***Warning! Spoilers for Halloween (2018)***
It’s a rare thing to see a horror movie sequel that expands upon and develops the source material in an exciting, worthwhile way. It’s even more unusual and unexpected for a film with as storied a following as John Carpenter’s Halloween. A groundbreaking film that spawned a stream of uninspired sequels, the original Halloween finally has a sequel worthy of its legacy in the latest Halloween film, from Blumhouse Productions.
This horror fan enjoyed the film immensely because it did much more than pay fan service to horror legend. Halloween (2018) dove deep into the genre in a way that slashers rarely do. Sure, it’s got the body count, jump scares, and genre conventions of a slasher (along with some clever role reversals and callbacks), but Halloween will be remembered as a meta-slasher.
40 years after the events of John Carpenter’s Halloween, Laurie Strode, the only survivor of that fateful night, is convinced that Michael Myers will come for her again. Between not treating her PTSD and struggling to live a functional life, Laurie has become a hardcore survivalist. But she’s lost a lot in the process. She has a strained relationship with her family—daughter Karen, son-in-law Ray, and granddaughter Allyson. She is a recovering alcoholic. She doesn’t seem happy at all. But at least she knows that when Michael Myers returns, she’ll be ready for him.
And sure enough, Michael Myers escapes from state custody the night before Halloween. He hasn’t forgotten about Laurie either, and he will stop at nothing before he finds her and kills her. After all, she’s literally the one that got away.
Few things make me happier than finding one of my favorite actors starring in an old horror movie. The cheesier and more awful the movie, the better I enjoy the newbie actor’s performance. It’s comforting to know that these rich and famous actors, all at the top of their industry, started at the bottom like everybody else.
For a genre that doesn’t get much respect, horror consistently delivers new talent. Many of today’s A-Listers got their start in low-budget and shoddy horror films, while others were a little luckier with their early roles.
I figured, being as it’s Halloween time, I should pay homage to their early roles. First, it shows you just how much, um, range, some of these actors have (or not). Second, it’s fun to wonder how their careers would have been different had they not been Classroom Girl #1 in Urban Legends: Bloody Mary.
There’s also something so delightful about knowing that Tom Hanks, one of my favorite actors, started his acting career in a horror/thriller with terrible dialogue and ATROCIOUS acting, as evidenced by this clip.
If nothing else, I hope you enjoy this list for its Bad Movie Night potential. Seriously, I’ve never seen Leprechaun or Hellraiser: Hell World (what an amazing title!).
So, without further adieu, here is a list of 20 actors who saw their film debut in horror, followed by 20 actors who had early roles in some “iconic” horror films.
I have to be honest…I’m disappointed in the slate of horror movies for October 2018.
Shouldn’t the movie release calendar for October be overflowing with horror movies? I’m not even asking for good horror movies. I’ll take them all–well-made, shoddily-made, solid casts, bad acting, inventive premises, uninspired ripoffs–I don’t care.
Where are all the horror movies?
I suppose I should be thankful for the movies we have. After all, the latest Halloween comes out this month, and I could not be more excited! Netflix’s Apostle and indie film The Dark also look like great contenders for worthwhile horror.
In fact, I’m just going to spend a lot of my time on Netflix this Halloween. Between Apostle and Netflix’s new series, The Chilling Adventures of Sabrina and The Haunting of Hill House, Netflix seems like a sure bet for horror.
That’s not to say you shouldn’t check out the rest of the horror offerings this month. Maybe just…temper your expectations.
Today is the official start of the Toronto International Film Festival (TIFF), which marks the unofficial beginning of “prestige movie season”! Every year, major studio and indie films vie for spots on the TIFF line-up in the hopes of garnering buzz and positive reviews to hype their releases. They’re also hoping for the kind of critical acclaim that wins films prestigious awards.
Unlike some other festivals of this caliber, TIFF always makes room for horror movies in their lineup. In recent years, TIFF has showcased films like The Grudge in 2002, Hostel in 2005, Inside (À l’intérieur) in 2007, 2008’s The Loved Ones, Black Swan in 2009, The Lords of Salem in 2012, and Raw in 2016. Last year, TIFF screened mother!, Veronica, The Ritual (loved that movie!), Mom and Dad, and of course, Guillermo del Toro’s Oscar-winning The Shape of Water.
This year, TIFF has an impressive slate of horror movies, from the highly anticipated Halloween to quieter entries like The Wind. I can’t wait to see which ones will make a splash! Read on to see the full line-up!
Do you hear that? It’s the sound of Halloween approaching, which means it’s time to start choosing your horror novels for autumn. You only have 75 days left to pick a scary read!
With so many horror novels out there, it can be hard to choose. Don’t worry though, because I always come prepared with great recommendations. If you’re looking for a horror classic to curl up with, I got you covered with my Classic Spooky Reads or Modern Horror Classics post. If you’re looking for a unique female voice to keep you up at night, my female horror writer litspo post is worth a look. And you can always check out my blog on new horror releases from the first half of 2018.
Even better news—I noticed that tons of intriguing, spooky sounding horror novels were slated for release in the latter half of 2018. Since I hadn’t covered any of these books in my previous post, I thought they merited a whole new post, and just in time for those of us looking to find the perfect scary fall read.
One of my personal favorite parts about Halloween is that my friends and family really like to get into the spooky spirit. I am always in a spooky mood, and it brings my cold black heart joy to see my loved ones come visit me over here on the dark side. They ask me for recommendations for movies, TV shows, and books, the latter of which I absolutely love to give since I am a huge lit nerd.
I’ve done this before in my Classic Spooky Read post from last Halloween. If you are interested in picking up am iconic horror masterpiece like Frankenstein, or Dracula, or The Haunting of Hill House, now is the perfect time! But if you want something newer, a little fresher and more contemporary, then you should check out my list of 12 modern horror novel favorites.
The 35th annual Banned Books Week is winding down, and this year, countless readers have enjoyed the myriad of books that have faced challenges and suffered bans in the United States. Founded in 1982 by the Banned Books Week Coalition, Banned Books week aims to document and raise awareness of book censorship in America. The Coalition also wants to start and sustain a dialogue within communities, between concerned parents, libraries, and publishers to address book censorship.
After revisiting my favorite challenged children’s series , I wanted to document the scary books that have touched children’s lives and garnered challenges in the U.S. I’m a firm believer that scary, age-appropriate stories do a lot of good for young children by making their fears and anxieties manageable and recognizable. I also believe that it’s a “tragic mistake to deprive a child of a book that will allow them to face and discuss the things that make them afraid. Repressing those fears only makes them more afraid.”
**This post is a follow-up to my history of the séance post.**
Part of my enjoyment of horror the genre is how effective scary movies and stories are at suspending my disbelief. Without exposing me to actual threats, a good movie can horrify and terrify me. With just ink and paper, a good ghost story can momentarily convince me that poltergeists exist. It’s the best kind of make-believe. When the credits roll, when I close my book, I can go about my day changed. I’ve been made to confront something illogical and frightening and uncomfortable. And I’m better for it.
That is the kind of experience I expected when I attended a séance a few weeks back. I didn’t expect to really contact a ghost or commune with supernatural entities. But I did expect a good deal of drama and excitement and freaky shit. I was really looking forward to it. I thought I would be treated to a solid ninety minutes of impressively executed tricks and seamless transitions from ghost story to ghostly encounter. I thought I’d be scared, faced with some eerie phenomena I could not rationally explain.
But that is not what happened.