“Remake”—the very word inspires the most dramatic of eye rolls for horror fans. That’s because so many horror remakes are unnecessary. All too often, remakes are based on films that were wonderfully crafted, and some producer somewhere is trying to make a quick buck by dragging a good movie’s legacy through the mud.
Seriously, how frustrating is it when a solid, well-made horror classic, like 1982’s Poltergeist, gets remade? Poltergeist didn’t need a remake! And if someone just had to remake it, couldn’t they have created something better than the 2015 remake?
But then, again, how cool is it when a horror remake actually adds to or improves upon the original horror film? As much as I love Dario Argento’s Suspiria, it has its flaws. Luckily, the remake of Suspiria paid homage to the original, avoided copying the original’s aesthetic, and dove deep into the plot. What resulted was an original film that preserved the original’s legacy and stood on its own.
Or take the most recent news about the remake of Candyman, a good film that could have been great. It’s set to be produced by Jordan Peele and promises to dig into the power of the Candyman mythos against the backdrop of the now-gentrified area where the Cabrini-Green housing projects once stood. With Peele at the helm, I’m optimistic that this remake will cover a lot of new ground when it comes to racism and class differences, which is sadly very relevant.
That got me thinking—what are some other horror films that deserve a remake? What are some films that were good but not great, full of potential that shouldn’t be wasted? For whatever reason, be it a shoe-string budget, uneven writing, or production troubles, tons of horror movies never reached their full potential despite having most of the parts to do so.
One of my favorite things about the horror genre is how versatile it is. From films, television shows, books, and art, horror can triumph with the right story and the right talent. And this is particularly true for the horror comic.
It’s a very different experience for horror fans—horror comics have the cinematic qualities of movies with the immersive elements of books. The most effective horror comics take the best aspects of comic book storytelling with stunning artwork, creating unique and deeply disturbing aesthetics that suck in readers and stick with them for days afterward.
With the success of The Chilling Adventures of Sabrina on Netflix, I’ve decided that more people need to know about the horror comic, which reboots the bubbly Sabrina The Teenage Witch series with a decidedly darker angle. And while we’re at it, let’s discuss a small portion of the staggeringly good horror comics the medium has to offer.
I have to be honest…I’m disappointed in the slate of horror movies for October 2018.
Shouldn’t the movie release calendar for October be overflowing with horror movies? I’m not even asking for good horror movies. I’ll take them all–well-made, shoddily-made, solid casts, bad acting, inventive premises, uninspired ripoffs–I don’t care.
Where are all the horror movies?
I suppose I should be thankful for the movies we have. After all, the latest Halloween comes out this month, and I could not be more excited! Netflix’s Apostle and indie film The Dark also look like great contenders for worthwhile horror.
In fact, I’m just going to spend a lot of my time on Netflix this Halloween. Between Apostle and Netflix’s new series, The Chilling Adventures of Sabrina and The Haunting of Hill House, Netflix seems like a sure bet for horror.
That’s not to say you shouldn’t check out the rest of the horror offerings this month. Maybe just…temper your expectations.
Today is the official start of the Toronto International Film Festival (TIFF), which marks the unofficial beginning of “prestige movie season”! Every year, major studio and indie films vie for spots on the TIFF line-up in the hopes of garnering buzz and positive reviews to hype their releases. They’re also hoping for the kind of critical acclaim that wins films prestigious awards.
Unlike some other festivals of this caliber, TIFF always makes room for horror movies in their lineup. In recent years, TIFF has showcased films like The Grudge in 2002, Hostel in 2005, Inside (À l’intérieur) in 2007, 2008’s The Loved Ones, Black Swan in 2009, The Lords of Salem in 2012, and Raw in 2016. Last year, TIFF screened mother!, Veronica, The Ritual (loved that movie!), Mom and Dad, and of course, Guillermo del Toro’s Oscar-winning The Shape of Water.
This year, TIFF has an impressive slate of horror movies, from the highly anticipated Halloween to quieter entries like The Wind. I can’t wait to see which ones will make a splash! Read on to see the full line-up!
Do you feel that change in the air? In Texas, it’s no longer 100 degrees every day, and the mornings almost feel…pleasant? It must be fall!
Now that summer is drawing to a close, we’re less than 60 days out from Halloween! That means we’re about to get a whole slew of horror movies in anticipation of our favorite holiday.
And boy, does September deliver a bunch of horror movies. The quality of these movies varies, but there are some exciting choices here, like Nic Cage’s metal-horror Mandy and the religious-horror film Don’t Leave Home. Due to a crowded October release schedule, we also get a lot of big-name horror films this month, like sequels The Nun and The Predator. There’s also The House with a Clock in Its Walls, which might go on to become a kids’ horror classic.
Let’s get to it!
The Venice International Film Festival officially kicks off today, serving as one of the most important stops on the film festival circuit. Venice is one of the three most influential film festivals in the world, up there with Cannes and Berlin. As such, films showcased at Venice are regarded as being the crème de la crème, as prestigious films that aim to elevate the medium of film.
Of course, horror films are often overlooked. But not always.
I. Am. Pumped. April horror is chock full of all sorts of festival horror movies I’ve been waiting for, and they look great!
This April, we’re getting not one, not two, but three horror movies from last month’s SXSW, and they look amazing. I can already confirm that A Quiet Place, starring Emily Blunt and John Krasinski, is very good and highly enjoyable. That leaves Wildling, one of the festival’s unexpected triumphs, and Ghost Stories, a spectacularly moody British ghost tale.
And then, on top of everything, Marrowbone, the latest effort from Spanish filmmaker Sergio G. Sanchez (El Orfanto) drops this month. Swoon.
Also among the April horror releases are a few horror films that look cheesy, contrived, and quite frankly, delightful! Truth or Dare promises the kind of schlocky teenage horror we all secretly enjoy (don’t lie) while Bus Party to Hell demands to be seen on the strength of its title alone. I will oblige.
Seriously, this is a great month for both quality horror and popcorn-flick fun.
Check out the trailers below.
Much like January before it, February has often been a dumping ground for films (especially horror films) that studios know won’t do well. But don’t fret, this February has a lot of hidden gems, the kind I’m not used to seeing this early in the year. I’m stoked to see Natalie Portman’s sci-fi horror film Annihilation as well as a fresh take on a zombie outbreak in The Cured. Then there’s Netflix’s latest acquisition, The Ritual, the promises a scary fun time in the woods.
There’s also a fair bit of movies that are less than exciting, but it’s a good sign that we’re already seeing strong horror films this early in the year.
Enjoy! Continue reading
A new year means a whole new year of fresh and creepy horror novels!
As a horror fan, it’s for me easy to focus on horror movies. Horror movies are relatively quick to consume instead of a horror novel, just as a movie is sometimes more immediately entertaining than a novel.
But there is a great deal of original, well-made horror fiction out there, crafted by authors from diverse backgrounds, points of view, and traditions. Stephen King may still rule horror fiction, but there’s plenty of room for all of the unique and unsettling tales offered by authors like Ania Ahlborn, Alma Katsu, Josh Malerman, and Paul Tremblay (King has a book out this year too, don’t worry!).
So, in keeping with my goals to raise awareness of exciting new horror fiction, I’ve put together a list of fifteen horror novels to be published in 2018. I can’t wait to read them, which is good for my New Year’s resolution to read more, but really bad for my book buying addiction. (If you’re interested in last year’s list of horror, check that out here.