Did you know It, the long-anticipated major studio adaptation of Stephen King’s most messed up novel, is being released this month? Of course you did, because those freaky trailers have been everywhere!
Did you know that Darren Aronofsky’s mother! is also being released and marks the director’s return to exquisite psychological horror? You sure do if you follow this blog, because I won’t shut up about it.
With those two films only, September 2017 is a good month for new horror movies. The same garden-variety, lamesauce horror films crop up (Temple, The Sound), but we’ve also got a few Netflix and indie horror movies that are worth a closer look (The Limehouse Golem, Flatliners, Don’t Sleep).
One of my guiltiest pleasures is the high school horror movie. I can’t get enough of the cheesy teenaged angst, bad acting, and messy murders on school property. Masked maniacs, fleeing cheerleaders, shady teachers, and terrible secrets are all hallmarks of this horror subgenre that just won’t seem to die. It seems that, despite how boring we thought high school was, the high school horror movie strikes a chord over and over again.
As part of my ongoing series, Horror at Film Festivals, let’s take a trip down under to Australia for the Melbourne International Film Festival. The world isn’t just about Cannes and Sundance, now is it?
The Melbourne International Film Festival is chock full of horror spanning a wide range of tastes from the gory to the eerie to the downright weird. From August 3rd to August 20th, the film industry will gather in Melbourne to toast the latest crop of inventive and important films, and horror films part of the schedule.
As a festival, the Melbourne International Film Festival aims to show the global audience all manner of “curated and unforgettable screen experiences.” The major Australian film festival, the Melbourne International Film Festival is also one of the oldest film festivals in the world, showcasing films since 1952. It has a decidedly different flavor to its film lineup, focusing on daring, a little risky, slightly off-kilter independent films.
To that end, the Melbourne International Film Festival has showcased works by horror icons Dario Argento, David Cronenberg, and David Lynch, among many. More recently, the Melbourne International Film Festival screened such horror films as Housebound, Train to Busan, and What We Do in the Shadows.
The lineup for 2017 is exciting! Melbourne International Film Festival has one of the most extensive slates of indie horror I’ve seen at a major festival. I can’t wait until I can see these in America!
It feels like only yesterday that I was doing the post for July horror movies. Fast forward a month, and not only have I finally recovered from a whirlwind vacation in China, but a ton of August horror movies were added to the release schedule! It seems like the 2017 horror release schedule saved a lot for later.
Yes, the end of summer is upon us, and that means long and hot days where the air conditioning provides blessed relief from the inferno outside. What better way than to stay indoors and watch scary movies? Some of these look amazing, like The Dark Tower, Annabelle: Creation, Dave Made a Maze, and Death Note. Others will please certain genre fans who crave blood and guts, like Cut Shoot Kill and Red Christmas.
I think there’s something for everyone here, so get yourself to the nearest theater, buy an ice-cold beverage of your choice, and enjoy the show.
While the dead of summer is when we expect many of the big action blockbusters, the same cannot be said of horror movies this year. July 2017 horror movies are a bit low key this month, though not without some interesting entries. There are three movies that showed at the Sundance Film Festival back in January. There’s one mainstream summer scary movie. And, as always, there are quite a few low-budget, low-profile horror flicks rounding out the July 2017 horror movies. It’s definitely a mixed bag, but with movies like Killing Ground and It Stains the Sands Red, there’s hope for horror this month, despite the appearance of Wish Upon.
If nothing else, it will be only a few short weeks until The Dark Tower, Annabelle: Creation, and Polaroid!
Woohoo! June horror movies are here! There’s a lot this month, so strap in and buckle up because there’s wide array of films. There’s different subgenres, different levels of quality, and different levels of WTF-ness.
I need to apologize as well, because I’ve been traveling the last few days, which delayed my normal blog post schedule. Basically, I was traveling and boozing it up. Consequently, I wrote a lot of this in the Houston airport after drinking several glasses of overpriced wine (#noregrets). I am truly a Hemingway fan and wrote drunk and edited sober.
