Stories For Ghosts

Horror for the Discerning Fan

Category: Horror Films (page 1 of 11)

Round Out 2018 With These December Horror Movies

Gosh, can you believe it’s December, and we’ve got nearly a year’s worth of horror movies behind us? From A Quiet Place to Hereditary to Halloween, we’ve seen horror movies make waves. We’ve also heard from quite a few quieter horror movies, like Unsane, Mandy, and Annihilation. All in all, it’s been a compelling year for horror with a lot of very creative and innovative films, but also a good amount of the same kind of mediocrity we’ve seen before.

And December 2018 is no exception. This month serves up a short but punchy list of horror movies. The recent trend of Christmas horror anthologies (love) continues with All the Creatures Was Stirring. We’re subjected to an ill-timed holiday horror film in Leprechaun Returns. Lars von Trier does his sexual and violent is-he-a-misogynist-and-if-he-is-does-does-he-at-least-feel-bad-about-it act with The House that Jack Built. And Netflix, as dependable as ever, gives us an early Christmas gift in the form of the film adaptation of Josh Malerman’s frightening, taut horror-thriller Bird Box.

Not a bad month all around, considering.

Enjoy!

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Suspiria Review: A Mesmerizing Reflection on Abuses of Power

*Warning: Some Spoilers for Suspiria*

When I walked out of the theater after watching Luca Guadagnino’s remake of Suspiria, I didn’t know what to think. I didn’t know how to feel. I didn’t know if I liked the movie or if I hated it. Oh sure, there was plenty of horrific elements and beautiful dance scenes and provocative imagery, but did I enjoy it? Was it a good movie?

And then I realized that I felt the same way after watching Dario Argento’s original Suspiria. I had to laugh. Even though the remake of Suspiria is a wholly independent film that stands on its own, it reminded me of the original in more than one way. Beyond the purposefully muted visual palate, the expanded plot, and the exploration of themes, Guadagnino’s Suspiria creates a similarly enigmatic and overwhelming horror film that compliments Argento’s work.

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November Horror: Suspiria, Overlord, and A Christmas-Themed Zombie Musical

It’s officially November, which means that we’ve got a whole new slate of horror movies to discuss while steadily munching on leftover candy.

The months after October were usually devoid of quality (or even interesting) horror movies because the holiday season is the domain of awards seasons hopefuls. But that’s changed in recent years as more and more studios realize there is a year-round audience for horror.

As such, there’s a not-terrible slate of horror movies to choose from this November. Based on trailers alone, highlights include Luca Guadagnino’s stylish remake of Dario Argento’s classic Suspiria, WWII occult-horror Overlord, and zombie-musical-comedy Anna and the Apocalypse. (I’ve been waiting for that last one since I first learned about it at FantasticFest 2017! I never knew how badly I wanted a Christmas-themed zombie musical until then.) But November also has a large number of stinkers, like The Amityville Murders (can they stop with this franchise already? Lord have mercy), The Farm, and The Possession of Hannah Grace.

Enjoy, and let me know what you think in the comments!

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Apostle: A Promising Religious Horror That Should’ve Been a Miniseries

Every once in a while, a horror movie comes along that blows away audiences and critics alike. These films are nearly flawless, making perfect use of scares, genre conventions, plotting, character development, cinematography, and score to weave a bewitching triumph of filmmaking that both expands and transcends the genre.

Unfortunately, Netflixs’s Apostle is not one of these films. But damn, I had fun watching it!

Inspired by British religious horror classics The Wicker Man and The Devils, Apostle admirably bites off more than it can chew. Ambitious and thoughtful, it is a gory, thrilling film that needed more space to breathe to achieve horror greatness.

I get into a lot of spoilers here, so be warned. But that shouldn’t stop you from checking out Apostle.

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Famous Actors Who Got Their Start in Horror Movies

Few things make me happier than finding one of my favorite actors starring in an old horror movie. The cheesier and more awful the movie, the better I enjoy the newbie actor’s performance. It’s comforting to know that these rich and famous actors, all at the top of their industry, started at the bottom like everybody else.

For a genre that doesn’t get much respect, horror consistently delivers new talent. Many of today’s A-Listers got their start in low-budget and shoddy horror films, while others were a little luckier with their early roles.

I figured, being as it’s Halloween time, I should pay homage to their early roles. First, it shows you just how much, um, range, some of these actors have (or not). Second, it’s fun to wonder how their careers would have been different had they not been Classroom Girl #1 in Urban Legends: Bloody Mary

There’s also something so delightful about knowing that Tom Hanks, one of my favorite actors, started his acting career in a horror/thriller with terrible dialogue and ATROCIOUS acting, as evidenced by this clip.

If nothing else, I hope you enjoy this list for its Bad Movie Night potential. Seriously, I’ve never seen Leprechaun or Hellraiser: Hell World (what an amazing title!).

So, without further adieu, here is a list of 20 actors who saw their film debut in horror, followed by 20 actors who had early roles in some “iconic” horror films.

Enjoy!

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October 2018 Horror Movies: Netflix to the Rescue

I have to be honest…I’m disappointed in the slate of horror movies for October 2018.

