Ah, the vampire. My favorite supernatural creature.
Vampires are cunning, sensual, and merciless. Vampires are effortlessly cool, fashionable, and glamorous. If I had to be any evil creature, I’d be a vampire, hands down, and I’d want my wardrobe to be stocked exclusively by Saint Laurent, à la Catherine Deneuve in The Hunger.
I’ve always been transfixed by how slick vampires are. They can go unnoticed inhuman society, benefiting from social mores when it serves and then stepping outside the bounds of human decency whenever they want. He (or she) embodies seduction and the willing surrender of control. They are more powerful than human beings, both in strength and intelligence, which is an essential characteristic. A werewolf or zombie is seen as a devolution of humanity, a descent into animal savagery or blank mindlessness. But a vampire is, for the most part, smarter than human beings. Like demons, they are dangerous not because of the threat of physical pain but because they can convince you to be the worst, coolest version of yourself.
Everybody loves a good monster movie. It’s thrilling to watch an abominable creature stalk and hunt unsuspecting people. It’s exciting to watch the unsuspecting people run and hide and eventually figure out a way to defeat the monster. And sometimes it’s even more fun when the monster isn’t defeated (at least you know you’ll get a sequel).
I’ve talked a little bit about how, in addition to entertaining us, horror mirrors our fears through various horror tropes and stock characters. It’s my hypothesis that certain horror villains and boogeymen represent specific human fears. While vampires, werewolves, and zombies could also be considered monsters, the important distinction those creatures used to be human and often retain a bit of their humanity. Monsters like the xenomorph in Alien or the shark from Jaws are beasts; they are scary because of their inhuman nature. We humans may think we’re the masters of our domain and that the natural world is ours for the taking, but it’s all an illusion. We know that deep down. Monsters represent a world that has broken free of human control.
*Note: Here be spoilers for these demonic movies*
Of all the creatures in the world of horror, demons might be the scariest. Demons possess us, robbing us of our volition over our bodies. Demons manipulate us, using our own human impulses and emotions to lure us down a doomed path. Demons tempt us, reaching deep into our hearts and laying bare the black truths we don’t care to admit.
We think of demons almost exclusively in a religious context, especially considering how the three major monotheistic world religions have shaped the lore. Judaism, Christianity, and Islam have their differing views about demons—how the present themselves, how they became demons, how they wield influence over the human realm. But they all agree that demons are malevolent spirits who have turned away from God.
Through multiple religious texts as well as some literary works, a common narrative has emerged: demons are ruled and led by Satan, a fallen angel. When God created man and exalted him above even the angels, Satan refused to obey God. For his insolence, Satan was cast out of Heaven, forever denied God’s grace. Ever prideful and bent on vengeance, Satan has spent every moment since his fall on a crusade the tempt humanity to turn away from God.
The Haunted House Movie is one of my favorite types of horror movies. Multiple factors contribute to my appreciation, but the biggest thing for me is what a haunted house movie accomplishes as a trope. Haunted house movies may not be the scariest genre, but it is certainly the most unsettling in my book. These movies are about the pollution of the sacred sanctuary of a home. Otherworldly forces beyond human control destroy the integrity of a house as a protective dwelling, which terrifies me on a deep level.
September marks the 30th anniversary of IT, Stephen King’s infamous 1986 novel. IT sold a million copies in its first run and spent weeks on the bestseller lists. Like so many of King’s horrific tales, IT has broken past the confines of the own story, spreading chills and scares through our nation’s pop culture and terrorizing children and adults alike. People who have never read the book or seen the movie still know who Pennywise the Clown is.
Case in point: when I was a child, all the kids at school knew about the killer clown from the sewer who murdered children. We’d all seen that black book with the blood red letters sitting on a parent’s bookshelf, just out of reach. Some of us had even seen parts of the movie. Many of us had no idea what the actual story was; it didn’t stop us. We whispered and teased each other about Pennywise, and no one really wanted a clown at their birthday party. Such was the strength of that symbol.
One of my favorite things about horror movies is how long they’ve been around.
People started making scary films as soon as they could. Audiences have always loved going to horror movies. Films like Frankenstein and Dr. Jekyll and Mr. Hyde were widely popular. A lot of these movies became genre classics. You’ll find them on many best-of-horror lists, where they are widely praised for employ innovative techniques and practical effects to terrify audiences.
There’s just one problem—the majority of those films are no longer scary by today’s standards.
What makes a horror movie truly incredible? The same thing that makes any movie incredible—excellent writing, nuanced acting, gorgeous artistic design, daring cinematography, visionary directing, and a killer score.
One of my all-time favorite movies is 90s horror classic The Craft. I’ve loved this film since the first time I saw it, close to 20 years ago. I think it’s something of a perfect movie in many ways— gloriously 90s, unapologetically goth, and brimming with witchy fun. Those god-awful clothes? That terrible wig Robin Tunney wears? The maroon lipstick and smudged black eyeliner? Love Spits Love’s awesome cover of The Smiths “How Soon Is Now”?
Neve Campbell, what are you wearing?!?!
A few weeks ago, I was sitting in Easter service, mulling over the more horrific aspects of many religious stories. As the gospel was read, I listened to all the details of Christ’s death and resurrection. I couldn’t stop thinking about how bloody and traumatizing the whole event must have been, on a physical, emotional, and existential level. And yet, this story brings happiness and comfort to millions of people. It’s not the only one either, since holy books are often filled with ghastly depictions of violence. It’s weird to think that these brutal stories are revered as sacred.
Texas is a unique place, full of crazy but true stories. It also has some demonstrably false ones that say a lot about Texas as a state. It’s a larger-than-life state, full of legendary characters and strange circumstances the give rise to the most bizarre stories. As such, Texas is the kind of place that easily lends itself to artistic expression, particularly in novels, paintings, TV, and movies. The horror genre is no exception, and there are some exceptional Texas horror movies.
In keeping with my Texas-themed posts this month, I decided to compile a list of some of my favorite Texas horror movies. These six films all take place in Texas and examine certain facets of Texas life and identity in one way or another. These films deal with religious doubt, big city vs. small town tension, criticisms of Texas culture, and lots more. These Texas horror movies are as imaginative and violent, just like Texas.