Stories For Ghosts

Horror for the Discerning Fan

Category: Horror Films (page 2 of 11)

May Horror – The Calm Before the Summer Blockbuster Storm

Well damn y’all, May horror isn’t what I thought it would be–low key and full of indie releases.

Not that it’s a bad thing. Some of the best horror movies are small indies and foreign films that don’t secure wide theatrical releases in America. I’m willing to bet that festival darlings like Beast and Revenge are more than worth a watch. Bad Samaritan and Family Blood are very intriguing, and It Came from the Desert looks horrendous, like, I-need-a-couple-of-drinks-to-get-through-it-but-that-could-be-fun-horrendous.

Check out the May horror movies below!

Enjoy!

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Unsane and the Horror of Ignoring Women’s Stories

As a genre, horror is especially adept at taking advantage of film’s voyeuristic nature and creating an uncomfortable vicarious experience. And more than any genre, horror can hack apart an audience member’s conception of fear and flip it on its head. The genre can sow horror and terror where the was none, forcing the audience to see once benign situations in a more sinister light (or shadow).

Steven Soderbergh’s Unsane, a film rooted in a young woman’s experience of being imprisoned in a mental asylum with her stalker, does precisely this. Unsane forces its audience to confront a premise that is scary for anyone, but for women especially. The film uses the negative cultural stereotypes we have of women and mental health to craft a film that recreates in lurid digital detail the discomfort and fear every woman has faced at some point in her life. It is a waking nightmare, less a work of fiction and more a worst case scenario of what happens when a man won’t take no for an answer.

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The Silence Speaks Volumes in A Quiet Place

*Be Warned – Very Mild Spoilers for A Quiet Place*

I’ve always said that, for any medium, the key to creating a compelling narrative is developed characters. This is especially true in crafting exceptional horror movies, where the disturbing events unfolding on screen pack an intense punch not just because of their scariness but because of the risk they pose to characters the audiences cares about. Yeah, a novel concept, good pacing, and deft camera work contribute, but no one cares about any of that if the characters aren’t watchable.

This is especially true for A Quiet Place, which wisely uses its script and actors as the foundation upon which the whole movie is based. Its inventive concept, heart-pounding scenes, and swelling tension would have fallen flat without the work that went into the script and the acting. In doing so, A Quiet Place stakes a claim as the first exceptional horror movie of 2018. (I know that’s not saying much when compared to films like Winchester or The Strangers: Prey at Night, but the rest of 2018’s horror movie faces stiff competition.)

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SXSW Prestige and Schlocky Flicks for April Horror Movies

I. Am. Pumped. April horror is chock full of all sorts of festival horror movies I’ve been waiting for, and they look great!

This April, we’re getting not one, not two, but three horror movies from last month’s SXSW, and they look amazing. I can already confirm that A Quiet Place, starring Emily Blunt and John Krasinski, is very good and highly enjoyable. That leaves Wildling, one of the festival’s unexpected triumphs, and Ghost Stories, a spectacularly moody British ghost tale.

And then, on top of everything, Marrowbone, the latest effort from Spanish filmmaker Sergio G. Sanchez (El Orfanto) drops this month. Swoon.

Also among the April horror releases are a few horror films that look cheesy, contrived, and quite frankly, delightful! Truth or Dare promises the kind of schlocky teenage horror we all secretly enjoy (don’t lie) while Bus Party to Hell demands to be seen on the strength of its title alone. I will oblige.

Seriously, this is a great month for both quality horror and popcorn-flick fun.

Check out the trailers below.

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Crack Open a Shiner and Settle In – It’s Time for SXSW Horror Movies!

Festival season continues with the SXSW Film Festival in Austin, Texas, which means there are new (and, hopefully, fresh) horror movies for us to peruse!

2018 marks the 25th year of the SXSW film festival. Just think of it–25 years of a fearless and unflinching commitment to emerging voices, diverse viewpoints, and plain crazy schemes that translate into memorable films! SXSW is known for its commitment to pushing the envelope of the film industry, and the horror industry knows this.

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Disappointing Film Review–The Strangers: Prey at Night

Early this week, I was invited to an advanced screening of The Strangers: Prey at Night. I was excited, mainly because I enjoyed 2008’s home invasion horror thriller The Strangers, back before I knew I was a horror fan. In fact, The Strangers was one of the movies that made me realize I did like horror movies after all, so it’s always had a special place in my cold, black heart.

However, The Strangers is far from a perfect movie. Upon watching it for the second time, I have wondered what it would have been like with better writing, among other things.

The news of a sequel ten years after the fact was exciting, if for no other reason than home invasion movies scare the crap out of me. There was a part of me that was curious to see if the sequel would improve upon the original’s shortcomings…or merely rehash the same old stuff.

Oh, but it was worse than that. The Strangers: Prey at Night was disappointing. I was not looking for a socially-conscious horror movie going into The Strangers, but dammit, I wanted an entertaining and skilled effort. And I don’t think that is too much to ask!

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March 2018 Horror – The Strangers Are Back!

It’s March, which means that spring is right around the corner. It also means that the steady stream of horror we’ve been enjoying this year runs a little slow during the spring months before the summer horror season starts in May.

But don’t fear! March promises some intriguing films, despite the short list of horror films this month. There are two great foreign horror films, the long-awaited sequel to The Strangers (2008), a documentary about a real-life haunting, and the latest psychological thriller/horror from Steven Soderbergh. It’s shot on an iPhone and Claire Foy gives a raw, frazzled performance that’s the exact opposite of her role as Queen Elizabeth II on The Crown (which I also love. I just love Claire Foy, and I can’t help it).

