A new year, a new list! It’s time for my list of most anticipated horror films of 2017!
Let’s be honest, 2016 sucked in a lot of ways, not least of wish was that the horror movie release calendar was disappointing. Don’t get me wrong, there were some great 2016 horror movies with real terror, solid scares, and provocative storytelling. But there were some real duds, the kind that made me roll my eyes and sigh at the state of the horror industry.
Yet here comes 2017, still full of hope and potential, sharing bright and shiny horror trailers for all. Among 2017’s most anticipated horror are dark and twisted social commentaries, high-profile reboots of horror movie classics, gorgeous grotesqueries, and a few black pearls of brave indie filmmaking.
Check them out!
***Spoilers for The Neon Demon Follow***
Unfortunately, 2016 hasn’t been the best year for horror movies, though it hasn’t been the worst either. In fact, 2016 seems to have been a moderate year, with some of the best films exhibiting hard-to-ignore flaws and the worst films showing flashes of promise. All the good films seemingly came out of left field while all we got from the hyped horror movies were splashy marketing campaigns and disappointment. For me, no other 2016 Horror Movie exemplifies this better than The Neon Demon.
**Beware: Here be spoilers For They Live.**
The 2016 Presidential Election is finally and mercifully drawing to a close. Regardless of political affiliations, it seems like the whole country reels from the drawn-out election cycle, temporarily traumatized by the mudslinging and grandstanding and pettiness. But this election has been one for the ages. I know everyone always complains that every succeeding election is worse than the one before, but this one was really, really nasty.
We are all overwhelmed by this election, a terrible yet fitting end to an exhausting year. Myself, I try to stay as politically connected as possible. I read the news, follow Congress’s lawmaking progress (or lack thereof), watch the President’s speeches, and read all the Supreme Court opinions I can reasonably fit into my life. So for this election, I gritted my teeth and surrendered to the vicious news cycle. I listened to stump speeches and watched the debates and did my research. It was draining. When I cast my early voting ballot, I was relieved because I thought I could stop caring for a while, until the next election cycle starts back up.
I threw myself into Halloween and friends and blogging. I tried and failed to distract myself. Not only was the election impossible to avoid, but I couldn’t stop thinking about it. I watched my horror movies and read my scary short stories and couldn’t help but ask myself, How will we express what this election has wrought? What art will come out of this election?
Which brings me to John Carpenter’s political sci-fi-horror B-Movie classic, They Live.
After the horror movie drought that was the October 2016 film release schedule, November 2016 is a sight for sore eyes. With only a handful of movies, November gives us a ton of potentially beautiful and disquieting horror films. Naomi Watts returns to deliver the scares, the director of The Strangers puts forth a claustrophobic creature feature, and The Eyes of My Mother promises to be a wild ride.
I’ve always thought the werewolf was a fascinating horror archetype. I’ve talked about vampires, zombies, witches, and serial killers, and how all of those horror archetypes address certain human fears. Usually, vampires address fears about becoming lost to our desires and lusts; zombies are about becoming lost to a brainless, teeming hoard; witches are about the fear of too-powerful feminine influence; and serial killers are about the inherent ability and capacity of man to commit violent, unjustifiable murder.
And while all of these monsters address fears relating to control and human identity, no other monster encapsulates our anxieties quite like a werewolf. It’s no secret that civilization is a precarious balancing act between repressing and acknowledging our base, animalistic impulses. Werewolves personify the tension between our rational, controlled selves and our savage inclinations. Regardless of whether or not a werewolf can control his transformation, the opportunity to become a dangerous, uncivilized brute is a siren song few characters can resist.
October is slowly coming to a close, and Halloween is almost here. Since I’ve been doing my Halloween Blogging Blitz, I’ve reflected a great deal on scary stories. Why do we tell them? Why do we listen to them?
I hope that, if you’ve been following any of my posts, that you’ve learned that so many horror films and books are art. And as art, they help us reflect upon reality: our prejudices, our fears, our secret desires. The right ghost story has much to teach us.
Halloween isn’t solely about horror movies–Halloween is also great for disturbing short story or two. Or ten.
Personally, I don’t always have time to read the latest horror novel or unearth a classic gothic ghost story. So I settle for a shorter but no less unnerving story. For me, a good creepy short story is like a deliciously morbid morsel. For others, a short horror story is an easy way to step out of one’s comfort zone.
There are countless horror short stories, and I sure haven’t read them all. However, I did compile a list of ten of my absolute favorites, along with links for you to read them right now!
I always have a hard time watching many serial killer movies if for no other reason than serial killers exist, and the crimes depicted onscreen could and sometimes do happen to real people. In serial killer movies in particular, much of the violence is directed towards women, which makes my viewing experience more difficult.
But I find such films can be worthwhile despite their grotesque, depressing subject matter. In our culture, we have a fascination with serial killers. They do not kill for reasons society considers “justifiable.” They seem to do the unthinkable, killing for pure personal gain, for profit, or to fulfill some twisted sense of morality. It seems to go against all human decency to kill so needlessly and frequently.
Our fascination expresses itself with many questions—how does the killer select his victims? Why those victims? How does he kill them? How long has he been doing this? How has he never been caught? Yet those questions come secondary to the ten-million-dollar question:
Why does he kill?
Ah, the vampire. My favorite supernatural creature.
Vampires are cunning, sensual, and merciless. Vampires are effortlessly cool, fashionable, and glamorous. If I had to be any evil creature, I’d be a vampire, hands down, and I’d want my wardrobe to be stocked exclusively by Saint Laurent, à la Catherine Deneuve in The Hunger.
I’ve always been transfixed by how slick vampires are. They can go unnoticed inhuman society, benefiting from social mores when it serves and then stepping outside the bounds of human decency whenever they want. He (or she) embodies seduction and the willing surrender of control. They are more powerful than human beings, both in strength and intelligence, which is an essential characteristic. A werewolf or zombie is seen as a devolution of humanity, a descent into animal savagery or blank mindlessness. But a vampire is, for the most part, smarter than human beings. Like demons, they are dangerous not because of the threat of physical pain but because they can convince you to be the worst, coolest version of yourself.
Everybody loves a good monster movie. It’s thrilling to watch an abominable creature stalk and hunt unsuspecting people. It’s exciting to watch the unsuspecting people run and hide and eventually figure out a way to defeat the monster. And sometimes it’s even more fun when the monster isn’t defeated (at least you know you’ll get a sequel).
I’ve talked a little bit about how, in addition to entertaining us, horror mirrors our fears through various horror tropes and stock characters. It’s my hypothesis that certain horror villains and boogeymen represent specific human fears. While vampires, werewolves, and zombies could also be considered monsters, the important distinction those creatures used to be human and often retain a bit of their humanity. Monsters like the xenomorph in Alien or the shark from Jaws are beasts; they are scary because of their inhuman nature. We humans may think we’re the masters of our domain and that the natural world is ours for the taking, but it’s all an illusion. We know that deep down. Monsters represent a world that has broken free of human control.