At its core, film entertainment should appeal to a wide array of people. Everyone loves a good story, even if that story originates from a time, place, or culture very different from one’s own. If the plot is compelling and the characters engaging, we can find just enough of ourselves in the narrative to feel a connection.
Too many audiences, however, find themselves excluded from these narratives, or worse, included as degrading stereotypes or bland caricatures. Representation matters, especially when one kind of audience is continually and persistently asked to empathize with characters who exist in a world in which a large portion of the audience does not exist. Or if they do exist, it’s as nothing more than condescending, perhaps even harmful stereotypes.
These shallow portrayals are the chief focuses of Horror Noire, the groundbreaking documentary, based on the collection of essays by Dr. Robin R. Means Coleman. Directed by Xavier Burgin, the documentary illuminates the historical depictions of black people in American horror movies. In exploring the representations of black people in horror, Horror Noire holds a mirror up to how societal attitudes towards black people shaped their appearances (if any) in horror movies and vice versa.Continue reading