With the plethora of fantastic horror available right now, it’s a great time to be a horror fan. Not only are horror movies getting better and better, told from a variety of viewpoints and with tons of cool new stories, but television is also experiencing a horror renaissance. And y’all, there are just too many options to choose from.
It all started with the premiere of What We Do In The Shadows this past week, which got me thinking–what other cool new 2019 horror TV shows have come out or are coming out soon?
Few things make me happier than finding one of my favorite actors starring in an old horror movie. The cheesier and more awful the movie, the better I enjoy the newbie actor’s performance. It’s comforting to know that these rich and famous actors, all at the top of their industry, started at the bottom like everybody else.
For a genre that doesn’t get much respect, horror consistently delivers new talent. Many of today’s A-Listers got their start in low-budget and shoddy horror films, while others were a little luckier with their early roles.
I figured, being as it’s Halloween time, I should pay homage to their early roles. First, it shows you just how much, um, range, some of these actors have (or not). Second, it’s fun to wonder how their careers would have been different had they not been Classroom Girl #1 in Urban Legends: Bloody Mary.
There’s also something so delightful about knowing that Tom Hanks, one of my favorite actors, started his acting career in a horror/thriller with terrible dialogue and ATROCIOUS acting, as evidenced by this clip.
If nothing else, I hope you enjoy this list for its Bad Movie Night potential. Seriously, I’ve never seen Leprechaun or Hellraiser: Hell World (what an amazing title!).
So, without further adieu, here is a list of 20 actors who saw their film debut in horror, followed by 20 actors who had early roles in some “iconic” horror films.
When I first heard about Grady Hendrix’s novel My Best Friend’s Exorcism, marketed as a cross between Heathers and The Exorcist, I just knew I had to read it. I love 80s nostalgia as much as the next person (since I am just barely a child of the 80s). I also love making fun of the 80s, what with the awful clothes and hair, the rampant and self-conscious conservatism, and the general tackiness.
And sure enough, My Best Friend’s Exorcism pays homage to this decade as much as it pokes fun at it. More than that though this novel is heartfelt and creepy, treading into the well-worn territory of fraught adolescent relationships. The result is a book whose nostalgia runs deeper than the pop culture references it deploys throughout.
Sometime later this year, Netflix will release a television series adaptation of The Chilling Adventures of Sabrina, a horror comic that completely reimagines Sabrina Spellman of Archie Comics fame. It will star Kiernan Shipka (Mad Men, The Blackcoat’s Daughter) as the titular Sabrina. And much like the famous TGIF show Sabrina the Teenage Witch, this version of Sabrina will focus on her struggle to balance her witchy powers and duties with her yearning to belong with mortals. However, unlike the TGIF show, The Chilling Adventures of Sabrina promises to be “worlds away” from the TGIF show and treat the story as “a dark coming-of-age story that traffics in horror, the occult and, of course, witchcraft.”
As a horror fan who firmly believes we need more witch stories, I could not be more stoked about this series. I love witches, almost as much as I love vampires. I love the recent witchy horrors, like American Horror Story: Coven, The Witch, A Dark Song, Hereditary. I love classics like Drag Me to Hell, The Witches, The Craft, Suspiria, Rosemary’s Baby, The Skeleton Key, and Black Sunday. The more witches, the better, as far as I’m concerned.
*Be Warned – Very Mild Spoilers for A Quiet Place*
I’ve always said that, for any medium, the key to creating a compelling narrative is developed characters. This is especially true in crafting exceptional horror movies, where the disturbing events unfolding on screen pack an intense punch not just because of their scariness but because of the risk they pose to characters the audiences cares about. Yeah, a novel concept, good pacing, and deft camera work contribute, but no one cares about any of that if the characters aren’t watchable.
This is especially true for A Quiet Place, which wisely uses its script and actors as the foundation upon which the whole movie is based. Its inventive concept, heart-pounding scenes, and swelling tension would have fallen flat without the work that went into the script and the acting. In doing so, A Quiet Place stakes a claim as the first exceptional horror movie of 2018. (I know that’s not saying much when compared to films like Winchester or The Strangers: Prey at Night, but the rest of 2018’s horror movie faces stiff competition.)