*Warning: Some Spoilers for Suspiria*
When I walked out of the theater after watching Luca Guadagnino’s remake of Suspiria, I didn’t know what to think. I didn’t know how to feel. I didn’t know if I liked the movie or if I hated it. Oh sure, there was plenty of horrific elements and beautiful dance scenes and provocative imagery, but did I enjoy it? Was it a good movie?
And then I realized that I felt the same way after watching Dario Argento’s original Suspiria. I had to laugh. Even though the remake of Suspiria is a wholly independent film that stands on its own, it reminded me of the original in more than one way. Beyond the purposefully muted visual palate, the expanded plot, and the exploration of themes, Guadagnino’s Suspiria creates a similarly enigmatic and overwhelming horror film that compliments Argento’s work.
Every once in a while, a horror movie comes along that blows away audiences and critics alike. These films are nearly flawless, making perfect use of scares, genre conventions, plotting, character development, cinematography, and score to weave a bewitching triumph of filmmaking that both expands and transcends the genre.
Unfortunately, Netflixs’s Apostle is not one of these films. But damn, I had fun watching it!
Inspired by British religious horror classics The Wicker Man and The Devils, Apostle admirably bites off more than it can chew. Ambitious and thoughtful, it is a gory, thrilling film that needed more space to breathe to achieve horror greatness.
I get into a lot of spoilers here, so be warned. But that shouldn’t stop you from checking out Apostle.
***Warning! Spoilers for Halloween (2018)***
It’s a rare thing to see a horror movie sequel that expands upon and develops the source material in an exciting, worthwhile way. It’s even more unusual and unexpected for a film with as storied a following as John Carpenter’s Halloween. A groundbreaking film that spawned a stream of uninspired sequels, the original Halloween finally has a sequel worthy of its legacy in the latest Halloween film, from Blumhouse Productions.
This horror fan enjoyed the film immensely because it did much more than pay fan service to horror legend. Halloween (2018) dove deep into the genre in a way that slashers rarely do. Sure, it’s got the body count, jump scares, and genre conventions of a slasher (along with some clever role reversals and callbacks), but Halloween will be remembered as a meta-slasher.
40 years after the events of John Carpenter’s Halloween, Laurie Strode, the only survivor of that fateful night, is convinced that Michael Myers will come for her again. Between not treating her PTSD and struggling to live a functional life, Laurie has become a hardcore survivalist. But she’s lost a lot in the process. She has a strained relationship with her family—daughter Karen, son-in-law Ray, and granddaughter Allyson. She is a recovering alcoholic. She doesn’t seem happy at all. But at least she knows that when Michael Myers returns, she’ll be ready for him.
And sure enough, Michael Myers escapes from state custody the night before Halloween. He hasn’t forgotten about Laurie either, and he will stop at nothing before he finds her and kills her. After all, she’s literally the one that got away.
I rail a lot against bad horror movies, the kind that are excuses to inflict a lot of violence, gore, and bad writing on audiences. As a horror fan, I wish to hold the genre to a certain standard of storytelling because the genre has so much to offer. But I’m realistic, and if a horror movie doesn’t live up to those standards (or even try), all I ask is that it’s at least entertaining. There’s nothing worse than a boring horror movie that tries way too hard.
However, I must confess that I have my own horror guilty pleasures. These are films that I acknowledge are poorly made movies with a laundry list of flaws. Yet somehow, I love them. I watch them over and over.
And my favorite horror guilty pleasure is 2003’s action-horror classic Underworld.
As a horror fan, I’m not fond of slasher films. But even I can’t deny the impact slashers have had on the genre. Like it or not, these films, often sparse on plot and heavy on gore and sex, have altered the course of horror movies, if not movies in general. Halloween, Friday the 13th, Nightmare on Elm Street, Black Christmas, and Scream are all slasher classics that have left an indelible mark on pop culture.
So of course, with today being Friday, July 13th, I had to revisit Friday the 13th.
After seeing Hereditary a few weeks ago, I left stunned, thinking that I hadn’t seen a horror film like Hereditary in a very long time. So much happened, much of it overwhelming in its emotional punch and terror. I couldn’t stop thinking about it. I gave up trying to decipher things and instead just let memories of it come to me. It is one of the most genuinely horrific films I’ve seen recently. It’s also one of the most depressing films I’ve seen in a long time.
After weeks of not knowing how to write this review, I finally managed to lean into the film’s complexity. Hereditary is so good at unfolding itself, at managing what information it offers the audience and when. Not only does this model make for excellent slow burns, but it also mirrors the disintegration of the family as their first loss spirals into unimaginable horror. It is a tragic story, really, a film about a woman that unwittingly enables and fulfills her family’s nightmarish fate.
As far as horror movies go, Hereditary isn’t focused on entertainment, though I found the film entertaining in and of itself. No, Hereditary is more focused on using its story and characters to create a fundamentally unnerving experience. It explores how we are at our most vulnerable around our family members, and despite our fervent beliefs that we can ignore the scars and outrun the past, we can’t always. Continue reading
*Be Warned – Very Mild Spoilers for A Quiet Place*
I’ve always said that, for any medium, the key to creating a compelling narrative is developed characters. This is especially true in crafting exceptional horror movies, where the disturbing events unfolding on screen pack an intense punch not just because of their scariness but because of the risk they pose to characters the audiences cares about. Yeah, a novel concept, good pacing, and deft camera work contribute, but no one cares about any of that if the characters aren’t watchable.
This is especially true for A Quiet Place, which wisely uses its script and actors as the foundation upon which the whole movie is based. Its inventive concept, heart-pounding scenes, and swelling tension would have fallen flat without the work that went into the script and the acting. In doing so, A Quiet Place stakes a claim as the first exceptional horror movie of 2018. (I know that’s not saying much when compared to films like Winchester or The Strangers: Prey at Night, but the rest of 2018’s horror movie faces stiff competition.)