Shouldn’t the movie release calendar for October be overflowing with horror movies? I’m not even asking for good horror movies. I’ll take them all–well-made, shoddily-made, solid casts, bad acting, inventive premises, uninspired ripoffs–I don’t care.

Where are all the horror movies?

I suppose I should be thankful for the movies we have. After all, the latest Halloween comes out this month, and I could not be more excited! Netflix’s Apostle and indie film The Dark also look like great contenders for worthwhile horror.

In fact, I’m just going to spend a lot of my time on Netflix this Halloween. Between Apostle and Netflix’s new series, The Chilling Adventures of Sabrina and The Haunting of Hill House,  Netflix seems like a sure bet for horror.

That’s not to say you shouldn’t check out the rest of the horror offerings this month. Maybe just…temper your expectations.

Enjoy!

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Revisiting Night of the Living Dead, 50 Years Later

The horror genre is littered with controversial films, films that inspired censorship and protests and extreme backlash. While controversy is certainly good for box office takes, it’s not always good for the critical interpretation of a film. Horror fans, especially, know that controversy does not always merit the backlash our favorite genre films receive. A violent or unsettling or difficult movie doesn’t mean it’s bad—sometimes, it means that the film has done its job.

Night of the Living Dead, George A. Romero’s 1968 black-and-white exploitation classic, is one such film. What modern audiences see as an undisputed but perhaps dated work of essential horror, contemporary audiences were shocked and appalled by Night of the Living Dead. It was violent! It was gory! It tested the very boundaries of decency!

Despite its critical success, the movie simply did not deserve to exist, according to some critics. As the Variety review put it, “Until the Supreme Court establishes clear-cut guidelines for the pornography of violence, Night of the Living Dead will serve nicely as an outer-limit definition by example.”

But it’s precisely because of those outer-limits that films like Night of the Living Dead are essential. They ask us to question art, to question the way we tell stories. They force us to consider uncomfortable implications of what we’re seeing onscreen. In short, they ask what deserves to be committed to film and why.

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All the Fresh Horror Films at Fantastic Fest 2018

Festival season continues its steady momentum of exciting new horror movies this week at Fantastic Fest 2018. Held in Austin, Texas, Fantastic Fest is the largest genre film festival in the United States, which if you want a sneak peek of upcoming horror films sure to delight and shock, you pay attention to Fantastic Fest.

In Fantastic Fest’s own words, “The festival is dedicated to championing challenging and thought-provoking cinema, celebrating new voices and new stories from around the world and supporting new filmmakers. We are committed to supporting film in its most provocative, ground-breaking and lesser-known forms and giving the audience a chance to find new favorites and future genre classics.”

In the past, Fantastic Fest has screened horror films such as Zombieland, SplitDark SongThe Void, The Witch, We Are What We Are, It FollowsThe Babadook, and Sinister. Last year, Fantastic Fest screened The EndlessGerald’s Game, and Revenge, among others.

Essentially, Fantastic Fest is legit. And the list of horror films is long! There are 31 horror films total at Fantastic Fest! (It’s a sign!)

Even better, this year’s Fantastic Fest seems especially committed to showcasing horror films from all over the world–Argentina, Belgium, Chile, Denmark, France, Germany, India, Indonesia, Japan, Luxembourg, Poland, Spain, Sweden, and Tunisia, to be exact. For horror fans like me, the chance to learn about new foreign horror is thrilling, especially when mainstream American horror fails to deliver.

Without further adieu, let’s check out what Fantastic Fest has to offer! Continue reading

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What Horror Mega Hit Will Come from TIFF 2018?

Today is the official start of the Toronto International Film Festival (TIFF), which marks the unofficial beginning of “prestige movie season”! Every year, major studio and indie films vie for spots on the TIFF line-up in the hopes of garnering buzz and positive reviews to hype their releases. They’re also hoping for the kind of critical acclaim that wins films prestigious awards.

Unlike some other festivals of this caliber, TIFF always makes room for horror movies in their lineup. In recent years, TIFF has showcased films like The Grudge in 2002, Hostel in 2005,  Inside (À l’intérieur) in 2007, 2008’s The Loved Ones, Black Swan in 2009, The Lords of Salem in 2012, and Raw in 2016. Last year, TIFF screened mother!, Veronica, The Ritual (loved that movie!), Mom and Dad, and of course, Guillermo del Toro’s Oscar-winning The Shape of Water.

This year, TIFF has an impressive slate of horror movies, from the highly anticipated Halloween to quieter entries like The Wind. I can’t wait to see which ones will make a splash!  Read on to see the full line-up!

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September 2018 Horror – Attack of the Sequels and Some Indie Flicks

Do you feel that change in the air? In Texas, it’s no longer 100 degrees every day, and the mornings almost feel…pleasant? It must be fall!

Now that summer is drawing to a close, we’re less than 60 days out from Halloween! That means we’re about to get a whole slew of horror movies in anticipation of our favorite holiday.

And boy, does September deliver a bunch of horror movies. The quality of these movies varies, but there are some exciting choices here, like Nic Cage’s metal-horror Mandy and the religious-horror film Don’t Leave Home. Due to a crowded October release schedule, we also get a lot of big-name horror films this month, like sequels The Nun and The Predator. There’s also The House with a Clock in Its Walls, which might go on to become a kids’ horror classic.

Let’s get to it!

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