Check out the trailers below!

March 2

The Lullaby (Limited)

“A 19-year-old woman falls into a deep depression after the birth of her first son. In her paranoia, she begins to hear voices and comes to believe that a strange entity is haunting her child.”

What a coincidence (really!)! I was just talking about this South African horror movie as an example of foreign horror from the African Continent! It looks very creepy, though I can’t really discern the quality of the film from this trailer. I hope it’s a strong film, only because the subject matter and the hopeful exploration of post-partum psychosis deserve a nuanced discussed.

March 3

The Ravenous aka Les Affames (Netflix)

“A village in Quebec is terrorized by a flesh-eating plague.”

Here’s another foreign horror film for you—a zombie movie from Canada. Damn Canada! I know you’re very good at body horror, but not particularly known for your zombie films. Where did this artsy, old-school Romero, understated movie come from? It’s freaking me out. This is not good for my nerves, Canada, you must understand this. And I say that as a seasoned horror fan.

But seriously, I remember hearing about this movie when it was making the festival rounds at TIFF, and I understand it’s pretty good, both for its scares and its exploration of social themes. I’m pleasantly surprised that it’s popped up on Netflix. Add this one to the watch list!

March 9

The Strangers: Prey at Night (Wide)

“Mike and his wife Cindy take their son and daughter on a road trip that becomes their worst nightmare. The family members soon find themselves in a desperate fight for survival when they arrive at a secluded mobile home park that’s mysteriously deserted — until three masked psychopaths show up to satisfy their thirst for blood.”

I’m both excited and freaked out for this movie because, as far as horror subgenres go, home invasion movies burrow under my skin and stay there. The Strangers is widely regarded as one of the most intense home invasion horror movies in recent years, and for good reason, which makes The Strangers; Prey at Night a highly anticipated release. So far it seems to be getting some good reviews, but it’s still too early to tell which way this will go. Lucky for me, I get to attend a screening of the film tomorrow night, so stay tuned for my review!

 

March 16

Demon House (Limited)

“Paranormal investigator Zak Bagans buys a supposedly haunted house in Indiana and documents what happens when he moves in.”

Woooo a cursed movie! Earn your check, marketing team!

But seriously, this is a documentary about an actual real-life case, though I’m not sure how flexible the film is being with the term “documentary” here. The movie centers on a house that used to belong to the Ammons, a Gary, Indiana family that claimed they were being haunted and tortured by as many as 200 demonic entities.

I highly suggest reading the story as published by the Indy Star. It’s a wild ride from start to finish, and creepier still, it’s written in a very even tone. It neither believes the Ammon family story about demonic possession nor does it deny the story—it merely lays out the story.

Essentially, I’m way more interested in the Ammons, their story, and a potential film adaptation about the intersection of socio-economic factors, psychology, and religion than I am with this documentary about a guy who buys the house after the family flees.

March 23

Unsane (wide)

“Sawyer Valentini relocates from Boston to Pennsylvania to escape from the man who’s been stalking her for the last two years. While consulting with a therapist, Valentini unwittingly signs in for a voluntary 24-hour commitment to the Highland Creek Behavioral Center. Her stay at the facility soon gets extended when doctors and nurses begin to question her sanity. Sawyer now believes that one of the staffers is her stalker — and she’ll do whatever it takes to stay alive and fight her way out.”

This film is on my list of Most Anticipated Horror Movies of 2018! I am always up for a good psychological thriller/horror, especially when you can’t be sure if the protagonist is crazy or not. While reviews have been positive, they haven’t been quite glowing. Despite that, I think the film will be worth seeing for Claire Foy’s performance, Steven Soderbergh’s experimental use of an iPhone for his single camera, and its a solid (though perhaps uninspired) psychological horror.

Are y’all excited for these movies! Tell me about it in the comments.

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A Survey of Foreign Horror Films – Oceania

I’m making solid progress on my global tour of foreign horror movies! Next stop: Oceania!

I’ve devoted my last few posts to educate myself (and my readers) about foreign horror, of which I now realize I knew *almost* nothing about. Not all the foreign horror is confined to countries like Great Britain, France, Japan, Canada, or Mexico, right?

Luckily for me, the ongoing Winter Olympics inspired me to research foreign horror the world over.

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A Survey of Foreign Horror Films – Africa

As I admitted in my last post, I do not have a strong foreign horror game.  Of course, I’ve seen a ton of foreign horror films from countries like Great Britain, France, Japan, Canada, and Mexico, and more than a handful of foreign horror films from countries scattered all over the world, but I remain woefully ignorant of the global body of foreign horror.

This is something that I need to fix. And I figured that the Olympics would be the perfect time to educate myself.

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A Survey of Foreign Horror Films – Asia

I’ll admit, I’m not as informed about foreign horror films as I should be. For all my talk about seeing the horror genre as a window into the anxieties and fears of a culture, I’m dreadfully ignorant of many foreign horror traditions.

I felt even worse about my lack of awareness for horror films because of the Olympics. All these unique countries coming together in the spirit of peaceful competition, all those athletes sharing their gifts with the world? It’s beautiful and moving. We learn so much about each other from this magnificent event and put aside our differences to exalt the best of us together.

I freaking love the Olympics!

Consequently, with the 2018 Winter Olympics taking over television and the internet, I thought this was a perfect time for me to do some research about foreign horror films across the globe. And I found a lot of cool stuff.

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