Halloween has come and gone, leaving horror movies in its wake like so many crumpled candy wrappers on my coffee table. Just as we kind of ignore Thanksgiving and skip from Halloween to Christmas, November’s horror release calendar makes me long for December when The Shape of Water will grace theaters.
And yet, even though it’s a slow time of year for horror movies, all is not lost. Yes, there are some real stinkers on November’s slate, but look at the bright side! I’ve found a few promising movies here, like My Friend Dahmer, The Killing of a Sacred Deer, and Mayhem, all of which have toured the festivals and gained critical acclaim as examples of innovative and striking horror filmmaking. Sometimes it’s the most unassuming horror movies that make the biggest impact, right?
It feels like only yesterday that I was doing the post for July horror movies. Fast forward a month, and not only have I finally recovered from a whirlwind vacation in China, but a ton of August horror movies were added to the release schedule! It seems like the 2017 horror release schedule saved a lot for later.
Yes, the end of summer is upon us, and that means long and hot days where the air conditioning provides blessed relief from the inferno outside. What better way than to stay indoors and watch scary movies? Some of these look amazing, like The Dark Tower, Annabelle: Creation, Dave Made a Maze, and Death Note. Others will please certain genre fans who crave blood and guts, like Cut Shoot Kill and Red Christmas.
I think there’s something for everyone here, so get yourself to the nearest theater, buy an ice-cold beverage of your choice, and enjoy the show.
***WARNING: HERE BE SPOILERS FOR BOTH THE 1974 and 2006 BLACK CHRISTMAS.***
If you pay attention to movies at all, you’ve noticed the proliferation of remakes. Since the beginning of the film industry, producers and directors have recycled and revamped material. The remake has proved itself a trusted Hollywood standby, combining a tried-and-true formula with an audience that is (hopefully) willing to pay to see a rehash of a popular film.
To a degree, it makes perfect business sense. The story is already written. The original is already embedded in pop culture. And sometimes, a cult classic could use an upgrade, especially with a bigger budget and more experienced filmmakers taking the reins.
But more often than not, it seems that the opposite is true and that many remakes are unnecessary, paling in comparison to their storied predecessors. Such projects smack of opportunism and audiences can usually see right through it. We’ve all been there, rolling our eyes when a trailer for the remake of Poltergeist lumbers on screen or snickering to ourselves when we learn that Nightmare on Elm Street is getting a second reboot.