***Warning! Spoilers for Halloween (2018)***
It’s a rare thing to see a horror movie sequel that expands upon and develops the source material in an exciting, worthwhile way. It’s even more unusual and unexpected for a film with as storied a following as John Carpenter’s Halloween. A groundbreaking film that spawned a stream of uninspired sequels, the original Halloween finally has a sequel worthy of its legacy in the latest Halloween film, from Blumhouse Productions.
This horror fan enjoyed the film immensely because it did much more than pay fan service to horror legend. Halloween (2018) dove deep into the genre in a way that slashers rarely do. Sure, it’s got the body count, jump scares, and genre conventions of a slasher (along with some clever role reversals and callbacks), but Halloween will be remembered as a meta-slasher.
40 years after the events of John Carpenter’s Halloween, Laurie Strode, the only survivor of that fateful night, is convinced that Michael Myers will come for her again. Between not treating her PTSD and struggling to live a functional life, Laurie has become a hardcore survivalist. But she’s lost a lot in the process. She has a strained relationship with her family—daughter Karen, son-in-law Ray, and granddaughter Allyson. She is a recovering alcoholic. She doesn’t seem happy at all. But at least she knows that when Michael Myers returns, she’ll be ready for him.
And sure enough, Michael Myers escapes from state custody the night before Halloween. He hasn’t forgotten about Laurie either, and he will stop at nothing before he finds her and kills her. After all, she’s literally the one that got away.
Early this week, I was invited to an advanced screening of The Strangers: Prey at Night. I was excited, mainly because I enjoyed 2008’s home invasion horror thriller The Strangers, back before I knew I was a horror fan. In fact, The Strangers was one of the movies that made me realize I did like horror movies after all, so it’s always had a special place in my cold, black heart.
However, The Strangers is far from a perfect movie. Upon watching it for the second time, I have wondered what it would have been like with better writing, among other things.
The news of a sequel ten years after the fact was exciting, if for no other reason than home invasion movies scare the crap out of me. There was a part of me that was curious to see if the sequel would improve upon the original’s shortcomings…or merely rehash the same old stuff.
Oh, but it was worse than that. The Strangers: Prey at Night was disappointing. I was not looking for a socially-conscious horror movie going into The Strangers, but dammit, I wanted an entertaining and skilled effort. And I don’t think that is too much to ask!
After the intense year of horror movies that was 2017, I’m confident that the 2018 horror calendar will be just as full of solid and groundbreaking films.
True, there are lousy horror movies every year, but there is an undeniable upward trend of quality, well-made horror movies. This year, the 2018 horror release calendar has a bevy of goodies for us, like from horror novel adaptions Annihilation and Birdbox, the latest entry in horror franchises such as The Purge: The Island and The Nun, and brand new stories like A Quiet Place and Slaughterhouse Rulez. There’s so much I don’t really know what to be more excited for, but the new Suspiria reimagining (don’t call it a remake!) is probably the 2018 horror movie I’m most anxious for.
Woohoo! June horror movies are here! There’s a lot this month, so strap in and buckle up because there’s wide array of films. There’s different subgenres, different levels of quality, and different levels of WTF-ness.
I need to apologize as well, because I’ve been traveling the last few days, which delayed my normal blog post schedule. Basically, I was traveling and boozing it up. Consequently, I wrote a lot of this in the Houston airport after drinking several glasses of overpriced wine (#noregrets). I am truly a Hemingway fan and wrote drunk and edited sober.
Can I just say that this was very fun to edit this? It was a challenge.
But anyway! Here’s your June Horror Movie list! You didn’t miss much from my post being late. Ooops!
I think most of us would agree that 2016 was a rough year, full of highs and lows. The horror movie scene was the same, full of some mediocre titles, but peppered throughout with both good and bad films. I, for one, loved a number of films that were very good and some others that were enjoyably bad (The Shallows is my new favorite guilty pleasure).
So, as a way to close the book on 2016, I’ve compiled a list of my five favorite horror movies of 2016. I’m not saying these are the best horror movies of 2016, because I haven’t seen every single horror movie released in 2016. I just really loved these five movies. I tried to represent a bunch of different types of horror films from the year. Some appealed to my own particular horror tastes and preferences. Others challenged my preconceived notions about the limitations of some horror-subgenres. They were all great movies that disturbed me in one way or another, sticking with me for days, even weeks.
***WARNING: HERE BE SPOILERS FOR BOTH THE 1974 and 2006 BLACK CHRISTMAS.***
If you pay attention to movies at all, you’ve noticed the proliferation of remakes. Since the beginning of the film industry, producers and directors have recycled and revamped material. The remake has proved itself a trusted Hollywood standby, combining a tried-and-true formula with an audience that is (hopefully) willing to pay to see a rehash of a popular film.
To a degree, it makes perfect business sense. The story is already written. The original is already embedded in pop culture. And sometimes, a cult classic could use an upgrade, especially with a bigger budget and more experienced filmmakers taking the reins.
But more often than not, it seems that the opposite is true and that many remakes are unnecessary, paling in comparison to their storied predecessors. Such projects smack of opportunism and audiences can usually see right through it. We’ve all been there, rolling our eyes when a trailer for the remake of Poltergeist lumbers on screen or snickering to ourselves when we learn that Nightmare on Elm Street is getting a second reboot.