It’s time for the annual Cannes Film Festival! And that means there’s a whole new crop of Cannes horror films!
Cannes is one of the renowned and distinguished film festivals in the world, attracting talent and glitz from all over. The festival has proven itself to be an important predictor of award-winning and groundbreaking films. Among all those storied films, composed of equal parts Oscar-bait and innovative indies, are some of the best horror movies.
As I pointed out in last year’s post, films like It Follows, Green Room, Possession, and Evil Dead were all shown at Cannes. Cannes has always recognized good films, even if they do happen to be horror films.
Spring Break in Texas means a lot of things, like South Padre Island, Mustang Island, and South by South West!
I have many a fond memory of my time as a college student in Austin, Texas, too poor and too uncool to go to the exclusive, VIP SXSW events and having to settle for free events and waiting in line for screenings and concerts. Most of the time, I could only ever get into the musical events. I dreamed of the day I could afford a VIP pass to the SXSW Film Festival, especially because of all the freakin’ amazing SXSW horror movies there. So many great horror films premiered at SXSW! To name a few of those SXSW horror films, take French-extremism horror film Them, Lake Mungo, Insidious, and The Cabin in the Woods, to name a few.
Sadly, I’m still not in a place where I can take off a whole week to go party in Austin. Someday, I’ll get there. But until then, here’s a list of SXSW horror movies that are premiering this year! I’ve included a synopsis and a trailer if available. Enjoy!
Here in Texas, March is a bit of a tumultuous month. The weather is crazy, with hot days and chilly nights, and crazy pollen causing allergies like you wouldn’t believe. And the event scheduled is packed—you’ve got the weeks-long Cook-off and Rodeo, along with St. Patrick’s Day and Spring Break.
So too, the horror release schedule for March 2017 is a roller-coaster of horror movies. There’s blood and ghosts and humor and social commentary and fascinating stories. We’ve got some big, splashy gore fests in The Belko Experiment and Life, along with the artsy cannibal flick Raw. Later in the month, we see some pensive and creepy offerings with Dig Two Graves and The Blackcoat’s Daughter. And don’t overlook indie films The Devil’s Candy and Here Alone, both of which might prove to be pleasant, bloody surprises.
Let’s see where March takes us!
The Academy Awards are this weekend, and I’m excited! I’m a huge film buff and enjoy watching the Academy Awards every year. I strive to see all the Best pictures, even if I don’t agree with the choices. Despite my love and respect for the Academy Awards, I am disappointed that many excellent films are completely overlooked by the Academy. Especially horror films.
I shouldn’t be surprised. The Academy has a lot of issues. The Academy is a notoriously conservative body, reluctant to reward risks or give credit to inventive and brave filmmaking. Lately it seems like the more popular a film is, the worst its chances are for receiving any kind of recognition from the Academy, though there are notable exceptions. Why does the Academy pick certain films over others? I have no idea.
And while horror is criminally underrated and underappreciated genre, turning out well-made and culturally resonate films, there have been several films that the Academy has lauded for achievements in directing, acting, cinematography, and other facets of filmmaking.
February has arrived! And it brought along a pretty full slate of horror movies. This month we’ve got some impressive and hyped films, like A Cure for Wellness, Get Out, and XX. We’ve got Rings, which Paramount Pictures really wants to be a hit but actually looks convoluted and unintentionally hilarious. There’s also The Girl with All the Gifts, an adaptation of the 2014 bestselling zombie novel, and the normal amount of indie horror films that may or may not be worth your time.
Check them out!
Contrary to popular belief, January can be an exciting time for horror fans for one big reason—the Sundance Film Festival, one of the industry’s major film festivals. Every January, Sundance bestows upon us weird, frightening, and bizarrely amazing horror movies.
Come tomorrow, Sundance will kick off premieres and screenings of buzzworthy movies. While Sundance doesn’t specialize in horror movies (sadly), the festival is committed to providing a platform for intriguing and promising films, many of which are horror. Films like The Blair Witch Project, American Psycho, 28 Days Later, The Descent, and the Witch.
Horror has always had a place at the high-brow-film table, and Sundance has a proven record for bringing fresh horror to hungry audiences.
Last June, I wrote about the horror movie lineup at the 2016 Cannes Film Festival, where films like Green Room premiered in 2015 and Raw and The Neon Demon premiered in 2016. I decided to do a similar post for the horror lineup at Sundance, especially with films like XX, Killing Ground, and Bitch scheduled for screenings. Here you’ll find a list of the horror films at Sundance, as well as the “segment” in which they will be showcased.
I think most of us would agree that 2016 was a rough year, full of highs and lows. The horror movie scene was the same, full of some mediocre titles, but peppered throughout with both good and bad films. I, for one, loved a number of films that were very good and some others that were enjoyably bad (The Shallows is my new favorite guilty pleasure).
So, as a way to close the book on 2016, I’ve compiled a list of my five favorite horror movies of 2016. I’m not saying these are the best horror movies of 2016, because I haven’t seen every single horror movie released in 2016. I just really loved these five movies. I tried to represent a bunch of different types of horror films from the year. Some appealed to my own particular horror tastes and preferences. Others challenged my preconceived notions about the limitations of some horror-subgenres. They were all great movies that disturbed me in one way or another, sticking with me for days, even weeks.
***WARNING: HERE BE SPOILERS FOR BOTH THE 1974 and 2006 BLACK CHRISTMAS.***
If you pay attention to movies at all, you’ve noticed the proliferation of remakes. Since the beginning of the film industry, producers and directors have recycled and revamped material. The remake has proved itself a trusted Hollywood standby, combining a tried-and-true formula with an audience that is (hopefully) willing to pay to see a rehash of a popular film.
To a degree, it makes perfect business sense. The story is already written. The original is already embedded in pop culture. And sometimes, a cult classic could use an upgrade, especially with a bigger budget and more experienced filmmakers taking the reins.
But more often than not, it seems that the opposite is true, and that many remakes are unnecessary, paling in comparison to their storied predecessors. Such projects smack of opportunism and audiences can usually see right through it. We’ve all been there, rolling our eyes when a trailer for the remake of Poltergeist lumbers on screen or snickering to ourselves when we learn that Nightmare on Elm Street is getting second reboot.
The witch is one of the oldest villains in human civilization. Every culture has the concept of a human being, usually a woman, who has violated the laws of nature and society to gain immense power.
Her transgressions vary from culture to culture and religion to religion. In the western world, the witch has usually received her powers by signing over her soul to the Devil himself. Other times she has used some ancient, forbidden ritual to thwart God and order. Either way, the witch in a horror film is a dangerous woman. If you cross her, you will incur her horrific wrath. If you have something she wants, she will take it. Wither her cunning and mastery of black magic, the witch will gain dominion over your body and thoughts. They will force you to do unimaginable things.
That’s the legend, at least.