Halloween isn’t solely about horror movies–Halloween is also great for disturbing short story or two. Or ten.
Personally, I don’t always have time to read the latest horror novel or unearth a classic gothic ghost story. So I settle for a shorter but no less unnerving story. For me, a good creepy short story is like a deliciously morbid morsel. For others, a short horror story is an easy way to step out of one’s comfort zone.
There are countless horror short stories, and I sure haven’t read them all. However, I did compile a list of ten of my absolute favorites, along with links for you to read them right now!
I always have a hard time watching many serial killer movies if for no other reason than serial killers exist, and the crimes depicted onscreen could and sometimes do happen to real people. In serial killer movies in particular, much of the violence is directed towards women, which makes my viewing experience more difficult.
But I find such films can be worthwhile despite their grotesque, depressing subject matter. In our culture, we have a fascination with serial killers. They do not kill for reasons society considers “justifiable.” They seem to do the unthinkable, killing for pure personal gain, for profit, or to fulfill some twisted sense of morality. It seems to go against all human decency to kill so needlessly and frequently.
Our fascination expresses itself with many questions—how does the killer select his victims? Why those victims? How does he kill them? How long has he been doing this? How has he never been caught? Yet those questions come secondary to the ten-million-dollar question:
Why does he kill?
Ah, the vampire. My favorite supernatural creature.
Vampires are cunning, sensual, and merciless. Vampires are effortlessly cool, fashionable, and glamorous. If I had to be any evil creature, I’d be a vampire, hands down, and I’d want my wardrobe to be stocked exclusively by Saint Laurent, à la Catherine Deneuve in The Hunger.
I’ve always been transfixed by how slick vampires are. They can go unnoticed inhuman society, benefiting from social mores when it serves and then stepping outside the bounds of human decency whenever they want. He (or she) embodies seduction and the willing surrender of control. They are more powerful than human beings, both in strength and intelligence, which is an essential characteristic. A werewolf or zombie is seen as a devolution of humanity, a descent into animal savagery or blank mindlessness. But a vampire is, for the most part, smarter than human beings. Like demons, they are dangerous not because of the threat of physical pain but because they can convince you to be the worst, coolest version of yourself.
Everybody loves a good monster movie. It’s thrilling to watch an abominable creature stalk and hunt unsuspecting people. It’s exciting to watch the unsuspecting people run and hide and eventually figure out a way to defeat the monster. And sometimes it’s even more fun when the monster isn’t defeated (at least you know you’ll get a sequel).
I’ve talked a little bit about how, in addition to entertaining us, horror mirrors our fears through various horror tropes and stock characters. It’s my hypothesis that certain horror villains and boogeymen represent specific human fears. While vampires, werewolves, and zombies could also be considered monsters, the important distinction those creatures used to be human and often retain a bit of their humanity. Monsters like the xenomorph in Alien or the shark from Jaws are beasts; they are scary because of their inhuman nature. We humans may think we’re the masters of our domain and that the natural world is ours for the taking, but it’s all an illusion. We know that deep down. Monsters represent a world that has broken free of human control.
*Note: Here be spoilers for these demonic movies*
Of all the creatures in the world of horror, demons might be the scariest. Demons possess us, robbing us of our volition over our bodies. Demons manipulate us, using our own human impulses and emotions to lure us down a doomed path. Demons tempt us, reaching deep into our hearts and laying bare the black truths we don’t care to admit.
We think of demons almost exclusively in a religious context, especially considering how the three major monotheistic world religions have shaped the lore. Judaism, Christianity, and Islam have their differing views about demons—how the present themselves, how they became demons, how they wield influence over the human realm. But they all agree that demons are malevolent spirits who have turned away from God.
Through multiple religious texts as well as some literary works, a common narrative has emerged: demons are ruled and led by Satan, a fallen angel. When God created man and exalted him above even the angels, Satan refused to obey God. For his insolence, Satan was cast out of Heaven, forever denied God’s grace. Ever prideful and bent on vengeance, Satan has spent every moment since his fall on a crusade the tempt humanity to turn away from God.
September marks the 30th anniversary of IT, Stephen King’s infamous 1986 novel. IT sold a million copies in its first run and spent weeks on the bestseller lists. Like so many of King’s horrific tales, IT has broken past the confines of the own story, spreading chills and scares through our nation’s pop culture and terrorizing children and adults alike. People who have never read the book or seen the movie still know who Pennywise the Clown is.
Case in point: when I was a child, all the kids at school knew about the killer clown from the sewer who murdered children. We’d all seen that black book with the blood red letters sitting on a parent’s bookshelf, just out of reach. Some of us had even seen parts of the movie. Many of us had no idea what the actual story was; it didn’t stop us. We whispered and teased each other about Pennywise, and no one really wanted a clown at their birthday party. Such was the strength of that symbol.
One of my favorite things about horror movies is how long they’ve been around.
People started making scary films as soon as they could. Audiences have always loved going to horror movies. Films like Frankenstein and Dr. Jekyll and Mr. Hyde were widely popular. A lot of these movies became genre classics. You’ll find them on many best-of-horror lists, where they are widely praised for employ innovative techniques and practical effects to terrify audiences.
There’s just one problem—the majority of those films are no longer scary by today’s standards.
What makes a horror movie truly incredible? The same thing that makes any movie incredible—excellent writing, nuanced acting, gorgeous artistic design, daring cinematography, visionary directing, and a killer score.
With all the pomp and circumstance surrounding a prestigious Hollywood event, you probably wouldn’t expect a glittering affair like the Cannes Film Festival to include hard-hitting horror films. Cannes is where Hollywood finds a steady stream of award-worthy and award-baiting movies, right? The heavy, boring, historical drama stuff, right?
That’s true. Cannes is prestigious for a reason. Every year, the festival showcases emerging talents alongside master filmmakers, and many of those films are either good enough or earn enough hype to be marketed as highbrow cinema.
But it’s also true that Cannes has a deep commitment to varied viewpoints. The festival loves innovation. It pays tribute to films from different countries, different voices, and different genres, including horror.
There are some months where the horror movie fountain overwhelms with a wide selection of scary films across a plethora of subgenres. Other months, not so much.
April has turned out to belong to the latter category, with barely any wide-release horror movies to be found (though the one wide-release horror film looks awesome). But don’t despair! April has brought us a small but eclectic mix of horror movies covering a range of subjects. There’s a serial murder thriller aiming for social commentary, a vicious survival gore-fest, a moody and stylish exploration of insanity, and a darkly surreal collection of fairy tales.
So while you might be counting the days until June when The Conjuring 2 comes out or July for the Purge: Election Year, maybe expand your horror horizons and try a movie you wouldn’t normally watch. While most of these films have secured only a limited theatrical release, they will be available on VOD the same day.