When I first heard about Grady Hendrix’s novel My Best Friend’s Exorcism, marketed as a cross between Heathers and The Exorcist, I just knew I had to read it. I love 80s nostalgia as much as the next person (since I am just barely a child of the 80s). I also love making fun of the 80s, what with the awful clothes and hair, the rampant and self-conscious conservatism, and the general tackiness.
And sure enough, My Best Friend’s Exorcism pays homage to this decade as much as it pokes fun at it. More than that though this novel is heartfelt and creepy, treading into the well-worn territory of fraught adolescent relationships. The result is a book whose nostalgia runs deeper than the pop culture references it deploys throughout.
I rail a lot against bad horror movies, the kind that are excuses to inflict a lot of violence, gore, and bad writing on audiences. As a horror fan, I wish to hold the genre to a certain standard of storytelling because the genre has so much to offer. But I’m realistic, and if a horror movie doesn’t live up to those standards (or even try), all I ask is that it’s at least entertaining. There’s nothing worse than a boring horror movie that tries way too hard.
However, I must confess that I have my own horror guilty pleasures. These are films that I acknowledge are poorly made movies with a laundry list of flaws. Yet somehow, I love them. I watch them over and over.
And my favorite horror guilty pleasure is 2003’s action-horror classic Underworld.
Today is the official start of the Toronto International Film Festival (TIFF), which marks the unofficial beginning of “prestige movie season”! Every year, major studio and indie films vie for spots on the TIFF line-up in the hopes of garnering buzz and positive reviews to hype their releases. They’re also hoping for the kind of critical acclaim that wins films prestigious awards.
Unlike some other festivals of this caliber, TIFF always makes room for horror movies in their lineup. In recent years, TIFF has showcased films like The Grudge in 2002, Hostel in 2005, Inside (À l’intérieur) in 2007, 2008’s The Loved Ones, Black Swan in 2009, The Lords of Salem in 2012, and Raw in 2016. Last year, TIFF screened mother!, Veronica, The Ritual (loved that movie!), Mom and Dad, and of course, Guillermo del Toro’s Oscar-winning The Shape of Water.
This year, TIFF has an impressive slate of horror movies, from the highly anticipated Halloween to quieter entries like The Wind. I can’t wait to see which ones will make a splash! Read on to see the full line-up!
*Beware, here be mild spoilers for The Terror.*
Maybe it’s because I’m a life-long Texan and I have no concept of what real winter is, but I love horror movies set in cold climates. I find that there’s a certain exoticism to an icy, snowy horror setting, where the threat of freezing to death is just as real as being eaten by a monster. That’s part of what draws me to films like Let The Right One In, The Shining, 30 Days of Night, and, of course, The Thing.
Now that it’s the end of July, and because I live in Houston, this time of the summer is particularly brutal. To ignore the oppressive heat and humidity, I’ve been spending most of my time indoors watching television and sucking down cold drinks. Every Texan knows that the best way to take advantage of our powerful air conditioning is to watch a movie that makes you feel cold.
Which brings me to The Terror.
Sometime later this year, Netflix will release a television series adaptation of The Chilling Adventures of Sabrina, a horror comic that completely reimagines Sabrina Spellman of Archie Comics fame. It will star Kiernan Shipka (Mad Men, The Blackcoat’s Daughter) as the titular Sabrina. And much like the famous TGIF show Sabrina the Teenage Witch, this version of Sabrina will focus on her struggle to balance her witchy powers and duties with her yearning to belong with mortals. However, unlike the TGIF show, The Chilling Adventures of Sabrina promises to be “worlds away” from the TGIF show and treat the story as “a dark coming-of-age story that traffics in horror, the occult and, of course, witchcraft.”
As a horror fan who firmly believes we need more witch stories, I could not be more stoked about this series. I love witches, almost as much as I love vampires. I love the recent witchy horrors, like American Horror Story: Coven, The Witch, A Dark Song, Hereditary. I love classics like Drag Me to Hell, The Witches, The Craft, Suspiria, Rosemary’s Baby, The Skeleton Key, and Black Sunday. The more witches, the better, as far as I’m concerned.
After the intense year of horror movies that was 2017, I’m confident that the 2018 horror calendar will be just as full of solid and groundbreaking films.
True, there are lousy horror movies every year, but there is an undeniable upward trend of quality, well-made horror movies. This year, the 2018 horror release calendar has a bevy of goodies for us, like from horror novel adaptions Annihilation and Birdbox, the latest entry in horror franchises such as The Purge: The Island and The Nun, and brand new stories like A Quiet Place and Slaughterhouse Rulez. There’s so much I don’t really know what to be more excited for, but the new Suspiria reimagining (don’t call it a remake!) is probably the 2018 horror movie I’m most anxious for.