Well damn y’all, May horror isn’t what I thought it would be–low key and full of indie releases.
Not that it’s a bad thing. Some of the best horror movies are small indies and foreign films that don’t secure wide theatrical releases in America. I’m willing to bet that festival darlings like Beast and Revenge are more than worth a watch. Bad Samaritan and Family Blood are very intriguing, and It Came from the Desert looks horrendous, like, I-need-a-couple-of-drinks-to-get-through-it-but-that-could-be-fun-horrendous.
Check out the May horror movies below!
*Be Warned – Very Mild Spoilers for A Quiet Place*
I’ve always said that, for any medium, the key to creating a compelling narrative is developed characters. This is especially true in crafting exceptional horror movies, where the disturbing events unfolding on screen pack an intense punch not just because of their scariness but because of the risk they pose to characters the audiences cares about. Yeah, a novel concept, good pacing, and deft camera work contribute, but no one cares about any of that if the characters aren’t watchable.
This is especially true for A Quiet Place, which wisely uses its script and actors as the foundation upon which the whole movie is based. Its inventive concept, heart-pounding scenes, and swelling tension would have fallen flat without the work that went into the script and the acting. In doing so, A Quiet Place stakes a claim as the first exceptional horror movie of 2018. (I know that’s not saying much when compared to films like Winchester or The Strangers: Prey at Night, but the rest of 2018’s horror movie faces stiff competition.)
I. Am. Pumped. April horror is chock full of all sorts of festival horror movies I’ve been waiting for, and they look great!
This April, we’re getting not one, not two, but three horror movies from last month’s SXSW, and they look amazing. I can already confirm that A Quiet Place, starring Emily Blunt and John Krasinski, is very good and highly enjoyable. That leaves Wildling, one of the festival’s unexpected triumphs, and Ghost Stories, a spectacularly moody British ghost tale.
And then, on top of everything, Marrowbone, the latest effort from Spanish filmmaker Sergio G. Sanchez (El Orfanto) drops this month. Swoon.
Also among the April horror releases are a few horror films that look cheesy, contrived, and quite frankly, delightful! Truth or Dare promises the kind of schlocky teenage horror we all secretly enjoy (don’t lie) while Bus Party to Hell demands to be seen on the strength of its title alone. I will oblige.
Seriously, this is a great month for both quality horror and popcorn-flick fun.
Check out the trailers below.
As I admitted in my last post, I do not have a strong foreign horror game. Of course, I’ve seen a ton of foreign horror films from countries like Great Britain, France, Japan, Canada, and Mexico, and more than a handful of foreign horror films from countries scattered all over the world, but I remain woefully ignorant of the global body of foreign horror.
This is something that I need to fix. And I figured that the Olympics would be the perfect time to educate myself.
I’ll admit, I’m not as informed about foreign horror films as I should be. For all my talk about seeing the horror genre as a window into the anxieties and fears of a culture, I’m dreadfully ignorant of many foreign horror traditions.
I felt even worse about my lack of awareness for horror films because of the Olympics. All these unique countries coming together in the spirit of peaceful competition, all those athletes sharing their gifts with the world? It’s beautiful and moving. We learn so much about each other from this magnificent event and put aside our differences to exalt the best of us together.
I freaking love the Olympics!
Consequently, with the 2018 Winter Olympics taking over television and the internet, I thought this was a perfect time for me to do some research about foreign horror films across the globe. And I found a lot of cool stuff.
Much like January before it, February has often been a dumping ground for films (especially horror films) that studios know won’t do well. But don’t fret, this February has a lot of hidden gems, the kind I’m not used to seeing this early in the year. I’m stoked to see Natalie Portman’s sci-fi horror film Annihilation as well as a fresh take on a zombie outbreak in The Cured. Then there’s Netflix’s latest acquisition, The Ritual, the promises a scary fun time in the woods.
There’s also a fair bit of movies that are less than exciting, but it’s a good sign that we’re already seeing strong horror films this early in the year.
Enjoy! Continue reading
I love January. It’s the beginning of a new year, the sweet spot between a worn out, dusty old year and 12 months of as of yet untarnished potential.
I also love January for the horror movie trailers. That’s right—the dumping ground for movies Hollywood needed to unload has some of the best bad horror movie trailers of the whole year. And 2018 doesn’t disappoint.
Last January, we had trailers like Underworld: Blood Wars, The Bye Bye Man, and The Summoning. I laughed and cringed and wholly enjoyed myself. This January, my favorite bad horror movie trailers go to Day of the Dead: Bloodline, Primal Rage, and Death House, the latter of which I need to watch immediately.
Gosh, is it already December 2017? Have we already been through eleven months’ worth of horror movies with only December horror left?
Time flies, doesn’t it?
We’ve been through a ton of horror movies this year of varying levels of quality. It only seems consistent that December horror would go the same route. I’ve been waiting for The Shape of Water for what feels like ages, which, if it’s as good as everyone says, will make a great year-end triumph for the genre. December horror also has some indie gems, like Desolation. But there’s also the forgettable Slumber to contend with.
It’s really Guillermo del Toro’s month for horror, for sure.
Horror is always a mixed bag, and it seems like this December Horror list is no different.
Let’s get to it.