Spring Break in Texas means a lot of things, like South Padre Island, Mustang Island, and South by South West!
I have many a fond memory of my time as a college student in Austin, Texas, too poor and too uncool to go to the exclusive, VIP SXSW events and having to settle for free events and waiting in line for screenings and concerts. Most of the time, I could only ever get into the musical events. I dreamed of the day I could afford a VIP pass to the SXSW Film Festival, especially because of all the freakin’ amazing SXSW horror movies there. So many great horror films premiered at SXSW! To name a few of those SXSW horror films, take French-extremism horror film Them, Lake Mungo, Insidious, and The Cabin in the Woods, to name a few.
Sadly, I’m still not in a place where I can take off a whole week to go party in Austin. Someday, I’ll get there. But until then, here’s a list of SXSW horror movies that are premiering this year! I’ve included a synopsis and a trailer if available. Enjoy!
Here in Texas, March is a bit of a tumultuous month. The weather is crazy, with hot days and chilly nights, and crazy pollen causing allergies like you wouldn’t believe. And the event scheduled is packed—you’ve got the weeks-long Cook-off and Rodeo, along with St. Patrick’s Day and Spring Break.
So too, the horror release schedule for March 2017 is a roller-coaster of horror movies. There’s blood and ghosts and humor and social commentary and fascinating stories. We’ve got some big, splashy gore fests in The Belko Experiment and Life, along with the artsy cannibal flick Raw. Later in the month, we see some pensive and creepy offerings with Dig Two Graves and The Blackcoat’s Daughter. And don’t overlook indie films The Devil’s Candy and Here Alone, both of which might prove to be pleasant, bloody surprises.
Let’s see where March takes us!
February has arrived! And it brought along a pretty full slate of horror movies. This month we’ve got some impressive and hyped films, like A Cure for Wellness, Get Out, and XX. We’ve got Rings, which Paramount Pictures really wants to be a hit but actually looks convoluted and unintentionally hilarious. There’s also The Girl with All the Gifts, an adaptation of the 2014 bestselling zombie novel, and the normal amount of indie horror films that may or may not be worth your time.
Check them out!
Contrary to popular belief, January can be an exciting time for horror fans for one big reason—the Sundance Film Festival, one of the industry’s major film festivals. Every January, Sundance bestows upon us weird, frightening, and bizarrely amazing horror movies.
Come tomorrow, Sundance will kick off premieres and screenings of buzzworthy movies. While Sundance doesn’t specialize in horror movies (sadly), the festival is committed to providing a platform for intriguing and promising films, many of which are horror. Films like The Blair Witch Project, American Psycho, 28 Days Later, The Descent, and the Witch.
Horror has always had a place at the high-brow-film table, and Sundance has a proven record for bringing fresh horror to hungry audiences.
Last June, I wrote about the horror movie lineup at the 2016 Cannes Film Festival, where films like Green Room premiered in 2015 and Raw and The Neon Demon premiered in 2016. I decided to do a similar post for the horror lineup at Sundance, especially with films like XX, Killing Ground, and Bitch scheduled for screenings. Here you’ll find a list of the horror films at Sundance, as well as the “segment” in which they will be showcased.
A new year, a new list! It’s time for my list of most anticipated horror films of 2017!
Let’s be honest, 2016 sucked in a lot of ways, not least of wish was that the horror movie release calendar was disappointing. Don’t get me wrong, there were some great 2016 horror movies with real terror, solid scares, and provocative storytelling. But there were some real duds, the kind that made me roll my eyes and sigh at the state of the horror industry.
Yet here comes 2017, still full of hope and potential, sharing bright and shiny horror trailers for all. Among 2017’s most anticipated horror are dark and twisted social commentaries, high-profile reboots of horror movie classics, gorgeous grotesqueries, and a few black pearls of brave indie filmmaking.
Check them out!
Happy New Year!
January is one of my favorite times of the year because there’s so much hope for this brand new shiny year we have before us. With a new year comes new surprises and delights, and I feel particularly optimistic since I think 2017 owes us for 2016. Hopefully that will extend to horror movies.
The good news is that, if the January horror movie release calendar is anything to go on, 2017 is off to a solid start. We’ve got some awesome horror-action films, a M. Night Shyamalan psychological thriller, and a promising urban legend supernatural horror movie, among others that could surprise us.
***Spoilers for The Neon Demon Follow***
Unfortunately, 2016 hasn’t been the best year for horror movies, though it hasn’t been the worst either. In fact, 2016 seems to have been a moderate year, with some of the best films exhibiting hard-to-ignore flaws and the worst films showing flashes of promise. All the good films seemingly came out of left field while all we got from the hyped horror movies were splashy marketing campaigns and disappointment. For me, no other 2016 Horror Movie exemplifies this better than The Neon Demon.
**Beware: Here be spoilers For They Live.**
The 2016 Presidential Election is finally and mercifully drawing to a close. Regardless of political affiliations, it seems like the whole country reels from the drawn-out election cycle, temporarily traumatized by the mudslinging and grandstanding and pettiness. But this election has been one for the ages. I know everyone always complains that every succeeding election is worse than the one before, but this one was really, really nasty.
We are all overwhelmed by this election, a terrible yet fitting end to an exhausting year. Myself, I try to stay as politically connected as possible. I read the news, follow Congress’s lawmaking progress (or lack thereof), watch the President’s speeches, and read all the Supreme Court opinions I can reasonably fit into my life. So for this election, I gritted my teeth and surrendered to the vicious news cycle. I listened to stump speeches and watched the debates and did my research. It was draining. When I cast my early voting ballot, I was relieved because I thought I could stop caring for a while, until the next election cycle starts back up.
I threw myself into Halloween and friends and blogging. I tried and failed to distract myself. Not only was the election impossible to avoid, but I couldn’t stop thinking about it. I watched my horror movies and read my scary short stories and couldn’t help but ask myself, How will we express what this election has wrought? What art will come out of this election?
Which brings me to John Carpenter’s political sci-fi-horror B-Movie classic, They Live.
After the horror movie drought that was the October 2016 film release schedule, November 2016 is a sight for sore eyes. With only a handful of movies, November gives us a ton of potentially beautiful and disquieting horror films. Naomi Watts returns to deliver the scares, the director of The Strangers puts forth a claustrophobic creature feature, and The Eyes of My Mother promises to be a wild ride.
I’ve always thought the werewolf was a fascinating horror archetype. I’ve talked about vampires, zombies, witches, and serial killers, and how all of those horror archetypes address certain human fears. Usually, vampires address fears about becoming lost to our desires and lusts; zombies are about becoming lost to a brainless, teeming hoard; witches are about the fear of too-powerful feminine influence; and serial killers are about the inherent ability and capacity of man to commit violent, unjustifiable murder.
And while all of these monsters address fears relating to control and human identity, no other monster encapsulates our anxieties quite like a werewolf. It’s no secret that civilization is a precarious balancing act between repressing and acknowledging our base, animalistic impulses. Werewolves personify the tension between our rational, controlled selves and our savage inclinations. Regardless of whether or not a werewolf can control his transformation, the opportunity to become a dangerous, uncivilized brute is a siren song few characters can resist.