I won’t lie, I was ready to be disappointed by Alien: Covenant.
When I finally walked into it, I did so with low expectations and gratitude that my ticket was free. An ardent fan of both Alien and Aliens, I’m still sore about how disappointing Prometheus turned out to be. I was hopeful that Alien: Covenant would be different, but I wasn’t going to hold my breath. I thought I’d learned my lesson about managing expectations.
So imagine my surprise and delight when Alien: Covenant turned out to be thrilling, scary, and downright thoughtful. Alien: Covenant, thankfully, broke new ground instead of rehashing Prometheus and took meaningful steps towards giving us the same kind of gruesome and disturbing space horror epics we all know and love.
Woohoo! June horror movies are here! There’s a lot this month, so strap in and buckle up because there’s wide array of films. There’s different subgenres, different levels of quality, and different levels of WTF-ness.
I need to apologize as well, because I’ve been traveling the last few days, which delayed my normal blog post schedule. Basically, I was traveling and boozing it up. Consequently, I wrote a lot of this in the Houston airport after drinking several glasses of overpriced wine (#noregrets). I am truly a Hemingway fan and wrote drunk and edited sober.
Can I just say that this was very fun to edit this? It was a challenge.
But anyway! Here’s your June Horror Movie list! You didn’t miss much from my post being late. Ooops!
Lord, I’m dying of thirst over here! Where are all the summer horror movies?
There’s only one major, wide-release movie coming out in all of May 2017! That movie is Alien: Covenant, which I feel like I should be more excited about. If only I could get over my feelings about Prometheus. The other releases are all extremely limited releases that provide an interesting look into the state of indie horror movies. Another Evil and Berlin Syndrome are two film festival darlings. 7 Witches and Dead Awake seem like very low-budget horror movies, but not without their potential.
So while I am scrapping the bottom of the barrel with this month, there’s some good stuff here.
Check ‘em out!
*Beware: Here be mild spoilers for Raw*
During my time blogging about all things horror, I’ve found that most serious horror fans by and large stick to their favorite horror subgenres. They may only dapple in other subgenres, occasionally dipping a toe into art horror or zombie flicks, but not often. I do this. I love moody, tense psychological horror, ghost stories, and taut thrillers with elegant displays of horrific violence. Slashers? Not really my thing. The Saw movies? Ehhh, pass. And body horror? Definitely not my thing.
For some reason, body horror is particularly challenging for me. Thus, I avoid it. This isn’t to say that I think body horror is bad or uncouth or less capable of artistic potential. I accept the importance of body horror as a subgenre that is, at times, most-equipped to explore themes like mortality, physical weakness, aging and disease, over-population, and the disconnect between our mental power and our bodily strength. After all, body horror is the most universal kind of horror, since everyone is stuck in a decaying body and marches through a field of pain and pleasure towards death.
There are times when even I can’t look away from a well-done, brilliant body horror film, when even I have to admit that I really, really liked it.
This is how I felt about Raw, a 2016 French-Belgian cannibalism and coming of age horror film that made waves at Cannes last year and was finally released stateside a few weeks ago.
*Mild spoilers for A Cure for Wellness*
Some horror movies are simply transcendent. Such films function on multiple planes and deliver on every level of filmmaking—acting, writing, editing, cinematography, and direction. They are frightening and entertaining stories that craft pointed arguments about the human condition and, well, scary shit. Those films add to our understanding of the dark places where we dare not tread.
Other films aspire to those same heights, and while this group of films strives to execute on every filmmaking aspect, they fall short. It might be that the acting or editing was merely “good” instead of great.” It might be that the cinematography was astonishing, but something else was poorly done and the film couldn’t recover. I think it’s kind of tragic when a promising movie fails to coalesce into a truly great film.
I’m sorry to say that a Cure for wellness falls into that latter category. Although it was an entertaining movie with a lot to offer, I cannot call this movie a success. An original effort with stunning visuals and a great cast, A Cure for Wellness lacked firm story foundations. Had it the script been better, A Cure for Wellness could have been a real stunner of a movie.
February has arrived! And it brought along a pretty full slate of horror movies. This month we’ve got some impressive and hyped films, like A Cure for Wellness, Get Out, and XX. We’ve got Rings, which Paramount Pictures really wants to be a hit but actually looks convoluted and unintentionally hilarious. There’s also The Girl with All the Gifts, an adaptation of the 2014 bestselling zombie novel, and the normal amount of indie horror films that may or may not be worth your time.
Check them out!
Contrary to popular belief, January can be an exciting time for horror fans for one big reason—the Sundance Film Festival, one of the industry’s major film festivals. Every January, Sundance bestows upon us weird, frightening, and bizarrely amazing horror movies.
Come tomorrow, Sundance will kick off premieres and screenings of buzzworthy movies. While Sundance doesn’t specialize in horror movies (sadly), the festival is committed to providing a platform for intriguing and promising films, many of which are horror. Films like The Blair Witch Project, American Psycho, 28 Days Later, The Descent, and the Witch.
Horror has always had a place at the high-brow-film table, and Sundance has a proven record for bringing fresh horror to hungry audiences.
Last June, I wrote about the horror movie lineup at the 2016 Cannes Film Festival, where films like Green Room premiered in 2015 and Raw and The Neon Demon premiered in 2016. I decided to do a similar post for the horror lineup at Sundance, especially with films like XX, Killing Ground, and Bitch scheduled for screenings. Here you’ll find a list of the horror films at Sundance, as well as the “segment” in which they will be showcased.
A new year, a new list! It’s time for my list of most anticipated horror films of 2017!
Let’s be honest, 2016 sucked in a lot of ways, not least of wish was that the horror movie release calendar was disappointing. Don’t get me wrong, there were some great 2016 horror movies with real terror, solid scares, and provocative storytelling. But there were some real duds, the kind that made me roll my eyes and sigh at the state of the horror industry.
Yet here comes 2017, still full of hope and potential, sharing bright and shiny horror trailers for all. Among 2017’s most anticipated horror are dark and twisted social commentaries, high-profile reboots of horror movie classics, gorgeous grotesqueries, and a few black pearls of brave indie filmmaking.
Check them out!
Happy New Year!
January is one of my favorite times of the year because there’s so much hope for this brand new shiny year we have before us. With a new year comes new surprises and delights, and I feel particularly optimistic since I think 2017 owes us for 2016. Hopefully that will extend to horror movies.
The good news is that, if the January horror movie release calendar is anything to go on, 2017 is off to a solid start. We’ve got some awesome horror-action films, a M. Night Shyamalan psychological thriller, and a promising urban legend supernatural horror movie, among others that could surprise us.