I have to be honest…I’m disappointed in the slate of horror movies for October 2018.
Shouldn’t the movie release calendar for October be overflowing with horror movies? I’m not even asking for good horror movies. I’ll take them all–well-made, shoddily-made, solid casts, bad acting, inventive premises, uninspired ripoffs–I don’t care.
Where are all the horror movies?
I suppose I should be thankful for the movies we have. After all, the latest Halloween comes out this month, and I could not be more excited! Netflix’s Apostle and indie film The Dark also look like great contenders for worthwhile horror.
In fact, I’m just going to spend a lot of my time on Netflix this Halloween. Between Apostle and Netflix’s new series, The Chilling Adventures of Sabrina and The Haunting of Hill House, Netflix seems like a sure bet for horror.
That’s not to say you shouldn’t check out the rest of the horror offerings this month. Maybe just…temper your expectations.
Today is the official start of the Toronto International Film Festival (TIFF), which marks the unofficial beginning of “prestige movie season”! Every year, major studio and indie films vie for spots on the TIFF line-up in the hopes of garnering buzz and positive reviews to hype their releases. They’re also hoping for the kind of critical acclaim that wins films prestigious awards.
Unlike some other festivals of this caliber, TIFF always makes room for horror movies in their lineup. In recent years, TIFF has showcased films like The Grudge in 2002, Hostel in 2005, Inside (À l’intérieur) in 2007, 2008’s The Loved Ones, Black Swan in 2009, The Lords of Salem in 2012, and Raw in 2016. Last year, TIFF screened mother!, Veronica, The Ritual (loved that movie!), Mom and Dad, and of course, Guillermo del Toro’s Oscar-winning The Shape of Water.
This year, TIFF has an impressive slate of horror movies, from the highly anticipated Halloween to quieter entries like The Wind. I can’t wait to see which ones will make a splash! Read on to see the full line-up!
Do you hear that? It’s the sound of Halloween approaching, which means it’s time to start choosing your horror novels for autumn. You only have 75 days left to pick a scary read!
With so many horror novels out there, it can be hard to choose. Don’t worry though, because I always come prepared with great recommendations. If you’re looking for a horror classic to curl up with, I got you covered with my Classic Spooky Reads or Modern Horror Classics post. If you’re looking for a unique female voice to keep you up at night, my female horror writer litspo post is worth a look. And you can always check out my blog on new horror releases from the first half of 2018.
Even better news—I noticed that tons of intriguing, spooky sounding horror novels were slated for release in the latter half of 2018. Since I hadn’t covered any of these books in my previous post, I thought they merited a whole new post, and just in time for those of us looking to find the perfect scary fall read.
One of my personal favorite parts about Halloween is that my friends and family really like to get into the spooky spirit. I am always in a spooky mood, and it brings my cold black heart joy to see my loved ones come visit me over here on the dark side. They ask me for recommendations for movies, TV shows, and books, the latter of which I absolutely love to give since I am a huge lit nerd.
I’ve done this before in my Classic Spooky Read post from last Halloween. If you are interested in picking up am iconic horror masterpiece like Frankenstein, or Dracula, or The Haunting of Hill House, now is the perfect time! But if you want something newer, a little fresher and more contemporary, then you should check out my list of 12 modern horror novel favorites.
The 35th annual Banned Books Week is winding down, and this year, countless readers have enjoyed the myriad of books that have faced challenges and suffered bans in the United States. Founded in 1982 by the Banned Books Week Coalition, Banned Books week aims to document and raise awareness of book censorship in America. The Coalition also wants to start and sustain a dialogue within communities, between concerned parents, libraries, and publishers to address book censorship.
After revisiting my favorite challenged children’s series , I wanted to document the scary books that have touched children’s lives and garnered challenges in the U.S. I’m a firm believer that scary, age-appropriate stories do a lot of good for young children by making their fears and anxieties manageable and recognizable. I also believe that it’s a “tragic mistake to deprive a child of a book that will allow them to face and discuss the things that make them afraid. Repressing those fears only makes them more afraid.”
**This post is a follow-up to my history of the séance post.**
Part of my enjoyment of horror the genre is how effective scary movies and stories are at suspending my disbelief. Without exposing me to actual threats, a good movie can horrify and terrify me. With just ink and paper, a good ghost story can momentarily convince me that poltergeists exist. It’s the best kind of make-believe. When the credits roll, when I close my book, I can go about my day changed. I’ve been made to confront something illogical and frightening and uncomfortable. And I’m better for it.
That is the kind of experience I expected when I attended a séance a few weeks back. I didn’t expect to really contact a ghost or commune with supernatural entities. But I did expect a good deal of drama and excitement and freaky shit. I was really looking forward to it. I thought I would be treated to a solid ninety minutes of impressively executed tricks and seamless transitions from ghost story to ghostly encounter. I thought I’d be scared, faced with some eerie phenomena I could not rationally explain.
But that is not what happened.
I’ve always thought the werewolf was a fascinating horror archetype. I’ve talked about vampires, zombies, witches, and serial killers, and how all of those horror archetypes address certain human fears. Usually, vampires address fears about becoming lost to our desires and lusts; zombies are about becoming lost to a brainless, teeming hoard; witches are about the fear of too-powerful feminine influence; and serial killers are about the inherent ability and capacity of man to commit violent, unjustifiable murder.
And while all of these monsters address fears relating to control and human identity, no other monster encapsulates our anxieties quite like a werewolf. It’s no secret that civilization is a precarious balancing act between repressing and acknowledging our base, animalistic impulses. Werewolves personify the tension between our rational, controlled selves and our savage inclinations. Regardless of whether or not a werewolf can control his transformation, the opportunity to become a dangerous, uncivilized brute is a siren song few characters can resist.
October is slowly coming to a close, and Halloween is almost here. Since I’ve been doing my Halloween Blogging Blitz, I’ve reflected a great deal on scary stories. Why do we tell them? Why do we listen to them?
I hope that, if you’ve been following any of my posts, that you’ve learned that so many horror films and books are art. And as art, they help us reflect upon reality: our prejudices, our fears, our secret desires. The right ghost story has much to teach us.