Can I just say that this was very fun to edit this? It was a challenge.
But anyway! Here’s your June Horror Movie list! You didn’t miss much from my post being late. Ooops!
***Mild Spoilers for The Vegetarian***
A core component of any good horror story is the characters’ apprehension of harm. Most of the time, the dread manifests as physical pain or violent death. Other times there are more abstract, existential ways of experiencing harm—a terrifying realization of past sins, slowly slipping into insanity, or losing one’s soul to a demonic entity. While physical pain will always be a powerful part of any scary story, an existential threat grabs me in a way most other types of horror don’t, probably because I have more to lose from an existential threat.
A realization that shakes a person to his core is, well, horrifying. It’s terrifying. Take the ancient Greek tragedy Oedipus, who realized he had unwittingly killed his father and married his mother. Or The Orphanage, where protagonist Laura realized she was the one responsible for the slow death of her adopted son. Bodily harm is awful and painful, but an earth-shattering existential realization can destroy the very idea of who a person thinks she is.
It can be extremely psychologically tortuous to deal with something like that, to be confronted with our mistakes and the lies we tell ourselves. People go to great lengths to preserve the reality they wish to see, even at the expense of themselves and others.
It’s destructive on a profound level, even more so if I am responsible for the obliteration of my sense of self.
The idea of self-destruction, of an unsettling, dark urge to protect oneself, of refusal, of stubborn persistence, is what fascinated me about The Vegetarian. It’s a novel about confrontation, about purposeful “self-destruction.”
Lord, I’m dying of thirst over here! Where are all the summer horror movies?
There’s only one major, wide-release movie coming out in all of May 2017! That movie is Alien: Covenant, which I feel like I should be more excited about. If only I could get over my feelings about Prometheus. The other releases are all extremely limited releases that provide an interesting look into the state of indie horror movies. Another Evil and Berlin Syndrome are two film festival darlings. 7 Witches and Dead Awake seem like very low-budget horror movies, but not without their potential.
So while I am scrapping the bottom of the barrel with this month, there’s some good stuff here.
Check ‘em out!
*Beware: Here be mild spoilers for Raw*
During my time blogging about all things horror, I’ve found that most serious horror fans by and large stick to their favorite horror subgenres. They may only dapple in other subgenres, occasionally dipping a toe into art horror or zombie flicks, but not often. I do this. I love moody, tense psychological horror, ghost stories, and taut thrillers with elegant displays of horrific violence. Slashers? Not really my thing. The Saw movies? Ehhh, pass. And body horror? Definitely not my thing.
For some reason, body horror is particularly challenging for me. Thus, I avoid it. This isn’t to say that I think body horror is bad or uncouth or less capable of artistic potential. I accept the importance of body horror as a subgenre that is, at times, most-equipped to explore themes like mortality, physical weakness, aging and disease, over-population, and the disconnect between our mental power and our bodily strength. After all, body horror is the most universal kind of horror, since everyone is stuck in a decaying body and marches through a field of pain and pleasure towards death.
There are times when even I can’t look away from a well-done, brilliant body horror film, when even I have to admit that I really, really liked it.
This is how I felt about Raw, a 2016 French-Belgian cannibalism and coming of age horror film that made waves at Cannes last year and was finally released stateside a few weeks ago.
Well, we’re in the full film festival swing of things, which means that there is an exciting new crop of horror movies up for distribution rights! But this also means that, as far as a wide-release calendar goes, there isn’t much to see this April.
In fact, while this month’s slate of horror movies is refreshingly inventive, it’s going to be difficult for anyone to see these outside of major movie markets like New York and Los Angeles. I’m particularly sad about scrounging for a screening of sci-fi existential body horror flick The Void, praying for a showing of the macabre and witchy A Dark Song, and wishing for a chance to see Voice from the Stone, despite my misgivings.
However, many of these movies will be available on VOD shortly after their limited runs, so you won’t have to wait so long!