. There’s Demon, a creepy and moody foreign horror movie that explores the Jewish legend of the dybbuk. There’s 31, a vicious gore-fest from horror movie legend Rob Zombie, with offering all the absurdity I wanted from The Purge series. And there’s Blair Witch, the second sequel the iconic Blair Witch Project, back from the dead to reclaim its horror movie throne.
Bad news, horror fans, there are only three theatrical release horror movies in August. Three! And only one of them is a wide release!
I know, right? What happened? This summer started off strong with The Conjuring 2 and The Shallows. I know August is usually kind of “sleeper” month for movies, but this I was expecting more than this!
The good news is that two out of three of these horror movies look promising, in a RedBox or Amazon Prime kind of way. Hell, Don’t Breathe might be worth the price of a ticket just for the Silence-of-the-Lambs-esque night vision scenes.
Check ‘em out.
Finally! School is out, summer is here, and we’re finally getting some good horror movies!
After a few months of anemic offerings, June is stepping up to the plate with some heavy-hitting horror flicks. Of course, the biggest name here is The Conjuring 2, sequel to 2013’s box office smash The Conjuring. But there are some other big names here too, like The Neon Demon, which offers a look into the shadowy, dangerous world of the modeling industry, and The Shallows, which serves up a straightforward horror movie involving a stranded Blake Lively and a huge man-eating shark. I don’t know if you can go wrong with any of these films.
There are some smaller titles, mostly foreign films that haven’t gained much press here in the States. But don’t let that dissuade you from checking them out in either their limited theatrical release or their digital releases on VOD. Sometimes great horror movies come out of left field.
With all the pomp and circumstance surrounding a prestigious Hollywood event, you probably wouldn’t expect a glittering affair like the Cannes Film Festival to include hard-hitting horror films. Cannes is where Hollywood finds a steady stream of award-worthy and award-baiting movies, right? The heavy, boring, historical drama stuff, right?
That’s true. Cannes is prestigious for a reason. Every year, the festival showcases emerging talents alongside master filmmakers, and many of those films are either good enough or earn enough hype to be marketed as highbrow cinema.
But it’s also true that Cannes has a deep commitment to varied viewpoints. The festival loves innovation. It pays tribute to films from different countries, different voices, and different genres, including horror.